Oberon. Romantische Oper in drei Aufzügen... Dichtung mit englischem Texte von J. Planché. Deutsch nach dem Englischen von Th. Hell. Traduction française rhythmée par M.M.A. van Hasselt et J.-B. Rongé. Partition complète pour Chant et Piano
by WEBER, Carl Maria von 1786-1826
- Used
- Condition
- See description
- Seller
-
Syosset, New York, United States
Payment Methods Accepted
About This Item
Braunschweig & New-York: Henry Litolff's Verlag [PN 2300], 1870. Octavo. Original publisher's elaborately blindstamped dark green cloth boards with portrait of composer in relief, spine decorative spine with titling gilt. [i] (title), 2 (cast list and contents), 3-176 pp. Printer's note to foot of p. 2: "Stich und Druck von Henry Litolff's Verlag in Braunschweig." Contents and sung text in French, German, and English. Headers (caption titles) and stage directions in French and German only.
Handstamp "Cauderes J. Bordeaux Allees de Tourny 50" to front endpaper.
Binding slightly worn, bumped and shaken; Occasional wear and foxing; titled frayed at edges; some leaves partly detached. A later edition. Date according to WorldCat. WeV C.10. Jähns 306 (p. 392).
"Th. Hell" is a pseudonym of Carl Winkler (Jähns p. 383).
"In accepting a commission from Covent Garden in London, Weber virtually guaranteed that his last opera, Oberon, would stand apart in many ways from his earlier efforts. Behind J.R. Planché's libretto... lay a tradition of English opera more closely allied to 18th-century popular theatre than to contemporary continental opera, a concept of theatre orientated more towards visual spectacle than the musical realization of action and conflict... The main developments take place primarily in spoken dialogue... Obvious parallels with Die Zauberflöte point up further ties to the 18th century: the disposition of the four principal characters into two pairs of lovers, heroic (Rezia and Huon) and comic (Fatima and Sherasmin) respectively; exotic settings (Baghdad and Tunis); magical effects and scene transformations; a magic instrument (Oberon's horn) that on more than one occasion saves the principal characters from harm; and the Enlightenment theme of human perseverance in the face of severe trials." Paul Corneilson et al in Grove Music Online.
Handstamp "Cauderes J. Bordeaux Allees de Tourny 50" to front endpaper.
Binding slightly worn, bumped and shaken; Occasional wear and foxing; titled frayed at edges; some leaves partly detached. A later edition. Date according to WorldCat. WeV C.10. Jähns 306 (p. 392).
"Th. Hell" is a pseudonym of Carl Winkler (Jähns p. 383).
"In accepting a commission from Covent Garden in London, Weber virtually guaranteed that his last opera, Oberon, would stand apart in many ways from his earlier efforts. Behind J.R. Planché's libretto... lay a tradition of English opera more closely allied to 18th-century popular theatre than to contemporary continental opera, a concept of theatre orientated more towards visual spectacle than the musical realization of action and conflict... The main developments take place primarily in spoken dialogue... Obvious parallels with Die Zauberflöte point up further ties to the 18th century: the disposition of the four principal characters into two pairs of lovers, heroic (Rezia and Huon) and comic (Fatima and Sherasmin) respectively; exotic settings (Baghdad and Tunis); magical effects and scene transformations; a magic instrument (Oberon's horn) that on more than one occasion saves the principal characters from harm; and the Enlightenment theme of human perseverance in the face of severe trials." Paul Corneilson et al in Grove Music Online.
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Details
- Seller
- J & J Lubrano Music Antiquarians LLC (US)
- Seller's Inventory #
- 24731
- Title
- Oberon. Romantische Oper in drei Aufzügen... Dichtung mit englischem Texte von J. Planché. Deutsch nach dem Englischen von Th. Hell. Traduction française rhythmée par M.M.A. van Hasselt et J.-B. Rongé. Partition complète pour Chant et Piano
- Author
- WEBER, Carl Maria von 1786-1826
- Book Condition
- Used
- Quantity Available
- 1
- Publisher
- Henry Litolff's Verlag [PN 2300]
- Place of Publication
- Braunschweig & New-York
- Date Published
- 1870
- Keywords
- London, English theatre, theater, comic opera, singspiel, spoken dialogue, incidental music, orientalism, exoticism
Terms of Sale
J & J Lubrano Music Antiquarians LLC
All items may be returned within 7 days of receipt, packed, shipped and insured as received.
About the Seller
J & J Lubrano Music Antiquarians LLC
Biblio member since 2008
Syosset, New York
About J & J Lubrano Music Antiquarians LLC
Established in 1977, our firm is recognized as one of the leading international dealers in musical autographs and manuscripts; rare printed music; rare books, prints, drawings and ephemera relating to music and dance dating from the 15th to the 20th centuries.We were honored to be interviewed by Final Note Magazine. To read the article please go to the following URL: http://www.finalnotemagazine.com/music-antiquarians-john-and-jude-lubrano/
Glossary
Some terminology that may be used in this description includes:
- Cloth
- "Cloth-bound" generally refers to a hardcover book with cloth covering the outside of the book covers. The cloth is stretched...
- Octavo
- Another of the terms referring to page or book size, octavo refers to a standard printer's sheet folded four times, producing...
- Worldcat
- Worldcat is a collaborative effort produced by OCLC (Online Computer Library Center) and supported and used by 72,000 libraries...
- Leaves
- Very generally, "leaves" refers to the pages of a book, as in the common phrase, "loose-leaf pages." A leaf is a single sheet...
- Gilt
- The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in...
- Spine
- The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....