Description:
Wien: Tobias Haslinger's Witwe u. Sohn. [PN T. H. 9651], 1844. Oblong folio. Unbound as issued. 1f. (title), 3-11 pp. Engraved. With small vignette to title. Spine reinforced. Slightly foxed and dampstained. First Edition. Weinmann p. 29.
[Op. 44]. Trois Grands Quatuors by MENDELSSOHN, Felix 1809-1847 - 1839: pour Deux Violons, Alto et Basse composés et dédiés À Son Altesse Royale Monseigneur Le Prince Royal De Suède ... Oeuv. 44. No. I [II and III]. [Parts]
by MENDELSSOHN, Felix 1809-1847
![[Op. 44]. Trois Grands Quatuors by MENDELSSOHN, Felix 1809-1847 - 1839](https://d3525k1ryd2155.cloudfront.net/h/677/847/436847677.0.m.1.jpg)
[Op. 44]. Trois Grands Quatuors: pour Deux Violons, Alto et Basse composés et dédiés À Son Altesse Royale Monseigneur Le Prince Royal De Suède ... Oeuv. 44. No. I [II and III]. [Parts]
by MENDELSSOHN, Felix 1809-1847
- Used
Leipsic: Breitkopf & Härtel [PNs 6022, 6023, 6024], 1839. Folio. Unbound, as issued. Engraved.
I: 13, 11, 11, 9 pp.
II: 13, 11, 11, 11 pp.
III: 15, 13, 13, 13 pp.
With fine decorative titles printed in sepia to each quartet.
Staining (mostly marginal) to first few leaves of first quartet, including title, and outer edges of third quartet, otherwise very good copies. First Editions. Very scarce. Not in Krause. Müller-Reuter I, pp. 131-133. Hoboken 10: 201, 202, 203.
"One of the most gifted and versatile prodigies, Mendelssohn stood at the forefront of German music during the 1830s and 40s, as conductor, pianist, organist and, above all, composer. His musical style, fully developed before he was 20, drew upon a variety of influences, including the complex chromatic counterpoint of Bach, the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber..."
"The three quartets op.44, written during the idyllic period of Mendelssohn's honeymoon and first year of marriage, show signs of a Classical tendency." R. Larry Todd in Grove Music Online.
I: 13, 11, 11, 9 pp.
II: 13, 11, 11, 11 pp.
III: 15, 13, 13, 13 pp.
With fine decorative titles printed in sepia to each quartet.
Staining (mostly marginal) to first few leaves of first quartet, including title, and outer edges of third quartet, otherwise very good copies. First Editions. Very scarce. Not in Krause. Müller-Reuter I, pp. 131-133. Hoboken 10: 201, 202, 203.
"One of the most gifted and versatile prodigies, Mendelssohn stood at the forefront of German music during the 1830s and 40s, as conductor, pianist, organist and, above all, composer. His musical style, fully developed before he was 20, drew upon a variety of influences, including the complex chromatic counterpoint of Bach, the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber..."
"The three quartets op.44, written during the idyllic period of Mendelssohn's honeymoon and first year of marriage, show signs of a Classical tendency." R. Larry Todd in Grove Music Online.
