Singular Pleasures. by CLEMENTE, FRANCESCO & Matthews, Harry

Normal: Dalkey Archive Press, 1993. First edition thus. 8vo. Black cloth. Fine in Near Fine dust jacket. Slightest toning and shelfwear to jacket.. First Edition. Hardcover. Fine.

Dalkey Archive Press, 1993-04-01. First Trade Edition. Hardcover. Clean & Unmarked /Very Good. 5x0x8. A very nice, clean & straight copy in like dust-jacket. Gift quality. Gorgeous. Unpaginated.

Dalkey Archive Press, 1993. First Thus 1st Printing. Hardcover. New/New. Hardcover with Dust Jacket. First Printing thus. Bound in black full cloth with title information to spine in silver. Without page numbers. With black/white illustrations throughout. Not price clipped. NEW. Not read. All corners pointed. Binding firm and square. Without tears, creases, bumps or chips. Not marked and very clean and bright. Dust Jacket NEW. condition same as book.All books carefully wrapped and sent boxed.

N. Y.: Grenfell Press, 1988. First edition. One of 324 numbered copies, signed by Mathews and Clemente, out of a total edition of 350 copies. As new.. CLEMENTE, Francesco.. 8vo, illustrated by Francesco Clemente, original black cloth, printed paper spine label. As new.

(New York): The Grenfell Press, 1988. Limited Edition. Hardcover. Fine. Octavo, unpaginated, illustrated. A very near fine copy in the publisher's black cloth with red paper spine label and red silk ribbon. Touch of white discoloration at the very bottom edges of the boards, only noticeable when holding the book upside down. Spine perhaps a tinge cocked. This is number 280 of 350 limited copies SIGNED by both author and illustrator on the limitation page. First edition in English of this collection of erotic vignettes, executed on still-unopened leaves of Gampi and Kozo paper.

The Grenfell Press, 1988. First edition. Clemente, Francesco. One of 26 specially bound copies containing a signed original watercolor. From an edition of 350 copies, signed by author and artist, 152 pages, 67 duotone lithographs by Clemente accompanying Mathews's text. Printed on Kozo/Gampi. The lithographs were printed by Joe Petruzzelli and Maurice Sanchez, the type cast and set by Michael Bixler. Full leather binding by Claudia Cohen.