The Hero Schliemann: The Dreamer Who Dug for Troy Paperback - 2013 - 1st Edition

When Heinrich began digging at Hissarlik, he had very little idea what he was doing. He knew that he wanted to dig into the mound and find a city of the Bronze Age, but he didn't know what a Bronze Age city would look like. His guide was Homer — he was looking for artifacts and architecture that matched the descriptions in Homer's poetry. This was not a scientific approach.

The thrust of his plan was to dig — deep. At the top of the mound, he expected to find a Roman city, then a Greek city underneath, then a Greek city from the time of Homer, and, just below that, the walled city of The Iliad. Instead of carefully sifting through the mound, layer by layer, he decided to dig out vast trenches — rather as if he were removing slices from a cake. Since Homer's Troy was ancient, Heinrich expected to find it near the bottom.

And so he dug, violently and impatiently. Frank Calvert advised him to proceed with care, to sift through what he was throwing away, but Heinrich was not a cautious man. He whacked away at the mound as if it were a piñata.

Modern archaeologists do not dig like this. They remove the earth gently and keep detailed records of what they find. If they find an artifact that isn't what they're hoping to find, they don't discard the artifact: they change their ideas. Instead of looking for something, they look carefully at whatever comes to light. Heinrich, of course, was looking for Homer's Troy. "Troy . . . was sacked twice," modern archaeologists remark, "once by the Greeks and once by Heinrich Schliemann."

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THE HERO SCHLIEMANN: THE DREAMER WHO DUG FOR TROY by Laura Amy Schlitz, illustrated by Robert Byrd. Text copyright (c) 2006 by Laura Amy Schlitz. Published by Candlewick Press, Inc., Cambridge, MA.

Laura Amy Schlitz has spent most of her life working as a librarian and professional storyteller. She has also been a playwright, a costumer, and an actress, and her plays for young people have been produced in professional theaters all over the country. She says, "When I began researching Schliemann's life, I found that he was even more remarkable than I had previously suspected. What a story! Shipwrecks and poverty and wealth and strokes of fantastic life and a Great Love and buried treasure . . . and it was all true. Then I read more, and discovered that some of it wasn't true. My romantic hero was a mythmaker and a liar. At that point, I was really hooked, because I've always been attracted to people who survive by their imagination."

Robert Byrd is currently teaching children's book illustration at the University of the Arts in Philadelphia. He is the author-illustrator of many books for children, including Leonardo, Beautiful Dreamer, winner of the Golden Kite Award for Nonfiction; Finn MacCoul and His Fearless Wife; and most recently, The Hero and the Minotaur: The Fantastic Adventures of Theseus. He says, "I did not want to make Herr Schliemann too serious; I tried to show a sense of humor, adventure, curiosity, courage, and even pomposity. I was particularly conscious of showing a variety of settings that would give the reader the full scope of his exotic travels."