Je Suis le Cahier: The Sketchbooks of Picasso. by Glimcher, Arnold & Marc - 1986.

Boston and New York: Atlantic Monthly Press, 1986. First Edition. Hardcover. Small Quarto; pp 349; VG/VG; black spine with red and white text; dust jacket has light wear to exterior; slight wear to edges; cloth shows light wear to exterior; strong boards; text block has minimal wear to exterior edges; interior clean; pictorial endpapers; profusely illustrated; arts - Modern; additional shipping may be necessary due to size/weight restrictions for international/expedited orders. 1313412. FP New Rockville Stock.

Very Good. [FIRST EDITION] Boston: The Atlantic Monthly Press, 1986. Hardcover, no dust jacket. ISBN: 0871131726. 349 pages with many illustrations including full-page color plates. Notes: Catalog of an exhibition held at the Pace Gallery, New York, May 2-Aug. 1, 1986. Bibliography. Very good overall condition. No marks, NOT EX-LIBRARY. (ab)

Boston: Atlantic Monthly Press, 1986. First Edition. Very Good +/Very Good+ DJ. 8vo = over 9". n/a. Printing Not Spec. Red hardcover with blue lettering. Clean interior and exterior, strong and tight binding. Dustjacket is clean, crisp, glossy.

London: Thames & Hudson, 1986. First. hardcover. fine/fine. Picasso. Profusely illustrated, including some color plates; pictorial endpapers. 349 pages. Large square 4to, red cloth, d.w., printed board slipcase. London: Thames & Hudson, 1986. First English trade edition. A fine copy in a fine dust wrapper and very good slipcase.<br/> <br/> Accompanied the 1986 Pace Gallery exhibition of the sketchbooks, which had hitherto been privately held by the artist's family. Includes a catalogue raisonne describing all 175 extant sketchbooks. With a foreword by Claude Picasso.<br/> <br/>

New York: Pace Gallery, 1986.. 4to. [349 pp.]. Very Good. Hard covers. Dust Jacket Very Good. In protective wraps. Pages clean. Richly illustrated in color and Black and White, features 175 sketchbooks, and essays by Claude Picasso, Robert Rosenblum, Sam Hunter, Francoise Gilot, and others. The final section of the book serves as catalogue raisonne. The book accompanied the exhibition at the Pace Gallery in New York in 1986, where the sketchbooks were presented. From the library of Pasquale Iannetti, as indicated by stamp and nameplate on front pages. Large volume, may cost extra for shipping.

Boston/New York: Atlantic Monthly Press, 1986. 1st. Hardcover. Very Good/Very Good. Hardcover, 347 pages, color and b&w plates. A clean, tight copy in a bright, unclipped dust jacket. "A landmark volume, revealing for the first time the full glory of Picasso's hidden sketchbook masterpieces in over 700 color, duotone, and black-and-white reproductions, representing Picasso's astounding range and diversity." Record # 809317

Boston: Atlantic Monthly, 1986. hardcover. fine. Picasso. Profusely illustrated, including some color plates; pictorial endpapers. 349 pages. Large square 4to, red cloth, d.w., red cloth slip case. New York: Pace Gallery, 1986. A fine copy in a fine dust wrapper and slipcase.<br/><br/> Accompanied the 1986 Pace Gallery exhibition of the sketchbooks, which had hitherto been privately held by the artist's family. Includes a catalogue raisonne describing all 175 extant sketchbooks. With a foreword by Claude Picasso.<br/><br/>

Boston and New York: The Atlantic Monthly Press. As New in As New dust jacket. 1986. Stated First Edition. First Printing. Hard Cover. 0871130726 . Publisher's full red buckram, gilt (black) lettering on spine, printed endpapers. Includes six essays by famous art historians, a Memoir by Claude Picasso, the artist's son, a Catalogue Raisonné, and a Reminiscence by Francoise Gilot, Claude's mother. Illustrated with hundreds of color and B&W illustrations from the sketchbooks and numerous portraits of Picasso and photographs by Man Ray. At age 13 in Barcelona (1894) Picasso began his sketchbooks, which, by 1964, totaled 175 books. Through the sketchbooks, the young painter blossomed and matured into the greatest artist of the 20th century. The sketches reveal for the first time (until now they had been privately held by the family) how the masterpieces of this great artist took shape. In a precise progression of images one can trace the development of such works as the… Read More