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J & J Lubrano Music Antiquarians LLC
(US)
- Book Condition Used
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- Publisher Breitkopf & Härtel [PNs 6022, 6023, 6024]
- Place of Publication Leipsic
- Date Published 1839
- Keywords string quartets, string, quartets
![[Op. 166]. Rosen ohne Dornen. Walzer fur das Pianoforte. [Piano score]](https://d3525k1ryd2155.cloudfront.net/h/848/123/166123848.0.m.1.jpg)
[Op. 166]. Rosen ohne Dornen. Walzer fur das Pianoforte. [Piano score]
by STRAUSS, Johann, Sr. 1804-1849
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Syosset, New York, United States
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft
by TSONTAKIS, George b. 1951
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Syosset, New York, United States
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$1,553.00
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5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the…
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Printed ASCAP form relative to Foss's choral composition "We Sing," signed and completed in manuscript by the composer
by FOSS, Lukas 1922-2009
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Syosset, New York, United States
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$259.00
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2 pp. Quarto. Foss identifies this work as having been composed in 1941 with a performance time of 3 minutes, with copyright held by Ruth Yorek and performance rights being controlled by the composer. The "singers required" are noted as "any number of school children voices and a teacher..." and the instrumentation as "piano 4 hands or piano 2 hands, drum ad. lib. (played by a child)." The program is identified as "a bunch of children making a lot of noise. The teacher convinces them after some struggle to turn their noise into music, into singing." "For all their diverse styles, Foss's works spring from a distinct personality: enthusiastic, curious and receptive to every kind of musical idea. Not coincidentally, these are the same attitudes he instilled in audiences with his performances of the classical repertory and new music. In short, he was one of his era's most communicative and representative composer-performers." Gilbert Chase and David Wright in Grove Music Online. An interesting…
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![No. 10: Supreme Virtue [Autograph manuscript]](https://d3525k1ryd2155.cloudfront.net/h/214/915/284915214.0.m.1.jpg)
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No. 10: Supreme Virtue [Autograph manuscript]: Double SATB choir
by ADAMO, Mark b. 1962
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Syosset, New York, United States
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$3,220.00
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Oblong quarto (278 x 208 mm). Unbound, folded. 29 pp. + 2 pp. of additional manuscript apparently not included in the final version. Notated in pencil on 16-stave paper. Signed and dated New York, Jan-April 1997. Supreme Virtue was commissioned by the Dale Warland Singers with the support of the Jerome Foundation and the Alice M. Ditson Fund of Columbia University. The Dale Warland Singers premiered the work in Minneapolis in June 2000. The text consists of an English translation by Stephen Mitchell of verses from the "Tao te Ching." It was first recorded by the Seattle-based chamber choir Esoterics on the Terpsichore label in the winter of 2008. "For a few years I was the tenor section leader of a choir in Washington, and in singing with and composing for them I'd become more and more interested in the quasi-instrumental vocal gesture. Stephen Mitchell's pellucid translation of this verse of the Tao te ching - a series of moral challenges all beginning with the words "Can you?" - spurred me to…
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Autograph musical manuscript from the composer's opera bouffe La femme à barbe
by DELVINCOURT, Claude 1888-1954
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Syosset, New York, United States
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$690.00
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2 pp. Folio (ca. 348 x 268 mm.). 56 measures scored for both spoken and sung voices, including sections for chorus with instrumental accompaniment. Apparently complete. Marked "Scène IX les mêmes: puis les trois emissaires du Sultan - puis Croquendot ..." Notated in black and red ink with some markings in blue crayon. Unsigned. Slightly worn; creased at central fold. La femme à barbe, in two acts to a libretto by A. de la Tourrasse, was first performed at Versailles on 2 June 1938. Delvincourt, a French composer, was appointed director of the Versailles Conservatory in 1931 and of the Paris Conservatoire in 1941, a position he held until his death in 1954; he received the Prix de Rome in 1913 for his cantata Faust et Helene. "His most important decisions were the founding of the Orchestre des Cadets and a chorus (so avoiding the evacuation of his pupils to Germany), and his invitation to Messiaen, despite much comment, to teach the philosophy of music ... After Debussy and Ravel, he was one…
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![[Op. 91]. Kronungs-Walzer für das Piano-Forte](https://d3525k1ryd2155.cloudfront.net/h/794/123/166123794.0.m.1.jpg)
[Op. 91]. Kronungs-Walzer für das Piano-Forte
by STRAUSS, Johann, Sr. 1804-1849
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Syosset, New York, United States
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$161.00
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Wien: Tobias Haslinger [PN] T.H. 7061, 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. Slightly soiled. First Edition. Weinmann p. 18. Schonherr & Reinöhl pp. 140-142.
