Description:
Oxford: Shakespeare Head Press, 1930-31. No. 302 OF 450 COPIES on paper (and 10 on vellum). 292 x 203 mm. (11 1/2 x 8"). Five volumes. Translated by George Chapman. Publisher's original burnt-orange half morocco over cream-colored buckram, edges untrimmed. In a later paper-covered slipcase. With 52 wood engravings by John Farleigh, comprised of two frontispieces, woodcut-framed title pages to volumes I and V, and 48 full-page cuts. With ink ownership inscription of Daisy Patterson Hall on limitations pages. Ransom, p. 17; Franklin, p. 236; Horne, p. 185. ◆Overall fading and significant chafing to spines, minor dressing residue to leather, faint dampstain covering about a third of the back cover of volume V (a few tiny stray stains on the spine of the same volume), but the bindings showing little wear, and the sides of the other volumes (often found foxed) virtually spotless and very pleasing. Internally a beautiful copy, as fresh and clean as one could hope for. This is the major modern fine…
Read More LYRICAL BALLADS by WORDSWORTH, WILLIAM, [and] SAMUEL TAYLOR COLERIDGE - 1800
by WORDSWORTH, WILLIAM, [and] SAMUEL TAYLOR COLERIDGE
Similar copies are shown below.
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LYRICAL BALLADS
by WORDSWORTH, WILLIAM, [and] SAMUEL TAYLOR COLERIDGE
- Used
- first
London: J. & A. Arch, 1798; T. N. Longman and O. Rees, 1800. FIRST EDITION, Second (London) Issue of first volume; FIRST EDITION, First State of the second volume (p. 209 with last word of footnote in the middle of the page; p. 210 with 10 lines only; p. 211 with 19 lines, ending with "he thought again"; p. 212 with 19 lines, beginning with "And his heart fail'd him"). 175 x 105 mm. (6 3/4 x 4 1/8"). Two volumes..
LOVELY CRIMSON CRUSHED MOROCCO, GILT, BY FRANCIS BEDFORD (stamp-signed on front turn-ins), covers with French fillet border, raised bands, spine compartments with distinctive urn-and-bird centerpiece surrounded by small tools, leafy cornerpieces, gilt titling, densely gilt turn-ins, dark green endpapers, top edges gilt, other edges untrimmed. Front pastedowns with engraved bookplate of Harold Greenhill; from the collection of Bradley Martin (his sale, Sotheby's New York, 1 May 1990, lot 3333). Ashley VIII, 5-8; Hayward 202 (Bristol imprint); Grolier English 66; PMM 256 (the second edition, the "Manifesto of the Romantic Movement''); Rothschild 2603, 2604. ◆Short, faint scratch to one board (well-masked by dye), half a dozen leaves with expert paper repairs to short marginal tears (well away from text), a couple of faint spots of foxing, but AN ESPECIALLY FINE SET, clean, bright, and as amply margined as possible, in extremely lustrous and unworn bindings.
This is a rarely seen set, offered here in extraordinarily fine and pretty bindings, of the two first editions often described as the inaugural event of the Romantic period. The printing of "Lyrical Ballads" constituted an experiment for the two young poets (Wordsworth was 28, Coleridge 26) in the modification of the traditional artificial verse styles in order to capture forceful sincerity and elemental human emotions. Their radical purpose was nothing short of the reformation of poetry by deposing an artificial literary tradition and substituting a new poetics, more in keeping with normal contemporary speech patterns, and to infuse their work with what Wordsworth called "the spontaneous overflow of powerful feelings." Folk ballads, as "natural" poetry, formed their models for pieces that reveal a sense of lasting joy in nature and in experiences common to all humans. The volumes contain, among others, "Tintern Abbey," "Lines Written in Early Spring," "We Are Seven," "The Brothers," "Michael," and "The Ancyent Marinere," 10 stanzas of which appear only in this edition. Volume I is the second issue of the first edition, with London rather than Bristol identified as the place of publication on the title page; there is just one known and one hypothetical copy of the Bristol issue. Additional issue points for these volumes are: Vol. I: p. 19 reads "Oft" in line 10, p. 204 reads "woods" (with the final "s" and comma) in line 15 and "thought" (with the final "t" and comma) in line 17; Vol. II: 01-2 are uncancelled, p. 64 reads "Oft had I" in line 1 and "wide Moor" in line 6, p. 83 has a comma after "last days" in line 6, p. 92 reads "He" (capitalized) in line 2, and p. 129 has "when they please" properly spaced in line 11. The second volume offered here was originally issued with a companion first volume that was virtually a reprint of the 1798 volume; as a result of this reissue, and the two-year gap before the publication of the second volume, it can be difficult to find a set composed of our two first editions. For five years our binder Francis Bedford (1799-1883) managed the firm of Charles Lewis for the latter's widow and then was in a partnership for 10 years with John Clarke before establishing his own bindery in 1851. He shortly became recognized as the leading binder in fashionable West-end London, and his firm enjoyed prosperity not only until his death, but for 10 years afterwards, under the ownership of Joseph Shepherd. Bedford bindings are almost always elegantly traditional in their design and very handsome in the execution. This set was once owned by the extraordinarily discriminating American collector H. Bradley Martin (1906-88); his copy of any book will always be distinguished as having been a part of a library chosen by one of the most discerning of modern collectors. The heir to a steel fortune and a director at a leading New York investment bank, Martin was a member of the Grolier Club for 50 years and was one of the great American book collectors of the 20th century. His library of 10,000 volumes was sold at Sotheby's in nine sales during 1989-90; these volumes appeared in that sale as Lot 3333. Former owner Harold Greenhill (1893-1968) was a Chicago book collector, active in the Caxton and Grolier Clubs. These works, especially when offered together, are uncommon in general, and handsomely bound, choice copies like the present set are exceedingly hard to find..
