Modern Dreams: The Rise and Fall and Rise of Pop by Brian Wallis (Editor), Tom Finkelpearl (Editor), Patricia Phillips (Editor), Glenn Weiss (Editor), Thomas Lawson (Editor) - 1988-12-19

MIT Press (MA), 1988. Paperback. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

MIT Press (MA), 1988. Paperback. Very Good. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

The MIT Press. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Good.

The MIT Press, 1988-12-19. Paperback. Very Good. Very good paperback. Spine is uncreased, binding tight and sturdy; text/illustrations also very good. Shelfwear is very minor. NOT an ex-library copy, NO remainder mark, NOT a book club. Ships from Dinkytown in Minneapolis, Minnesota.

The MIT Press, 1988-01-01. First Paperback Edition. Paperback. Very Good. 7x7x0. Minor shelf wear to binding. Light foxing on edges of text block & endpapers. Text and images unmarked.

Cambridge, MA: MIT Press, 1989. 191 pages, illustrations (some colour); 20 cm. Modern Dreams: The Rise and Fall and Rise of Pop accompanies "The Pop Project," a series of exhibitions presented by The Institute for Contemporary Art developed for The Clocktower Gallery, from October 22, 1987 through June 12, 1988. A good reading copy with some underlining, chiefly clean. CONTENTS: Tomorrow and tomorrow and tomorrow: the independent group and popular culture, by Brian Wallis; Bunk: Eduardo Paolozzi and the legacy of the independent group, by Thomas Lawson; The long front of culture, by Lawrence Alloway; This is tomorrow: genesis of an exhibition, by Graham Whitham; Designed aesthetic: exhibition design and the independent group, by Judith Barry; New brutalism and the welfare state: 1949-59, by Kenneth Frampton; But today we collect ads, by Alison and Peter Smithson; Persuading image, by Richard Hamilton; Vehicles of desire, by Reyner Banham; The sci-fi connection: the IG, J. G. Ballard, and… Read More

NEW YORK / London: THE INST. FOR CONTEMPORARY ART / MIT PRESS, 1988 The Clocktower Gallery, New York. Illustrated throughout text by designers of the pop culture. With 22 Contributors- Please see our images of the actual book offered for sale for further details and condition. VG- Laminated Book- 200x200mm -191pp -no inscs., sound copy, light crease to spine, cover & end paper staring to fox.

New York: The Institute for Contemporary Art. Very Good with no dust jacket. 1988. Softcover. 0262730812 . 191 pp. Photos. Edgewear, corners rubbed. Companion book to the "Pop Project", a series of exhibitions at the Clocktower Gallery in New York, presented from October 1987 to Jume 1988; 8vo 8" - 9" tall .

Mit Press Institute Of Contemporary Art., 1988. Soft cover. Very Good. Only Blemish Is Name On Inside Rear Wrappers. Square Format.