OMMATEUM by Ammons, A.R - 1955: With Doxology

Oxford: Thos. Shrimpton and Son, 1878. First edition. First edition. 12mo. 16pp. Original grey-green printed wrappers. Exceedingly scarce first edition with the publisher's printed crest appearing on the cover of the wrappers as well as on the title page and a vignette woodcut appears on the last page. The prestigious Newdigate Prize, Oxford's top award for poetry, dates to early 1800's and the winner for 1878 was the young Oscar Wilde. The pamphlet was issued in the same year, as was common with many of the early prize winners, and is considered Wilde's first publication in book form. He worked on the poem a few years earlier while touring Greece as a student at Oxford. An exemplary copy, with no wrinkling or central creases as was commonly seen from folding to place in a pocket. Very small nick out of two corners, very slight (barely detectable) browning to covers, else extremely clean and bright. 16pp.

Paris: K éditeur, 1948. Fine. K éditeur, Paris 1948, 16,5x22,5cm, broché. - Edition originale, un des exemplaires numérotés sur alfa du Marais, le nôtre non justifié. Précieux envoi autographe daté et signé de Aimé Césaire à Raymond Queneau : ""... très sympathique hommage de ces bucoliques de sang et de soleil..."" Dos et plats légèrement et marginalement insolés sans gravité. [ENGLISH TRANSLATION FOLLOWS] Soleil cou coupé [Solar Throat Slashed] K éditeur | Paris 1948 | 16.5 x 22.5 cm | original wrappers First edition, a numbered copy on alfa du Marais paper, this one not included in the justification. Handsome autograph inscription signed and dated by Aimé Césaire to Raymond Queneau: ""Très sympathique hommage de ces bucoliques de sang et de soleil... [a very affectionate homage of these bucolics of blood and sunshine...]"" Covers and spine slightly sunned at edges (but not seriously).

Cambridge, MA: Richard Brukenfeld, 1955. First edition of the poet's first book one of 500 copies printed though about half of which were lost in the mail. Octavo, original wrappers. Signed by Gregory Corso. In near fine condition. Rare and desirable signed.

San Juan Capistrano, California:: Inkswine Press,, 2021.. Edition of 10. 13.75 x 11.25 x .675 inches (35 x 29 x 1.8 cm); 12 pages pages including front and end matters on heavy 480 gm rag paper. Multi-color woodblock prints and letterpress type. Quarter-bound in black Kraftex leather over blue hand-made paper covered boards, with foil title. Signed and numbered by the artist. Dirk Hagner: "Brecht's 'The Mask of Evil' reveals beautifully the problem of being angry and hateful in this world: it's straining and a lot of effort - exactly what it looks and sounds like. Here it is interpreted with anxious typography, juxtaposed with calm organic wood textures.

1799 Romance of the Rose Lorris Medieval de Meun Flamel Alchemy STUNNING 5v

"The more a man gazes on what he loves, the more he sets fire to his heart and bastes it with bacon fat."
― Guillaume de Lorris, The Romance of the Rose
The 'Roman de la Rose' is a famous 13th-century Medieval French poem written as an allegorical dream sequence. It was written by Guillaume de Lorris who sought to express the feelings of romantic love, sexuality, and chivalry. It was completed by Jean de Meung who continued the work begun by Lorris. Thought to be the most widely read book other than the Bible in the 13th- and 14th-centuries, it was highly influential on other authors, notably including Geoffrey Chaucer.

This absolutely stunning
18th-century edition was published in Paris printed in five beautiful vellum-bound volumes. This particular edition is of note, not just for containing the 'Roman de la Rose', but also a preface by Clement Marot, Meung's 'Life of Jean Clopinel', a short treatise on the alchemy of… Read More

New York: New Directions, 1967. First Edition. Near Fine/Near Fine. Signed limited first edition. One of a limited 110 unnumbered copies signed by Ezra Pound. Printed by Andrew Hoyem and Robert Grabhorn in San Francisco, and bound in publisher's tan linen cloth over blue paper-covered boards with errata slip tipped in at rear; in publisher's unprinted white dust jacket. Near Fine, with lean to spine, covers faintly marked. In a Near Fine dust jacket, lightly soiled and with light edge wear. An early long poem of Pound's, and his first attempt to write poetry using world history, and adding opinions of his own. Originally intended to be published in the 1911 first edition of Canzoni, Pound deemed it too serious, and removed it during the proof stage. It was not until 1967 when the poem was finally published, first in an Australian poetry magazine, then here for the first time in book format in a limitation of 110 copies. There is no equivalent trade edition. Gallup A90.

London: Faber and Faber, 1959. First Edition. Near Fine/Near Fine. First British edition, first printing. Signed by Robert Lowell and inscribed to a former owner on the front free endpaper. Bound in publisher's plum-colored cloth with gilt spine lettering. Near Fine with faint rubbing at the tips, in a Near Fine unclipped dust jacket with minor shelf wear. This edition preceded the much more common American edition; quite scarce signed.

Seattle: Mill Mountain Press, 1975. First Edition. Very Good. First edition. Copyright page states "Second Edition," but this is the true first edition since there was no prior edition. Bound in publisher's off-white perfect bound wraps printed in brown. Very Good. Tears to spine repaired, staining to rear cover, pages lightly thumbed, else a lovely copy of this scarce collection of poems.

London: Faber and Faber, 1939. First Edition. First Edition. 8vo. Original gray cloth, lettered in red on spine. In the original unrestored unclipped dust jacket printed in teal and red border. Half-title. PRESENTATION COPY, INSCRIBED BY ELIOT on title page: "Inscribed for Mrs. B. ?Idding? Bell by T. S. Eliot Holy Saturday 1939." The Family Reunion was first performed in March,1939 at the Westminster Theatre in London. Slight wear to spine and edges, wrapper near fine with a few creases.

London: Faber & Faber; La Jolla Playhouse, 1951. First Editions. First Editions. Offered here is the original book, and the program for the play which premiered in 1951 (a year after the book), and starring Vincent Price. ìThe Cocktail Party.î 8vo. London: Faber & Faber, 1950. First Edition. Original lime green cloth, gilt lettering on spine. In original color printed dust wrapper. First edition, first issue with "here" uncorrected ["her] on p. 29. An uncommon Eliot title. Book near fine with very slight discoloration on lower margins of covers, wrapper very good with some chipping esp. front cover, tape repairs on inside. ìProgram for the Cocktail Party.î Presented by the La Jolla Playhouse and starring Vincent Price and Marsha Hunt. 4to. Original color pictorial paper wrappers, 12pp. Illustrated with photographs of the actors posed, and in scenes. With scarce original folding playbill. Near fine. A wonderful pairing.