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[PERSIAN 'METAMORPHOSIS' TRANSLATED BY SADIQ HEDAYAT] Maskh wa Girâkûs-i sikârcî. Tarquma-i Sadiq Hedayat, (1903-1951). Ba indimâm-i: Mihmân-i murdagân, Samsâr, Dar kanîsa-yi mâ. Targuma-i Hasan Qâ'imyân.

[PERSIAN 'METAMORPHOSIS' TRANSLATED BY SADIQ HEDAYAT] Maskh wa Girâkûs-i sikârcî. Tarquma-i Sadiq Hedayat, (1903-1951). Ba indimâm-i: Mihmân-i murdagân, Samsâr, Dar kanîsa-yi mâ. Targuma-i Hasan Qâ'imyân.

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[PERSIAN 'METAMORPHOSIS' TRANSLATED BY SADIQ HEDAYAT] Maskh wa Girâkûs-i sikârcî. Tarquma-i Sadiq Hedayat, (1903-1951). Ba indimâm-i: Mihmân-i murdagân, Samsâr, Dar kanîsa-yi mâ. Targuma-i Hasan Qâ'imyân.

by FRANZ KAFKA, (1883-1924)

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  • Fine
  • Paperback
  • first
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About This Item

Tehran: Ketabha-ye Perstav., [Sh.: 1344], 1965. Soft cover. Fine. 8vo - over 7¾ - 9¾" tall. Paperback. Foolscap 8vo. (17 x 11,5 cm). In Persian. 200 p. Sadegh Hedayat [Sadiq - Sadigh Hidayet], (1903-1951), was an Iranian writer, translator, and intellectual. Best known for his novel The Blind Owl, he was one of the earliest Iranian writers to adopt literary modernism in their career. Hedayat subsequently devoted his whole life to studying Western literature and to learning and investigating Iranian history and folklore. The works of Rainer Maria Rilke, Edgar Allan Poe, Franz Kafka, Anton Chekhov, and Guy de Maupassant intrigued him the most. During his short literary life span, Hedayat published a substantial number of short stories and novelettes, two historical dramas, a play, a travelogue, and a collection of satirical parodies and sketches. His writings also include numerous literary criticisms, studies in Persian folklore, and many translations from Middle Persian and French. He is credited with having brought the Persian language and literature into the mainstream of international contemporary writing. There is no doubt that Hedayat was the most modern of all modern writers in Iran. Yet, for Hedayat, modernity was not just a question of scientific rationality or a pure imitation of European values. In his later years, feeling the socio-political problems of the time, Hedayat started attacking the two major causes of Iran's decimation, the monarchy, and the clergy, and through his stories, he tried to impute the deafness and blindness of the nation to the abuses of these two major powers. He felt alienated by everyone around him, especially by his peers, and his last published work, The Message of Kafka, bespeaks melancholy, desperation, and the sense of doom experienced by those subjected to discrimination and repression. OCLC: 777571775 (Leiden Bibliotheek). First Edition in 1950 [1329].

Details

Bookseller
Khalkedon Rare Books, IOBA, ESA TR (TR)
Bookseller's Inventory #
053541
Title
[PERSIAN 'METAMORPHOSIS' TRANSLATED BY SADIQ HEDAYAT] Maskh wa Girâkûs-i sikârcî. Tarquma-i Sadiq Hedayat, (1903-1951). Ba indimâm-i: Mihmân-i murdagân, Samsâr, Dar kanîsa-yi mâ. Targuma-i Hasan Qâ'imyân.
Author
FRANZ KAFKA, (1883-1924)
Format/Binding
Soft cover
Book Condition
Used - Fine
Quantity Available
1
Binding
Paperback
Publisher
Ketabha-ye Perstav., [Sh.: 1344]
Place of Publication
Tehran
Date Published
1965
Size
8vo - over 7¾ - 9¾
Weight
0.00 lbs
Keywords
ÖNT17 Iranian literature Modern literature Literary of the Early translations Persian intellectuals Intelligentsia Intellectual Kafkaesque
Bookseller catalogs
Middle East;

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