LOVELY CRIMSON CRUSHED MOROCCO, GILT, BY FRANCIS BEDFORD (stamp-signed on front turn-ins), covers with French fillet border, raised bands, spine compartments with distinctive urn-and-bird centerpiece surrounded by small tools, leafy cornerpieces, gilt titling, densely gilt turn-ins, dark green endpapers, top edges gilt, other edges untrimmed. Front pastedowns with engraved bookplate of Harold Greenhill; from the collection of Bradley Martin (his sale, Sotheby's New York, 1 May 1990, lot 3333). Ashley VIII, 5-8; Hayward 202 (Bristol imprint); Grolier English 66; PMM 256 (the second edition, the "Manifesto of the Romantic Movement''); Rothschild 2603, 2604. ◆Short, faint scratch to one board (well-masked by dye), half a dozen leaves with expert paper repairs to short marginal tears (well away from text), a couple of faint spots of foxing, but AN ESPECIALLY FINE SET, clean, bright, and as amply margined as possible, in extremely lustrous and unworn bindings.
This is a rarely seen set, offered here in extraordinarily fine and pretty bindings, of the two first editions often described as the inaugural event of the Romantic period. The printing of "Lyrical Ballads" constituted an experiment for the two young poets (Wordsworth was 28, Coleridge 26) in the modification of the traditional artificial verse styles in order to capture forceful sincerity and elemental human emotions. Their radical purpose was nothing short of the reformation of poetry by deposing an artificial literary tradition and substituting a new poetics, more in keeping with normal contemporary speech patterns, and to infuse their work with what Wordsworth called "the spontaneous overflow of powerful feelings." Folk ballads, as "natural" poetry, formed their models for pieces that reveal a sense of lasting joy in nature and in experiences common to all humans. The volumes contain, among others, "Tintern Abbey," "Lines Written in Early Spring," "We Are Seven," "The Brothers," "Michael," and "The Ancyent Marinere," 10 stanzas of which appear only in this edition. Volume I is the second issue of the first edition, with London rather than Bristol identified as the place of publication on the title page; there is just one known and one hypothetical copy of the Bristol issue. Additional issue points for these volumes are: Vol. I: p. 19 reads "Oft" in line 10, p. 204 reads "woods" (with the final "s" and comma) in line 15 and "thought" (with the final "t" and comma) in line 17; Vol. II: 01-2 are uncancelled, p. 64 reads "Oft had I" in line 1 and "wide Moor" in line 6, p. 83 has a comma after "last days" in line 6, p. 92 reads "He" (capitalized) in line 2, and p. 129 has "when they please" properly spaced in line 11. The second volume offered here was originally issued with a companion first volume that was virtually a reprint of the 1798 volume; as a result of this reissue, and the two-year gap before the publication of the second volume, it can be difficult to find a set composed of our two first editions. For five years our binder Francis Bedford (1799-1883) managed the firm of Charles Lewis for the latter's widow and then was in a partnership for 10 years with John Clarke before establishing his own bindery in 1851. He shortly became recognized as the leading binder in fashionable West-end London, and his firm enjoyed prosperity not only until his death, but for 10 years afterwards, under the ownership of Joseph Shepherd. Bedford bindings are almost always elegantly traditional in their design and very handsome in the execution. This set was once owned by the extraordinarily discriminating American collector H. Bradley Martin (1906-88); his copy of any book will always be distinguished as having been a part of a library chosen by one of the most discerning of modern collectors. The heir to a steel fortune and a director at a leading New York investment bank, Martin was a member of the Grolier Club for 50 years and was one of the great American book collectors of the 20th century. His library of 10,000 volumes was sold at Sotheby's in nine sales during 1989-90; these volumes appeared in that sale as Lot 3333. Former owner Harold Greenhill (1893-1968) was a Chicago book collector, active in the Caxton and Grolier Clubs. These works, especially when offered together, are uncommon in general, and handsomely bound, choice copies like the present set are exceedingly hard to find..
