Description:
Eugene, OR: Terri Warpinski, 2018. Second printing. (17) pp., 19 x 13 inches. Fifteen image-and-text broadsides (plus title page and colophon), digitally printed using archival pigments on Hahnemuhle Photo Rag paper, housed in a custom cloth-covered clamshell box, made by Sandy Tilcock of lone goose press. Numbered and signed by the artists in a 2020 second printing of five copies, after a first printing of ten copies in 2018. Liminal Matter: Traces pairs arresting images of the U.S.Mexico border by photographer Terri Warpinski with responses to the images by poet Laura Winter. Traces focuses the viewers attention on the people caught in between two nations and those who profit from their plight. Visual and poetic pairings reveal artifacts and other evidence of passage and exclusion, providing insight into the struggles and hope of those in flight. Traces is the companion volume to Liminal Matter: Fences, a first portfolio published in 2014 and also available from Passages Bookshop.
Surface Tension: Landscapes of Division by Warpinski, Terri - 2017
by Warpinski, Terri
Surface Tension: Landscapes of Division
by Warpinski, Terri
- Used
- Hardcover
- Signed
- first
Eugene, OR: Terri Warpinski, 2017. First printing. 13.5 x 11 x 3.5 inches (book, closed); 14.5 x 11.25 x 5 inches (box). Images printed by the photographer with archival pigments on Hahnemuhle Photo Rag 188 gsm paper; laser-cut covers and text pages, structure, and binding design and execution by Rory Sparks of Portland, Oregon.
With essays by Richard Rodriguez and Sandy Tolan.
The last copy in an edition of nine numbered and signed copies; as new.
Focusing on three border zones the IsraelPalestine separation barrier, the USMexico border, and the former Berlin Wall Surface Tension: Landscapes of Division photographically examines the multiple and conflicted perspectives that complicate these places. The book uses an unusual variant of the dos-a-dos binding method, with three rather than the usual two books married into one, each having a unique point of access.
In the books normal orientation a viewer begins with the USMexican landscape; when the book is flipped over so that the back faces up, they encounter another front cover with another laser-cut sculptural title. In this orientation the book functions as all books written in Arabic and Hebrew do, in that the cover opens left to right and the text unfolds from right side of the page to left. In the center, between these two sections, sits the segment with the landscape of Berlin, which can be entered from either side, and can serve as either a prologue or epilogue for the two contemporary borders.
The very innovative sculptural structure of Surface Tension is designed to allow for a vertical presentation when the book is not being examined page by page. Standing upright in the custom cloth-covered box, the book echoes the slabs of concrete that stood side by side to create the Berlin Wall, as well as those barriers that separate the Palestinian Territories from Israel, and the United States from Mexico. When stretched out into a large W shape, the book extends to between three and four feet in length.
Surface Tension: Landscapes of Division is the culmination of more than fifteen years of work, which began with Terri Warpinskis Fulbright scholarship in Israel in 200001. Selected from literally tens of thousands of images, the photographs in Surface Tension (as well as those in the photographers two collaborative portfolios of USMexico images, Liminal Matter: Fences and Liminal Matter: Traces, published with poems by Laura Winter and viewable on this site), capture the stark contradictions and extraordinary terrain of these zones of contact and conflict.
Terri Warpinski is a Professor Emerita of Art at the University of Oregon, and was a Fulbright Scholar in Israel in 20002001. Her work has been shown internationally in more than a hundred exhibitions, at such venues as the Pingyao International Festival of Photography in China; the U.S. Embassy in Jerusalem; Houston International Fotofest; the Center for Photography in Woodstock, New York; the University of the Arts in Philadelphia; and Camerawork in San Francisco. Her work was featured in the Spring 2014 issue of the Society for Photographic Educations journal Exposure with an essay Insecure Borders: Terris Warpinskis Surface Tension written by Katherine Ware, Curator, New Mexico Museum of Art.
With essays by Richard Rodriguez and Sandy Tolan.
The last copy in an edition of nine numbered and signed copies; as new.
Focusing on three border zones the IsraelPalestine separation barrier, the USMexico border, and the former Berlin Wall Surface Tension: Landscapes of Division photographically examines the multiple and conflicted perspectives that complicate these places. The book uses an unusual variant of the dos-a-dos binding method, with three rather than the usual two books married into one, each having a unique point of access.
In the books normal orientation a viewer begins with the USMexican landscape; when the book is flipped over so that the back faces up, they encounter another front cover with another laser-cut sculptural title. In this orientation the book functions as all books written in Arabic and Hebrew do, in that the cover opens left to right and the text unfolds from right side of the page to left. In the center, between these two sections, sits the segment with the landscape of Berlin, which can be entered from either side, and can serve as either a prologue or epilogue for the two contemporary borders.
The very innovative sculptural structure of Surface Tension is designed to allow for a vertical presentation when the book is not being examined page by page. Standing upright in the custom cloth-covered box, the book echoes the slabs of concrete that stood side by side to create the Berlin Wall, as well as those barriers that separate the Palestinian Territories from Israel, and the United States from Mexico. When stretched out into a large W shape, the book extends to between three and four feet in length.
Surface Tension: Landscapes of Division is the culmination of more than fifteen years of work, which began with Terri Warpinskis Fulbright scholarship in Israel in 200001. Selected from literally tens of thousands of images, the photographs in Surface Tension (as well as those in the photographers two collaborative portfolios of USMexico images, Liminal Matter: Fences and Liminal Matter: Traces, published with poems by Laura Winter and viewable on this site), capture the stark contradictions and extraordinary terrain of these zones of contact and conflict.
Terri Warpinski is a Professor Emerita of Art at the University of Oregon, and was a Fulbright Scholar in Israel in 20002001. Her work has been shown internationally in more than a hundred exhibitions, at such venues as the Pingyao International Festival of Photography in China; the U.S. Embassy in Jerusalem; Houston International Fotofest; the Center for Photography in Woodstock, New York; the University of the Arts in Philadelphia; and Camerawork in San Francisco. Her work was featured in the Spring 2014 issue of the Society for Photographic Educations journal Exposure with an essay Insecure Borders: Terris Warpinskis Surface Tension written by Katherine Ware, Curator, New Mexico Museum of Art.
- Bookseller Passages Bookshop (US)
- Book Condition Used
- Quantity Available 1
- Edition First printing
- Binding Hardcover
- Publisher Terri Warpinski
- Place of Publication Eugene, OR
- Date Published 2017