The indignant eye;: The artist as social critic in prints and drawings from the fifteenth century to Picasso, by Shikes, Ralph E - 1969

Beacon Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Beacon Press. Used - Good. Used book that is in clean, average condition without any missing pages.

Beacon Press, 1976. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Beacon Press, 1976. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Boston Ma.: Beacon Press, 1969 Bottom edge wear to both the boards and DJ. Exlibrary has no external markings. Corners lightly bumped. Gift inscription in ink on the ffep. Social criticism through art.. Hard Cover. Good/Fair. 4to - over 9¾" - 12" tall. Ex-Library.

Boston, MA: Beacon Press, 1976. Paperback. Good/N/A. GOOD. Spine creased and faded; wrappers rubbed, handled, bumped, creased, with significant wear at edges and corners, including chipping; light soiling to page edges, last few page corners creased. xxviii, 439 pp., 404 illus. Size: 4to

Boston, MA: Beacon Press, 1970. HC. very good w/very good dustjacket (hardcover). B&W illustrations. A gallery of prints and drawings illustrating the art of social criticism and satire. 439pp.

Beacon Press. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Boston: Beacon Press, 1976. xxviii, 439 pages, illustrations; 26 cm. BP 543. Good+. Firm binding, clean inside copy. Sunned spine. Moderate edgewear to wraps, age toning. First paperback edition. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. CONTENTS: Prologue: the first stirrings of protest; The artist against the Church establishment: the sixteenth century; The artist, the peasant and war: the seventeenth century; Interlude; The English artist as social or political critic: from Hogarth to Cruikshank; Goya; The French Revolution and the Restoration: prologue to the nineteenth century; Daumier and his contemporaries: France, 1830-71; France and Belgium after the commune: from Pissarro to Rouault; Germany after 1871: Kollwitz, Beckmann, Grosz, Dix; The United States since 1870; Protest art in Mexico; Epilogue: social protest in art today.. 1st. Paperback. Good. 4to.

Boston: Beacon Press, 1969. Paperback. Very good. Paperback. Unpaginated. Lightly rubbed and edgeworn, sticker residue on the front, else very good.