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft
by TSONTAKIS, George b. 1951
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- Used
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Syosset, New York, United States
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$1,553.00
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5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the…
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Drammaturgia di Lione Allaci accresciuta e continuata fino all' anno MDCCLV
by ALLACCI, Leone 1586-1669
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Syosset, New York, United States
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$690.00
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Venezia: Pasquali, 1755. Small quarto. Quarter vellum with dark orange decorative title label gilt to spine. 4ff., 1,016 columns (= 508 pp.), including the supplement (columns 837-946), additions and corrections (947-950), and an index of authors (951-1016). With a fine woodcut device to title and occasional woodcut head- and tailpieces. A very good, wide-margined, uncut copy, with only occasional minor foxing and staining. Second edition, substantially revised and expanded. Cortot, p. 4. Hirsch I, Anh. 2. Wolffheim II, 908. Gregory-Bartlett I, 12. RISM BVI, p. 81. "A compendious and surprisingly accurate list of dramatic works of all kinds, including opera librettos, published in Italy; it also lists many unpublished works." Thomas Walker in Grove Music Online Allacci's bibliography of plays, operas, and ballets was first published in 1666 and revised by Giovanni Cendoni, Apostolo Zeno, and others for this updated edition of 1755.
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$690.00
![[Op. 58]. Elektra Tragödie in einem Aufzuge von Hugo von Hofmannsthal ... Klavier-Auszug mit...](https://d3525k1ryd2155.cloudfront.net/h/856/943/372943856.0.m.1.jpg)
[Op. 58]. Elektra Tragödie in einem Aufzuge von Hugo von Hofmannsthal ... Klavier-Auszug mit Text von Otto Singer. [Piano-vocal score]
by STRAUSS, Richard 1864-1949
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Syosset, New York, United States
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$115.00
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Berlin: Adolph Fürstner [PN A.5654F.], 1935. Folio. Original publisher's full gray cloth. [i] (title), [ii] (blank), [iii] ("Dramatis Personae"), [iv] (blank), [5]-250 pp. Text in German. With illustration by Lovis Corinth to page [5]. Binding very slightly worn and rubbed. Trenner 223. Mueller von Asow p. 409. First performed on January 25, 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. "[Elektra] ... marked the beginning of [Strauss's] artistic association with Hugo von Hofmannsthal, whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905, Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies, he nonetheless gave in to Hofmannsthal's pleading and vigorously began composing Elektra in the summer of 1906. As he had with Oscar Wilde's Salome, he set the play to music, which was finished in 1908 and given its première in 1909 as…
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Autograph letter signed to an unidentified male correspondent
by DEBUSSY, Claude 1862-1918
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Syosset, New York, United States
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$2,300.00
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1 page. Octavo (ca. 168 x 122 mm). Dated Thursday evening. On mourning stationery. In French (with translation). "I have to attend [?Louis] Laloy's premiere; naturally that is tomorrow, on Friday ... Would you change the enclosed tickets for Saturday? Thanks again ..." Slightly worn and browned; creased at folds and upper outer corner of final blank folio; small rust stain from paper clip to inner margin of final folio, not affecting text. "One of the most important musicians of his time, [Debussy's] harmonic innovations had a profound influence on generations of composers. He made a decisive move away from Wagnerism in his only complete opera Pelléas et Mélisande, and in his works for piano and for orchestra he created new genres and revealed a range of timbre and colour which indicated a highly original musical aesthetic." François Lesure and Roy Howat in Grove Music Online. "Laloy [1874-1944] was a noted defender of contemporary French music and was a close friend of, and mediator between,…
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SAINT PAUL, A Oratorio.
by Mendelssohn-Bartholdy, Felix 1809-1847
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West Brookfield, Massachusetts, United States
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New York: G. Schirmer, n.d. 10316 edition. [mixed voices, chorus and piano]. Card stitched wraps. Super Royal 8vo. pp. xii, [2], 207. Very Good+. Short heel tears, ink owner, sporadic pencil notation..
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Original Compositions for Piano, Four Hands: 1. Andante and Variations, Op. 83a and 2. Allegro Brillante, Op. 92
by Mendelssohn-Bartholdy, Felix 1809-1847
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West Brookfield, Massachusetts, United States
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New York: G. Schirmer, 1922. 41221. Vol. 1732. Yellow card stapled wraps. 23x31cm. pp. 47. Very Good. Pencil notation throughout, verse numbers marked with green felt toward end..
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Briefe
by 1809-1847, Mendelssohn-Bartholdy Felix
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- 9781246517279 / 1246517272
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Bensalem, Pennsylvania, United States
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$23.23
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UsedVeryGood. Minor shelf wear
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Briefe
by 1809-1847, Mendelssohn-Bartholdy Felix
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Philadelphia, Pennsylvania, United States
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UsedVeryGood. signs of little wear on the cover.