- Bookseller Phillip J. Pirages Fine Books and Medieval Manuscripts (US)
- Book Condition Used
- Quantity Available 1
- Edition FIRST EDITION, Second (London) Issue of first volume; FIRST EDIT
- Publisher J. & A. Arch, 1798; T. N. Longman and O. Rees
- Place of Publication London
- Date Published 1800
We have 91 copies available starting at $1.02.
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THE WORKS
by (SHAKESPEARE HEAD PRESS). HOMER
- Used
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- Used
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- No. 302 OF 450 COPIES on paper (and 10 on vellum)
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$988.00
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THE ROMANE HISTORIE . . . ALSO, THE BREVIARIES OF L. FLORUS . . . AND THE TOPOGRAPHIES OF ROME IN OLD TIME
by HOLLAND, PHILEMON, Translator. LIVIUS, TITUS. [LIVY]
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- FIRST COMPLETE EDITION IN ENGLISH
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- Unknown
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McMinnville, Oregon, United States
- Item Price
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$18,200.00
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London: Adam Islip, 1600. FIRST COMPLETE EDITION IN ENGLISH. 330 x 220 mm. (13 x 8 3/4"). 6 p.l., 1403, [1] pp., [21] leaves (first and last leaves blank). Translated from the Latin by Philemon Holland. Early 18th century mottled calf, raised bands, spine gilt in compartments with large central fleuron and complex scrolling cornerpieces, one compartment with gilt lettering "G / 2 * II," another with small inlaid red morocco label of the Earl of Essex, with gilt "SX" and a coronet, red morocco title label, edges marbled (expertly--almost invisibly--rebacked and recornered). Title page with printer's elaborate device (McKerrow 324), verso of title with woodcut portrait of Queen Elizabeth I, dedication to the queen with woodcut headpiece and armorial initial, verso of fourth leaf with portrait of Livy within a laurel wreath, verso of sixth leaf with epitaph of Livy within a laurel wreath. Front pastedown with 18th(?) century ink notation "D : 2. / 9."; also with engraved armorial bookplate of James…
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TELEMACHUS ULYSSIS FILIUS
by (BINDINGS - ETRUSCAN CALF). [FÉNELON, FRANÇOIS DE SALIGNAC DE LA MOTHE]
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- Used
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- Second Edition in Latin
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McMinnville, Oregon, United States
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Augustae Vindelicorum [Augsburg]: Conradum Henricum Stage, 1764. Second Edition in Latin. 208 x 160 mm. (8 1/8 x 6 1/4"). 9 p.l., 262 pp.Translated from French into Latin by Joseph Claude Destouches. VERY ATTRACTIVE LATE 18TH CENTURY ETRUSCAN CALF IN THE STYLE OF EDWARDS OF HALIFAX, covers with gilt border, central panel framed by stencilled palmettes within double gilt rules, an Etruscan-style vase at center within a stencilled sunburst, raised bands, spine panels with blind-stamped Etruscan vase, black morocco label, gilt-rolled turn-ins, all edges gilt. With printer's elaborate engraved device on title page, engraved portrait of Elector Maximilian-Joseph of Bavaria at the head of the dedication to him, engraved allegorical headpiece at the opening of Book I, wood-engraved tailpieces at end of each section. ◆Small wormhole near head of front joint, two corners a bit bumped, minor foxing to title and final page, other trivial imperfections, but QUITE A FINE, WIDE-MARGINED COPY, clean, fresh, and…
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DE ARTE PRAEDICANDI (BOOK IV OF "DE DOCTRINA CHRISTIANA")
by (INCUNABULAR LEAF). AUGUSTINUS, AURELIUS
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[Strassburg]: Johann Mentelin, [not after 1466]. FIRST EDITION. 280 x 205 mm. (11 x 8"). Single column, 39 lines in gothic type. Attractively matted. Capitals struck with red, paragraph marks in red or blue. Goff A-1226; BMC I, 52; ISTC ia01226000. ◆A touch of browning just to head edge, but AN ESPECIALLY FINE LEAF--extremely clean, fresh, and bright with ample margins--from the very rare first edition of Augustine's short work (22 leaves) on the art of preaching, and the only work to contain the name of printer Johann Mentelin. .
