L'Age Mecanique by Cassou, Jean, et al - 1959

Musee d'Unterlinden - Colmar, 1968. *Price HAS BEEN REDUCED by 10% until Monday, June 3 (sale item)* 53 pp., Paperback, ex library, minor fading to covers, minor age discoloration to page edges, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Peebles Press, 1974-01-01. Hardcover. Good. 0.3937 in x 9.9213 in x 7.9528 in.

London: Studio Vista. Nearly fine copy. 1970. 1st. softcover. 8vo, 201 pp. .

Paris: Rieder, 1936. Wraps. Good. 8vo, pp. 434-576. In French. A browned and fragile copy with wrappers chipped, torn, and beginning to pull loose from spine.

Greenwich, CT: New York Graphic Society, 1970. 201 pages, illustrations; 22 cm. Translated from the French. Good+. Firm binding, creased spine. Clean inside copy. Browning. An interesting anthology. CONTENTS: Art and confrontation, by Jean Cassou; The artist and society, by Michel Ragon; "No more Claudels", by Andre Fermigier; Contemporary art and the "old mole", by Gilbert Lascault; Is confrontation possible?, by Gerald Gassiot-Talabot; Living without selling, by Raymonde Moulin; The cultural world and art education, by Pierre Gaudibert; "The cinema rises in rebellion", "The cinema is liberty", by Rene Micha; What's to be done about Art?, by Alain Jouffroy.. Paperback. Good. 8vo.

October House Inc, 1965-01-01. Hardcover. Acceptable/Missing. 10x7x0. A former library book from a small College with usual markings and additions; The binding is tight; the pages are clean. Very little wear. Shipping within 24 hours, with a tracking number and delivery confirmation.

Paris: Somogy, 1988. hardcover. very good/very good(-). Text in French. Illustrated in color and black and white. 292 pages (private library stamp on front free endpaper), 8vo, blind-stamped brown cloth (corners gently bumped), dust wrapper (frayed at top of spine). Paris: Somogy, (1988). A very good copy in a very good (-) dust wrapper.<br/><br/>

October House Inc, 1965-01-01. Hardcover. Acceptable. 0x0x0. Hardcover. Fair, no dust jacket. Evident wear. Tears at spine. Name inside. Text block clean and unmarked. Tight binding.

Paris: (Louis Carre), 1963. Soft cover. Very Good. Stiff printed wrappers, DW, slender 8vo., 39, (6) pages, illustrated with a Brassai portrait of Villon. Calling card of Louis Carre laid in. A very good copy with some edgewear and soiling to the acetate DW.

New York Graphic Society New York 1968 . Fine 21.0 Cm x 13.5cm, 202pp Very Good Soft Cover Informed by Herbert Marcuse's critique of the consumer society, these essays engage with the ramifications of Paris's May Revolution for the art world. They are 'Art & Confrontation' (Cassou); 'The Artist & Society' (Ragon); 'No More Claudels' (Fermigier); 'Contemporary Art & The Old Mole' (Lascault); 'Is Confrontation Possible?' (Gassiot-Talabot); 'Living Without Selling' (Moulin); 'The Cultural World & Art Education' (Gaudibert); 'The Cinema Rises In Rebellion' & 'Cinema Is Liberty' (Micha) and 'What Is to Be Done About Art?" (Jouffroy).