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Briefe
by 1809-1847, Mendelssohn-Bartholdy Felix
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Philadelphia, Pennsylvania, United States
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Briefe
by 1809-1847, Mendelssohn-Bartholdy Felix
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Briefe
by 1809-1847, Mendelssohn-Bartholdy Felix
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Bensalem, Pennsylvania, United States
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Felix Mendelssohn Barthodly (English and German Edition)
by 1809-1847, Mendelssohn-Bartholdy Felix
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- 9781246000832 / 1246000830
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Philadelphia, Pennsylvania, United States
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$26.99
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Felix Mendelssohn Barthodly (English and German Edition)
by 1809-1847, Mendelssohn-Bartholdy Felix
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Bensalem, Pennsylvania, United States
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$26.99
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UsedVeryGood. Minor shelf wear
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Felix Mendelssohn Barthodly (English and German Edition)
by 1809-1847, Mendelssohn-Bartholdy Felix
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Philadelphia, Pennsylvania, United States
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$27.26
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Nijinsky and the Last Years of Nijinsky
by Nijinsky, Romola
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- 9780671411237 / 0671411233
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Salem, Oregon, United States
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$40.00$20.00Save $20.00!
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Nijinsky, Romola. Nijinsky and the Last Years of Nijinsky. The Definitive Biography Copyright 1980. Simon and Schuster stated First Impression Thus. Number line starts with 1. EXLIB. Good Condition/ VG original dust jacket. 260 pages, indexed. ISBN0671411233. PERFORMING ARTS, RUSSIA, BALLET, VASLAV NIJINSKY. Summary: "The life of Vaslav Nijinsky is not merely a record of a great dancer's artistic triumphs; it is one of the strangest stories ever written. There is madness everywhere. From the child's first appearance with a troupe of wandering Russians to that last terrible performance, his "Marriage With God" , it is a growing chaos of madness, abnormality, distortion, genius and beauty." 260 pages, indexed. 5 3/4 X 8 3/4.
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Trial by Jury
by W. S. Gilbert, Arthur Sullivan
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Lake Huntington, New York, United States
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69 pp. + ads. Plate 17453. Vocal score, wraps, quarto 8.5 x 11 in. Front cover reattached with Japan paper, some wear to spine and edges, yet very good. Likely a printing from 1992-, given the 62 W. 45th St. address on the wraps. Printed in England. Trial by Jury is a one-act comic opera that could be considered a seminal venture in their partnership. It premiered at the Royalty Theatre in London in March, 1875.
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SKIFFLE:; The Story of Folk-song with a Jazz Beat. With a Foreword by Lonnie Donegan (The King of Skiffle)
by Bird, Brian
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Roosevelt, New Jersey, United States
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$25.00
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London: Robert Hale, 1958. First Edition. Hardcover. Very Good/Good +. 119pp, index; 13pp illus from photographs. Bound in pictorial boards, dust jacket. 8" x 5.25" This first book on the subject traces the history of skiffle from its slave and jazz roots through the 1950s. The second part of the book is a how-to for forming a skiffle band as well as a look at the "origins, progress and personalities" of Britain's most popular skiffle bands.
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The Pirates of Penzance in Full Score: New Edition by Carl Simpson and Ephraim Hammett Jones
by W. S. Gilbert, Sir Arthur Sullivan
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Lake Huntington, New York, United States
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272 pp. Quarto, 9 x 12 in. Illustrated wraps, near fine, only the slightest wear covers. Full score. New edition by Carl Simpson and Ephraim Hammett Jones. Official Premiere: December 31, 1879, Fifth Avenue Theater, New York, New York, USA; London Premiere: April 3, 1880, The D'Oyly Carte Opera Company, Orchestra and Chorus Opera Comique, Arthur Sullivan, conductor.
