[JAPANESE 1920s EMBROIDERY PATTERNS]. Ōyō zuan ("Designs for practical use")
by Iwai, Shunji (editor)
- Used
- very good
- Condition
- Very good
- Seller
-
Lockhart, Texas, United States
Payment Methods Accepted
About This Item
Nagoya, Japan: Fukada Zuan Kenkyūjo, 1921. Taishō 10. Very good. Large 8vo (254 x 187 mm). COMPLETE SET of 30 color-printed embroidery patterns, housed in original illustrated envelope with original string fastener. First leaf with considerable foxing, others with very light foxing or offsetting, envelope with a few marks and creases. Overall in very good condition. ECLECTIC "NON-TRADITIONAL" 1920s EMBROIDERY DESIGNS FOR "EVERYDAY" ITEMS, SUBTLY DEMONSTRATING THE TAISHO ROMAN STYLE IN WHICH WESTERN MOTIFS WERE EMBRACED BY JAPANESE "MOGA" (MODERNS GIRLS). THESE JAPANESE YOUTHQUAKERS SOUGHT TO FREE THEMSELVES FROM TRADITIONAL JAPANESE COSTUME AND -- BY EXTENSION -- TRADITIONAL JAPANESE SOCIAL CUSTOM.
Viewed today, the "Taisho Roman" aesthetic may seem somewhat tame but in fact it signaled a dramatic shift in fashion and culture that was fostered by growing liberalism and industrialization during the Taisho era (i.e. 1912-1926). This style is characterized by its "Roaring 20s" reinterpretation of traditional Japanese costume. The term "Roman" here is an abbreviation for European "Romanticism" which was seized upon by Japanese youthquakers of that era.
"In general, Taisho Roman refers to the ideals of romanticism which were expressed by a quirky reinterpretation of traditional culture during this time. Kimono of this decade often featured flowing, asymmetrical designs, with playful and whimsical motifs such as flowers, birds, and butterflies. It was also common to see the use of luxurious fabrics such as silk and satin, and the incorporation of Western-style elements such as lace and embroidery. The Taisho Roman kimono style became known for its bright colours and bold, graphic patterns such as the yabane (arrow feathers) pattern. It was in the Meiji and Taisho period that Japanese embroidery developed by absorbing unique stitches often seen in foreign embroidery." (Carolin Becke, An Introduction to Kimono Styles of Japan's Taisho Period (1912-26): The Taisho Roman Style of Female Students, 2023).
The present suite is rare, and indeed no copies of it can be traced outside Japan. There are thirty leaves of colorful designs to be embroidered onto fashional opera clutch bags, umbrellas, tablecloths, handkerchiefs, and items of "modern" clothing. Each illustration includes a title, the name of the artist, and the prefecture in which the artist lived, and thus is of real value to contemporary fashion historians.
Viewed today, the "Taisho Roman" aesthetic may seem somewhat tame but in fact it signaled a dramatic shift in fashion and culture that was fostered by growing liberalism and industrialization during the Taisho era (i.e. 1912-1926). This style is characterized by its "Roaring 20s" reinterpretation of traditional Japanese costume. The term "Roman" here is an abbreviation for European "Romanticism" which was seized upon by Japanese youthquakers of that era.
"In general, Taisho Roman refers to the ideals of romanticism which were expressed by a quirky reinterpretation of traditional culture during this time. Kimono of this decade often featured flowing, asymmetrical designs, with playful and whimsical motifs such as flowers, birds, and butterflies. It was also common to see the use of luxurious fabrics such as silk and satin, and the incorporation of Western-style elements such as lace and embroidery. The Taisho Roman kimono style became known for its bright colours and bold, graphic patterns such as the yabane (arrow feathers) pattern. It was in the Meiji and Taisho period that Japanese embroidery developed by absorbing unique stitches often seen in foreign embroidery." (Carolin Becke, An Introduction to Kimono Styles of Japan's Taisho Period (1912-26): The Taisho Roman Style of Female Students, 2023).
The present suite is rare, and indeed no copies of it can be traced outside Japan. There are thirty leaves of colorful designs to be embroidered onto fashional opera clutch bags, umbrellas, tablecloths, handkerchiefs, and items of "modern" clothing. Each illustration includes a title, the name of the artist, and the prefecture in which the artist lived, and thus is of real value to contemporary fashion historians.
Details
- Bookseller
- Michael Laird Rare Books LLC (US)
- Bookseller's Inventory #
- 4151
- Title
- [JAPANESE 1920s EMBROIDERY PATTERNS]. Ōyō zuan ("Designs for practical use")
- Author
- Iwai, Shunji (editor)
- Book Condition
- Used - Very good
- Quantity Available
- 1
- Edition
- Taishō 10
- Publisher
- Fukada Zuan Kenkyūjo
- Place of Publication
- Nagoya, Japan
- Date Published
- 1921
Terms of Sale
Michael Laird Rare Books LLC
14 day return guarantee, with full refund including original shipping costs for up to 14 days after delivery if an item arrives mis-described or damaged.
About the Seller
Michael Laird Rare Books LLC
Biblio member since 2007
Lockhart, Texas
About Michael Laird Rare Books LLC
Welcome to Michael Laird Rare Books, LLC. We specialize in fine and rare books, manuscripts, documents, ephemera, fine and historic bookbindings, and illustrated books of every description. Michael Laird is a member of the ABAA (Antiquarian Booksellers Association of America), ILAB (International League of Antiquarian Booksellers), and the Appraisers Association of America (USPAP compliant, and AAA certified in the appraisal of Rare and Antiquarian Printed Books). Michael Laird earned his masters degree in Library and Information Science from the University of Texas at Austin (1989) and has more thirty years experience in the antiquarian book trade. He is the principal Rare Book and Document appraiser at Winston Art Group (New York) and Gurr Johns (New York). From 2002 until 2013 he taught advanced graduate level courses in Rare Books and Special Collections (Palmer School of Library and Information Science at Long Island University, and the School of Information at The University of Texas at Austin School of Information).
We invite you to browse through a selection of our inventory: we strive to present the greatest historic detail and bibliographic accuracy, even for lesser priced - but no less interesting - items. We are happy to provide further images of any item: please inquire.
Order with confidence: we select every item with great care and discernment; moreover, we examine every page of every book. We are always interested in purchasing fine and rare books, manuscripts, and ephemera; please inquire. We very much appreciate your interest in our work, and your patronage. Thank you!
We invite you to browse through a selection of our inventory: we strive to present the greatest historic detail and bibliographic accuracy, even for lesser priced - but no less interesting - items. We are happy to provide further images of any item: please inquire.
Order with confidence: we select every item with great care and discernment; moreover, we examine every page of every book. We are always interested in purchasing fine and rare books, manuscripts, and ephemera; please inquire. We very much appreciate your interest in our work, and your patronage. Thank you!
Glossary
Some terminology that may be used in this description includes:
- Leaves
- Very generally, "leaves" refers to the pages of a book, as in the common phrase, "loose-leaf pages." A leaf is a single sheet...