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DE CONSANGUINITATE ET AFFINITATE
by (INCUNABULAR LEAF WITH WOODCUT). COSTA, STEPHANUS
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McMinnville, Oregon, United States
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$884.00
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Pavia: Martinus de Lavalle, 3 August 1489. FIRST EDITION. 367 x 253 mm. (14 1/2 x 9 7/8"). Double column, 58 lines in gothic type. Attractively matted. WITH A FULL-PAGE WOODCUT OF THE "TREE OF CONSANGUINITY" in the shape of a large arrow superimposed on the body of Christ the King. Text printed in red and black. Remnants of mounting tape to verso. Goff C-945; BMC VII, 1012; ISTC ic00945000. ◆Slight corner crease, faint thumbing to one corner of margin, but A FINE LEAF, clean, fresh, and ESPECIALLY BRIGHT, from the only incunabular edition of a rare work on consanguinity, setting forth prohibitions on marriage between those closely related by blood. .
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THE WORKS
by (SHAKESPEARE HEAD PRESS). HOMER
- Used
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- Used
- Edition
- No. 302 OF 450 COPIES on paper (and 10 on vellum)
- Binding
- Unknown
- Quantity Available
- 1
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McMinnville, Oregon, United States
- Item Price
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$988.00
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Description:
Oxford: Shakespeare Head Press, 1930-31. No. 302 OF 450 COPIES on paper (and 10 on vellum). 292 x 203 mm. (11 1/2 x 8"). Five volumes. Translated by George Chapman. Publisher's original burnt-orange half morocco over cream-colored buckram, edges untrimmed. In a later paper-covered slipcase. With 52 wood engravings by John Farleigh, comprised of two frontispieces, woodcut-framed title pages to volumes I and V, and 48 full-page cuts. With ink ownership inscription of Daisy Patterson Hall on limitations pages. Ransom, p. 17; Franklin, p. 236; Horne, p. 185. ◆Overall fading and significant chafing to spines, minor dressing residue to leather, faint dampstain covering about a third of the back cover of volume V (a few tiny stray stains on the spine of the same volume), but the bindings showing little wear, and the sides of the other volumes (often found foxed) virtually spotless and very pleasing. Internally a beautiful copy, as fresh and clean as one could hope for. This is the major modern fine…
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$988.00
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THE ROMANE HISTORIE . . . ALSO, THE BREVIARIES OF L. FLORUS . . . AND THE TOPOGRAPHIES OF ROME IN OLD TIME
by HOLLAND, PHILEMON, Translator. LIVIUS, TITUS. [LIVY]
- Used
- first
- Condition
- Used
- Edition
- FIRST COMPLETE EDITION IN ENGLISH
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- Unknown
- Quantity Available
- 1
- Seller
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McMinnville, Oregon, United States
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$18,200.00
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London: Adam Islip, 1600. FIRST COMPLETE EDITION IN ENGLISH. 330 x 220 mm. (13 x 8 3/4"). 6 p.l., 1403, [1] pp., [21] leaves (first and last leaves blank). Translated from the Latin by Philemon Holland. Early 18th century mottled calf, raised bands, spine gilt in compartments with large central fleuron and complex scrolling cornerpieces, one compartment with gilt lettering "G / 2 * II," another with small inlaid red morocco label of the Earl of Essex, with gilt "SX" and a coronet, red morocco title label, edges marbled (expertly--almost invisibly--rebacked and recornered). Title page with printer's elaborate device (McKerrow 324), verso of title with woodcut portrait of Queen Elizabeth I, dedication to the queen with woodcut headpiece and armorial initial, verso of fourth leaf with portrait of Livy within a laurel wreath, verso of sixth leaf with epitaph of Livy within a laurel wreath. Front pastedown with 18th(?) century ink notation "D : 2. / 9."; also with engraved armorial bookplate of James…
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$18,200.00
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TELEMACHUS ULYSSIS FILIUS
by (BINDINGS - ETRUSCAN CALF). [FÉNELON, FRANÇOIS DE SALIGNAC DE LA MOTHE]
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- Condition
- Used
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- Second Edition in Latin
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- Unknown
- Quantity Available
- 1
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McMinnville, Oregon, United States
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$2,340.00