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Bob Dylan: From a Hard Rain to a Slow Train
by Barry; Dowley, Tim Dunnage
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- Used - Very Good+
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- 9780859362597 / 0859362590
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St. Paul, Minnesota, United States
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$32.00
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Turnbridge Wells: Midas Books; New York: Hippocrene Books, [1982], First Edition, 8vo, [11] 176pp [2], photos on 2 plates. Hardcover, red cloth covered boards with dust jacket. Very Good + condition. Pages are unmarked with slight toning and slight foxing to top page edges. Slight shelf wear to dust jacket. Please see photos for specifics. A portion of all book sales from Babcock & 68th are donated to charity.
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The Influence Of Music On History And Morals: A Vindication Of Plato
by Scott, Cyril
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- Used - Good
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Pasadena, California, United States
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$30.00
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London: The Theosophical Publishing House Ltd., 1928. 1st Edition 1st Printing. Hardcover. Good/No Jacket. X, 245 Pp. First Printing. Blue Cloth, Gilt, With Blindstamped Border On Front Cover. Lightly Used, Pinpoint Fray At Each Of Two Lower Tips, But Spine Frayed Across Top Down To Edge Of Page Block, 1/2" Fray Along Top Spine Edges And Bottom Rear Spine Edge, Hinges Tight, No Names Or Marks, Very Light Foxing To Endpapers, Title Page, And To Edges Of The Page Block. Quite Scarce In The Trade.
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The Sorcerer: An Original Modern Comic Opera
by W. S. Gilbert, Arthur Sullivan
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Lake Huntington, New York, United States
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$35.00
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137 pp. Vocal score, a slight tilt to spine, light wear to wraps, else fine. Quarto, 8.5 x 11 in. "New Edition." An original modern comic opera in two acts, words by W. S. Gilbert, music by Arthur Sullivan. G&S's third production. Based on a story, The Elixir of Love, that Gilbert published in 1876 in The Graphic.
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$35.00
PIOBAIREACHD AND ITS INTERPRETATION: CLASSICAL MUSIC OF THE HIGHLAND BAGPIPE
by MacNEILL, SEUMAS & FRANK RICHARDSON
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- first
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- Used - Very Good
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- 9780859764407 / 0859764400
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Uxbridge, Ontario, Canada
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$33.40
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Description:
Edinburgh: John Donald Publishers, 1996. 1st Edition . Soft cover. Very Good/No Jacket, As Issued. 8vo - over 7¾ - 9¾" tall. pp: 130. FIRST PAPERBACK EDITION. The author, an acknowledged authority on the subject, describes the structure and history of Piobaireachd. A very good copy with moderate edge wear on the covers and some fading of the colour on the rear panel.
Item Price
$33.40
The Messiah: An Oratorio for Four-Part Chorus of Mixed Voices, Soprano, Alto, Tenor, and Bass Soli and Piano
by Handel, G.F
- Used
- Very Good
- Paperback
- first
- Condition
- Used - Very Good
- Jacket Condition
- None Issued
- Edition
- First Edition
- Binding
- Paperback
- Quantity Available
- 1
- Seller
-
Salem, Oregon, United States
- Item Price
-
$74.95$37.48Save $37.47!
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Description:
Handel,G.F: The Messiah, An Oratorio. 1912 First Edition. G. Schirmer, Inc. New York. G. Schirmer's Editions of Oratorios and Cantatas for Four-Part Chorus of Mixed Voices, Soprano, Alto, Tenor and Bass Soli and Piano by G.F. Handel. VOCAL SCORE COMPLETE. 252 pages. 7 X 10 3/8. Softcover.
Item Price
$74.95$37.48
Save $37.47
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Whitney's Rapid Method for the Piano-Forte: Foreign Fingering Edition
by W. W. Whitney
- Used
- Hardcover
- Condition
- Used - Fair Condition
- Jacket Condition
- No Dust Jacket
- Binding
- Hardcover
- Quantity Available
- 1
- Seller
-
Oak Point, Texas, United States
- Item Price
-
$40.00
Show Details
Description:
D. W. Crist, Alliance, OH, 1902. Hardcover. Fair Condition/No Dust Jacket. Size: 4mo - over 9 3/4" - 12" tall. 182 pp. Pages are yellowed, but are tight and clean. Heavy shelfwear to the cover. Quantity Available: 1. Shipped Weight: 2 - 3 pounds. Category: Music; Pictures of this item not already displayed here available upon request. Inventory No: 001390. . Additional shipping charges may apply.
Item Price
$40.00