Superrealist painting & sculpture by Christine Lindey - 1980

Morrow, 1980-01-01. Hardcover. Very Good. 1.5000 in x 10.1000 in x 9.8000 in. Light edge wear.

HarperCollins Publishers. Used - Good. Used book that is in clean, average condition without any missing pages.

Morrow. Used - Good. Good condition. Good dust jacket. In protective mylar cover. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Morrow, 1980-01-01. Hardcover. Very Good. 10x9x1. ***Please Read*** 1st American edition - Book and DJ show slight wear - size is 25.3x26x2 cm - not paginated - my shelf location - k-9-d*

Morrow, 1980. First Edition. Hardcover. Very Good/Very Good. A very good used hardcover in jacket (slight wear).

New York: Morrow, 1980. In clean grey quarto-sized hardcover with illustrated dustjacket. 160 pp. 72 color, 68 black and white reproductions. Excellend conditon. A lucid analysis of the Superrealist enigma. Heavy book.. First American Edition. Near Fine/Very Good.

New York: William Morrow & Co, 1980. Hardcover. Near Fine in Good dust jacket. Superrealist art portrays its subjects in such detail that they appear unnaturally real - super-real. A comprehensive acount of this movement, many color and b/w illustrations, 160 pages. DJ spine faded, spine ends scuffed (in mylar sleeve). Shipping for this large book may be extra; please inquire.; 10 x 10 1/4

New York: William Morrow & Company, Inc., 1980. 1st. Hardcover. Very Good/Very Good. Hardcover in a bright dust jacket, pages. History and analysis of the American artistic phenomenon of Superrealism. Contains 72 color plates and 68 black/white plates as well as notes on particular artists. Very good condition; no internal marks, slight wear on the edges of the dust jacket. Record # 804730

New York: Morrow, 1980. First Edition. Hardcover. Near fine/near fine. No additional printings listed. Near fine in a near fine jacket, unclipped ($29.95), lightly edgeworn, some surface rubbing. Grey boards with silver lettering, fine. Square and sturdy with slight reading wear, internally fresh and clean. 72 color and 68 black-and-white reproductions, focusing on the "mundane, predominantly urban and decidedly contemporary.

New York: William Morrow and Company, Inc., 1980. Cloth, 160 pages, illustrations (some colour); 27 cm. Near fine. Firm binding, clean inside copy. Age toning. First U.S. Edition. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. CONTENTS: Roots. Abstract Expressionism; Pop Art; Minimal Art; New Realism; Other contemporary movements; Pioneers. Malcolm Morley; Audrey Flack; Robert Bechtle; Chuck Close; Richard Estes; John Salt; Photo-vision as subject. The Pictorial Conventions of Photography; Richard McLean; Hilo Chen and Noel Mahaffey; Joseph Raffael; Douglas Bond and Paul Staiger; Guy Johnson and Gerard Gasiarowski; David Kessler and John Clem Clarke; Photographic ways of seeing; Ben Schonzeit; Charles Bell and David Parrish; Ron Kleeman; The Camera as Tool. The Camera as Impartial Eye; Tom Blackwell; Ralph Goings; Idelle Weber, Jean Olivier Hucleux and Arne Besser; Franz Gertsch, Jack Mendenhall and John Baeder;… Read More