Paintings in the National Gallery, London by Augusto Gentili; Etc; Whiteley; Barcham - 2000

New York: Museum of Modern Art (MOMA) / New York Graphic Society, 1968. First edition / First printing. This is the hardcover edition, published simultaneously in softcover. Yellow cloth. Very fine in very fine dust jacket. A remarkably fresh copy. Exhibition Catalogue from 1968.

Toronto: University of Toronto Press [0-8020-0592-6] [1993]. (4to) 301pp. Near fine in near fine dust jacket. Color frontispiece, black & white and color illustrations, notes, bibliography, index. The bottom corners are lightly bumped. Time Period Middle Ages. Locale:. (Art, Stained Glass).

Seattle: University of Washington / Henry Art Gallery, 2004 Signed by Santiago Calatrava. First edition / First printing. Poster in blue, red and black. 15" x 24 Very fine.

Local Purchase

Text and instructions in Japanese and English. Dramatic color and black and white photo illustrations and diagrams, followed by pattern pages that can be copied or used as is. 79 pages. Published in Tokyo in 1987. First edition, signed by author.

Hatje Cantz Publishers, Ostfildern-Ruit, 2004. Book. Fine Condition. Cloth. Inscribed by the Artist. 176 pages, with 97 illustrations, 68 of which are in full color. Upper right corners of the boards are lightly bumped, but otherwise this hardcover monograph is in virtually new condition. Boldly inscribed in silver metallic ink on the front free endpaper "To Barry love Julian 06". Texts are in German and English. Bound in black paper covered boards with red stamping to spine and cover. Dustjacket now protected by Mylar cover..

London: Sotheby Wilkinson & Strand`. Good. 1876 & 1877. Hardcover. 2 soft cover catalogues with original covers in a hard cover binding. Catalogue #1: 1876. 301pp. Etched and engraved works by the best masters formed during thirty years by James Anderson Rose. First, the history and progress of etching. Second, The progress of engravings. Rare portrait illustrations. Catalogue #2: 358pp. 1877. Fine collection of engravings formed by the Rev. J. Burleigh James. Engraved illustrations. Purple cloth, leather spine has gilt title. Text tight & intact. Top edge gilt. Marbled endpaper. Deckle page edges. Spine ends are chipped. Corners are rubbed. Front internal hinge cracked with cover firmly attached. A few pages have edge chips. Burlington Fine Art Club's book plate. Art ; Engravings; Large 8vo 9" - 10" tall; 659 pages .

London: Thames & Hudson. 1967. Quarto Size [approx 24cm x 30.5cm]. Very Good copy in Very Good Dust jacket - now protected in our purpose-made clear archival plastic sleeve. Bookseller stamp/label to front paste-down. Signed by Arthur Boyd on half-title page. Illustrated with 44 colour and 134 black & white reproductions. 288 pages. Arthur Boyd, AC OBE was one of the leading Australian painters of the late 20th Century. A member of the prominent Boyd artistic dynasty in Australia, his relatives included painters, sculptors, architects or other arts professionals. Boyd's work ranges from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both. He was a member of the Antipodeans, a group of Melbourne painters that also included Clifton Pugh, David Boyd, John Brack, Robert Dickerson, John Perceval and Charles Blackman. Robust, professional packaging and tracking provided for all parcels. . 1st Edition. Hardback.

Léon Arnoult: La Variabilité du Gout dans les Arts. Les phases ornamentales de la mode (The variability of taste in the arts. The ornamental phases of fashion). Printed and published by Devambez "À l'enseigne du masque d'Or". Paris, 1921. ARNOULT Léon - William ABLETT (1877-1937 illustrator). Preowned, Signed. A l'Enseigne du Masque d'Or, chez Devambez, 1921, in-4°, 87 pp + 7 plate illustrations, printed in 303 numbered copies. Sewn, original printed stiff wrapper over blind wrapper. Printed wrapper, interior fine, uncut and unopened copy. Two of the illustrations are mixed technique plates by William Ablett, one is signed in pencil by the artist: a circular engraving with a lithographic image printed on it and heightened with gold. Editorial paperback, Jacket with title to the framed flat, beautiful allegorical friezes, endpapers, eyelet, cover page with the same frieze (antique collection stamp). The quantity of circulation - 303 copies justified, and numbering - №120, a preface paper,… Read More

London: Cassell, 1998. First edition thus. First English edition (UK). Trade softcover. Published London: Cassell, 1998, first printing. Large 8vo. wrappers, 6 1/4" x 9 1/4", xvii+200pp., illustrated with b/w and color plates. Near very fine, crisp, tight.. 1st. Soft Cover. Near Very Fine/No Jacket, As Issued. 8vo.