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Negro Artists: An Illustrated Review of Their Achievements Including Exhibition of Paintings by the late Malvin Gray Johnson and Sculptures by Richmond Barthé and Sargent Johnson. Presented by the Harmon Foundation in Cooperation With Delphic Studios April 22-May 4, 1935, Inclusive. by [Art] [African-American] - 1935

by [Art] [African-American]

Negro Artists: An Illustrated Review of Their Achievements Including Exhibition of Paintings by the late Malvin Gray Johnson and Sculptures by Richmond Barthé and Sargent Johnson. Presented by the Harmon Foundation in Cooperation With Delphic Studios April 22-May 4, 1935, Inclusive. by [Art] [African-American] - 1935

Negro Artists: An Illustrated Review of Their Achievements Including Exhibition of Paintings by the late Malvin Gray Johnson and Sculptures by Richmond Barthé and Sargent Johnson. Presented by the Harmon Foundation in Cooperation With Delphic Studios April 22-May 4, 1935, Inclusive.

by [Art] [African-American]

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New York: Harmon Foundation, Inc., 1935. 8vo (8 x 5 1/8 inches; 205 x 130 mm), 59, [1] pages in stapled illustrated wrappers. A profusely illustrated catalogue for an exhibition of works by three black artists: the painter Malvin Gray Johnson (who had died recently), and the sculptors Sargent Johnson and Richmond Barthé. The exhibition was held at the Delphic Studios on Fifth Avenue in New York under the auspices of the Harmon Foundation. Real-estate magnate and philanthropist William E. Harmon established the Harmon Foundation in 1922 to give out awards for self-improvement and character development. By 1926, the foundation had established Awards for Distinguished Achievement Among Negroes in eight different fields, including fine arts. Besides highlighting the three-person exhibition, the catalogue discusses the history and advances of black art during the previous 10 years. There's also tribute to Malvin Gray Johnson as well as "News Notes on Negro Artists," which serves as a roundup of recent activities by black artists. Other essays deal with art courses in schools and universities and artistic instruction in workshops. Finally, the catalogue features a valuable directory of black artists with biographical notes about the artists.This catalogue is widely held by institutions, with OCLC First Search showing more than 70 institutional holdings. However, there were no other copies in commerce as of November 7, 2019. An interesting insight into the activities of black artists, many of whom played important roles in the Harlem Renaissance. Further Reading: Gary A. Reynolds and Beryl J. Wright, Against the Odds: African-American Artists and the Harmon Foundation, The Newark Museum, 1989.

CONDITION: Soiling and increasing to wrappers, with small nicks to both wrappers and to a few other pages. Overall, Very Good.
  • Bookseller Independent bookstores US (US)
  • Book Condition Used
  • Quantity Available 1
  • Publisher Harmon Foundation, Inc.
  • Place of Publication New York
  • Date Published 1935
  • Keywords Art & Design; African-American
Next Generation: Southern Black Aesthetic

Next Generation: Southern Black Aesthetic

by [AFRICAN-AMERICAN ART & ARTISTS] Various Authors

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Winston-Salem: Southeastern Center for Contemporary Art, 1990. First Edition. Quarto (26cm x 29cm). Pictorial wrappers; 163pp; illus. Light wear to wrapper edges; faint creases to corners; Near Fine. Extensively illustrated in color. Catalog for the traveling exhibition originating at SECCA in 1990.
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Redefining Museum

Redefining "Museum"

by International Review of African American Art

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Hampton: International Review of African American Art, 2015. 4to. Very good. 67 pp. Soft cover. Color plates.
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Transatlantic Dialogue: Contemporary Art in and Out of Africa
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Transatlantic Dialogue: Contemporary Art in and Out of Africa

by Harris, Michael D.; Okediji, Moyo; Okediji, Moyosore B.; Ackland Art Museum; National Museum of African Art (U. S.); Dusable Museum of African-American History

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ISBN 10 / ISBN 13
9780295979335 / 029597933X
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Univ of Washington Pr, 2000-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title!
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Africobra Turns 50. Vol. 28. No. 3.

Africobra Turns 50. Vol. 28. No. 3.

by The International Review Of African-American Art

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Santa Monica, CA: Museum Of African American Art, [1991].. Periodical. 4to. Trade Paperback. 64 pp. Mostly Color Plates. Very Good.
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The Museum of African American Art and the Florida Education Fund present The catalogue of the Barnett-Aden Collection

by Museum of African-American Art (Tampa, F

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ISBN 10 / ISBN 13
9780898659610 / 0898659612
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Donning, 1/1/1995. Hardcover. Like New. 12x9x0. Hardcover and dust jacket. Fine binding and cover. Light wear. Clean, unmarked pages. 144 pages : color illustrations ; 32 cm. <br> "Since 1991, the Florida Education Fund's Museum of African American Art has been nationally recognized for its remarkable and historically accurate depiction of African American life over the past century." <br> This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US.
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Thompson, Robert Farris
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Thompson, Robert Farris

