GAZETTE DU BON TON. Art - Modes & Frivolités. Janvier -Fevrier 1920. 3e Année - Nº 1. -

Lucien Vogel / Conde Nast, Paris, 1921; First Edition; 7 1/2" x 9 3/4". Color pochoir fashion print by Siméon of a design for a lady’s bathing costume and shawl, from La Gazette Du Bon Ton, Lucien Vogel’s legendary fashion journal which was known for its uncompromising print quality and choice of artists and illustrators, who formed a veritable Who’s Who of the Art Deco period, with George Barbier, Pierre Brissaud, Andre Marty, Charles Martin, Edouardo Garcia Benito, Erté, Thayaht, Georges Lepape, Pierre Mourgue, and Robert Bonfils listed among them. Likewise, its articles were authored by the leading Parisian writers, academics, and critics of the day, and its opinions highly influential. Vogel signed exclusive contracts to showcase the lines of Paris’s leading couture houses in the pages of his Gazette, and the magazine was regarded by fashion conscious the world over as the epitome of style and good taste. It was printed in limited edition for subscribers only, on heavy… Read More

Lucien Vogel / Conde Nast, Paris, 1922; First Edition; 7 1/2" x 9 3/4". Color pochoir print by "Thayaht" (Ernesto Michahelles) of a stylish design for a lady’s cape by notable Parisian fashion designer Madeleine Vionnet. From La Gazette Du Bon Ton, Lucien Vogel’s legendary fashion journal which was known for its uncompromising print quality and choice of artists and illustrators, who formed a veritable Who’s Who of the Art Deco period, with George Barbier, Pierre Brissaud, Andre Marty, Charles Martin, Edouardo Garcia Benito, Erté, Thayaht, Georges Lepape, Pierre Mourgue, and Robert Bonfils among them. Likewise, its articles were authored by the leading Parisian writers, academics, and critics of the day, and its opinions highly influential. Vogel signed exclusive contracts to showcase the lines of Paris’s leading couture houses in the pages of his Gazette, and the magazine was regarded by fashion conscious the world over as the epitome of style and good taste. It was… Read More

Paris: Gazette du Bon Ton, 1923-1924. Collection of 1 print and 3 covers of the sixth and last year of the major early art deco publication, which first appeared at the height of elegant European printing in the two years prior to the outbreak of WWI. This sixth volume was the fourth to appear after WWI.... Luc Monod: Manuel de L'Amateur Livres Illustrés Modernes 1875-1975, no. 5222

Paris: Librairie Centrale des Beaux Arts, 1914-1915.. Covers of the second 2 years of the major early art deco publication, which appeared at the height of elegant European printing in the two years prior to the outbreak of WWI. Issues 1-19. Front covers. Some with back covers as well.... Luc Monod: Manuel de L'Amateur Livres Illustrés Modernes 1875-1975, no. 5222

Paris,:Librairie Centrale des Beaux Arts, 1912-1913.. Covers of the first 2 years of the major early art deco publication, which appeared at the height of elegant European printing in the two years prior to the outbreak of WWI. Issues 1-12. Front covers. Some with back covers as well. Luc Monod: Manuel de L'Amateur Livres Illustrés Modernes 1875-1975, no. 5222

Paris: Aux Editions Lucien Vogel, 1920. Collection of 14 prints and 2 covers of the third year of the major early art deco publication, which first appeared at the height of elegant European printing in the two years prior to the outbreak of WWI. This third volume was the first to appear after WWI.... Luc Monod: Manuel de L'Amateur Livres Illustrés Modernes 1875-1975, no. 5222

Paris: Lucien Vogel & Condé Nast, 1922. Collection of 26 prints ( a few duplicates) and 2 covers from the fifth year of the major early art deco publication, which first appeared at the height of elegant European printing in the two years prior to the outbreak of WWI. This fifth volume was the third to appear after WWI.... Luc Monod: Manuel de L'Amateur Livres Illustrés Modernes 1875-1975, no. 5222

Paris: Aux Editions Lucien Vogel, 1921. Collection of 37 prints ( a few duplicates) and 2 covers of the third year of the major early art deco publication, which first appeared at the height of elegant European printing in the two years prior to the outbreak of WWI. This fourth volume was the second to appear after WWI.... Luc Monod: Manuel de L'Amateur Livres Illustrés Modernes 1875-1975, no. 5222

Volume 2 of the Apres le Guerre collection assembled by Dorbin-Aire. Marbled endpapers. Lacking spine paper (see image) and general wear to edges and corners of boards; plates themselves all fine. Artists included are: Georges Barbier, Benito, Robert Bonfils, Bernard Boutet de Monvel, Pierre Brissaud, Jean-Gabriel Domergue, Drian, Iacovleff, Chas Laborde, Llano-Florez, Georges Lepape, Charles Martin, Andre Marty, Pierre Mourgue, Simeon, Zenker, Zyg-Brunner and others. Gazette's focus was on fashion, lifestyle, and beauty on a more elite level than that of Harper's Bazaar and Vogue. Part of their difference was publishing around 10 full page fashion illustrations per issue in the pochoir technique. This collection of 100 plates comes from the 1920-1922 issues. Plates are not trimmed (c. 8 x 9.7 inches; 20.2 x 24.6 cm) & are individually hinged.

Paris, Librairie Centrale des Beaux Arts, 1912-1913.. First 2 volumes of the major early art deco publication, which appeared at the height of elegant European printing in the two years prior to the outbreak of WWI.  2 volumes, with 384 pages bound in half shagreen, With numerous color pochoirs in-texte or full page and 60 color pochoirs hors-texte, some double page. The pages are bound on hinges for ease of viewing.Bindings were made for Anna Molard.2 volumes grand in-8, totalisant 384 pages, demi-chagrin, dos à nerfs orné (Orné de nombreuses illustrations en couleurs, in-texte ou à pleine page et de 60 planches hors-texte, coloriées au pochoir.Luc Monod: Manuel de L'Amateur Livres Illustrés Modernes 1875-1975, no.5222