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Augustae Vindelicorum [Augsburg]: Conradum Henricum Stage, 1764. Second Edition in Latin. 208 x 160 mm. (8 1/8 x 6 1/4"). 9 p.l., 262 pp.Translated from French into Latin by Joseph Claude Destouches. VERY ATTRACTIVE LATE 18TH CENTURY ETRUSCAN CALF IN THE STYLE OF EDWARDS OF HALIFAX, covers with gilt border, central panel framed by stencilled palmettes within double gilt rules, an Etruscan-style vase at center within a stencilled sunburst, raised bands, spine panels with blind-stamped Etruscan vase, black morocco label, gilt-rolled turn-ins, all edges gilt. With printer's elaborate engraved device on title page, engraved portrait of Elector Maximilian-Joseph of Bavaria at the head of the dedication to him, engraved allegorical headpiece at the opening of Book I, wood-engraved tailpieces at end of each section. ◆Small wormhole near head of front joint, two corners a bit bumped, minor foxing to title and final page, other trivial imperfections, but QUITE A FINE, WIDE-MARGINED COPY, clean, fresh, and…
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$2,340.00
DE ARTE PRAEDICANDI (BOOK IV OF "DE DOCTRINA CHRISTIANA")
by (INCUNABULAR LEAF). AUGUSTINUS, AURELIUS
- Used
- first
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- Used
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- FIRST EDITION
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McMinnville, Oregon, United States
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[Strassburg]: Johann Mentelin, [not after 1466]. FIRST EDITION. 280 x 205 mm. (11 x 8"). Single column, 39 lines in gothic type. Attractively matted. Capitals struck with red, paragraph marks in red or blue. Goff A-1226; BMC I, 52; ISTC ia01226000. ◆A touch of browning just to head edge, but AN ESPECIALLY FINE LEAF--extremely clean, fresh, and bright with ample margins--from the very rare first edition of Augustine's short work (22 leaves) on the art of preaching, and the only work to contain the name of printer Johann Mentelin. .
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$2,028.00
DE CONSANGUINITATE ET AFFINITATE
by (INCUNABULAR LEAF WITH WOODCUT). COSTA, STEPHANUS
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McMinnville, Oregon, United States
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Pavia: Martinus de Lavalle, 3 August 1489. FIRST EDITION. 367 x 253 mm. (14 1/2 x 9 7/8"). Double column, 58 lines in gothic type. Attractively matted. WITH A FULL-PAGE WOODCUT OF THE "TREE OF CONSANGUINITY" in the shape of a large arrow superimposed on the body of Christ the King. Text printed in red and black. Remnants of mounting tape to verso. Goff C-945; BMC VII, 1012; ISTC ic00945000. ◆Slight corner crease, faint thumbing to one corner of margin, but A FINE LEAF, clean, fresh, and ESPECIALLY BRIGHT, from the only incunabular edition of a rare work on consanguinity, setting forth prohibitions on marriage between those closely related by blood. .
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Lyrical Ballads: With A Few Other Poems (Penguin Classics: Poetry First Editions)
by Wordsworth, William
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Lyrical ballads (University paperbacks, UP277)
by Wordsworth, William
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- 9780416297201 / 041629720x
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bryantown, Maryland, United States
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Methuen: distributed in the U.S., 1968-01-01. Paperback. Like New. 1.0236 in x 7.6378 in x 5.0394 in.
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Wordsworth & Coleridge Lyrical Ballads
by Samuel Taylor Coleridge
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GORING BY SEA, West Sussex, United Kingdom
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Lyrical Ballads (Penguin Classics)
by Wordsworth, William
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Lyrical Ballads (Penguin Classics)
by Wordsworth, William
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Lyrical Ballads (Penguin Classics)
by Wordsworth, William
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Lyrical Ballads : With Frw Other Poems
by WILLIAM WORDSWORTH
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Penguin Classics. Softcover. Brand New. We ship fast via USPS/FedEx/DHL/Aramex Express Services. No shipping to PO BOX, APO, FPO addresses. Kindly provide day time phone number in order to ensure smooth delivery. We may ship from Asian regions for inventory purpose. 100% Customer satisfaction guaranteed! We use Fast Shipping via DHL/FEDEX/UPS
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Lyrical Ballads: 1798 and 1802 (Oxford World's Classics)
by Wordsworth, William
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Bensalem, Pennsylvania, United States
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Lyrical Ballads: 1798 and 1802 (Oxford World's Classics)
by Wordsworth, William
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Philadelphia, Pennsylvania, United States
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Lyrical Ballads: 1798 and 1802 (Oxford World's Classics)
by Wordsworth, William
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