by Flash of the Spirit: African and Afro-American Art and Philosophy

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ISBN 10 / ISBN 13
9780394505152 / 0394505158
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New York. 1983. July 1983. Random House. 1st American Edition. Very Good in Dustjacket. 0394505158. 318 pages. hardcover. Jacket design: Richard Adelson. Jacket art: Bronze plaque of Representation of Leopard. courtesy of Linden Museum, Stuttgart. West Germany. keywords: Art Philosophy Africa History. FROM THE PUBLISHER - In Roll, Jordan, Roll Eugene Genovese remarked: ‘Robert Farris Thompson (is) the art historian of Africa who has turned his talent to Afro-America and sketched the course that creative new work is likely to follow'.' A decade later, Thompson gives us his magnum opus. Here - long awaited, eagerly anticipated - is Flash of the Spirit, a landmark of scholarship combined with originality: the first book in any language to show, with precision, clarity and thoroughness, how five classical African civilizations have shaped black cultures throughout the Americas. And more: it contains illustrations galore. Relying on more than twenty years of wide-ranging field research,… Read More
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Charles White (David C. Driskell Series of African American Art) Andrea Barnwell Brownlee and...
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Charles White (David C. Driskell Series of African American Art) Andrea Barnwell Brownlee and Charles

by Charles White (David C. Driskell Series of African American Art) Andrea Barnwell Brownlee and Charles White White

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ISBN 10 / ISBN 13
9780764921292 / 0764921290
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New York, New York, United States
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Fine. Other than tiny bump, this is in great condition; ships from NYC
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Black Man's Art Gallery

Black Man's Art Gallery

by (African American Art)

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San Francisco, 1971. Illustrated. 8pp. (including wrappers). Original stapled wrappers. Illustrated. 8pp. (including wrappers). The Haight Street gallery, which opened in 1968 owned by Juba Solo, featured work of The Tribe: John Britton, Leon Kennedy, Robert Henry, John Benson, Dolphus Smith and Deborah Wilkins.
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THE AMERICAN EXHIBITING ARTISTS AND PHILA. DEPT. OF RECREATION PRESENT PHILADELPHIA NEGRO ARTIST 196

THE AMERICAN EXHIBITING ARTISTS AND PHILA. DEPT. OF RECREATION PRESENT PHILADELPHIA NEGRO ARTIST 196

by [African-American Art]: [Pennsylvania]

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New Haven, Connecticut, United States
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[Philadelphi, 1967. Broadside printed in brown on light blue paper, 18 x 12 inches. Minor edge wear, small bump along left edge, occasional mild spotting. Overall very good. An attractive and rare poster promoting a series of public events for Philadelphia-area African-American artists held at the Lee Cultural Center, 440 Haverford Avenue, in February and March, 1967. Events included fine art, poetry, drama, dance, a gallery talk, and jazz, folk, blues, and gospel music. The "Afro-American Thespians" were directed by Ed Bernard and the "Afro-American Dance Ensemble" was directed by A. Hall. Several other artists are also listed by first initial and last name, including H. Showell, C. Malone, C. Campbell, and D. Morton. The gallery talk was given by Randall Craig of the Philadelphia Board of Education. The most prominent exhibition included an "Oils Sculpture by local artists Honoring Louis Sloan." Louis B. Sloan was a legend in his own time in Philadelphia, a prominent landscape painter, teacher,… Read More
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[Four Harmon Foundation catalogues of African American artists, including the groundbreaking 1928...
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[Four Harmon Foundation catalogues of African American artists, including the groundbreaking 1928 first exhibition]

by (African American Art) Harmon Foundation

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Used - Original stapled wrappers, minor soiling. Provenance: Sidney Kaplan (signature on upper wrappers and some manuscript annotations
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First editions
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New York, New York, United States
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New York: Harmon Foundation, 1935. First editions. Illustrated. 4 vols. 12mo. Original stapled wrappers, minor soiling. Provenance: Sidney Kaplan (signature on upper wrappers and some manuscript annotations in red ink). First editions. Illustrated. 4 vols. 12mo. Includes the 1928 First Exhibition. Four programs for the important early exhibitions of African American art, including the 1928 first exhibition of works created exclusively by African-American artists. Artists from the first exhibition included Sargent Johnson, Aaron Douglas, A. R. Freelon, Helen Smith, Laura Wheeler Waring, Hale W. Woodruff, Palmer Hayden and many more. The later exhibition catalogues includes essays by Alain Locke and others, and included works by Richmond Barthe, Allan Rohan Crite, Beauford DeLaney, Meta V. Warrick Fuller, Lois Mailou Jones, James A. Porter, Charles Alston, Richmond Barthe, E. Simms Campbell and more. Each from the collection of noted scholar of African American art Sidney Kaplan (1913-1993). The… Read More
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