Texas Wildflowers by David Lee - 2010

London, England: C. Kegan Paul & Co.. Very Good. 1880. First Edition: First Printing. Hard Cover. 184 pages: 4.5 x 7 in.: 1: KB#011154: Boards now protected by a new Brodart Archival Mylar Cover. Copy has prior owner's name and date (Christmas 1880) neatly inscribed on second front flyleaf. Boards are Dark Green, with embossed design around edge (front, back and spine), plus gilt lettering on spine. Boards have light wear at top and bottom of spine. Otherwise, boards and pages are clean, unmarked (except for owner's name as indicated), bright, tightly bound and sharp cornered. Scarce, Out Of Print, Book. Includes 184 pages plus 3 pages of lists of additional Tennyson Works. .

Prague: Borovy, 1927 This copy is number 459 of a limited edition of 600 copies. It has been nicely rebound in pebbled red cloth with the front cover bound in (see photos). Cover design on wrappers edition by Mrkvicka, 80pp., with five colored drawings by Sima. One of the most important publications of the Czech avant -garde in the 1920s.

Toronto: Ryerson Press, 1967. Book. Fine. Hardcover. Second Printing. Fine copy, in jacket with minor wear to extremities, and a tiny scrape on front panel. Signed on the half title page..

Lexington, KY, 1965. Number 126 of 250 copies printed by Anne and Wayne Williams for the Anvil Press. Still, now considered the dean of Kentucky poets, has inscribed this copy: "For Bob Shepherd, who has helped to keep these verses alive and singing. James Still, Rowan County, February 19, 1968.. Inscribed By Author. Limited. Linen Cloth Hard Cover. Fine. Privately Printed.

Copyright ends at 1965, No Edition, No Printing Stated. Last page has 72-73-74-75 10 9. The American Edition is the Second Edition. This is a First American Edition with a 1972 (later) Printing. The dust jacket has some soiling with tears at edges of the spine and corners, see photos. Book itself is in Near Fine condition with the exception of a stain inside the cover which transferred to the FEP and bled onto two pages beneath. (Lowered the rating to Very Good). The black boards with blue lettering have bumped spine edges.

Berkeley:: Burton Weiss & James Musser,, 1999.. Limited Edition. A Fine, unread copy. This copy is number 31 of only 65 copies quarter-bound by John DeMerritt in cloth and marbled paper boards. In 1955 at the age of 21, the unknown writer Richard Brautigan had been living in Eugene, Oregon with the family of Edna Webster that was not his own; He was also preparing to leave Oregon for San Francisco to make his mark as a writer. In gratitude for Edna's generosity, he signed over to her the ownership rights to all of his heretofore unpublished fiction and poetry manuscripts. From 1955 until 1992, Edna Webster retained all of the Brautigan material that he gave her in a safe deposit box until she sold the archive to a rare bookseller in the Bay area. After placing the collection in the Bancroft Library, the bookseller arranged for the publication of the prose and poems that appears in this volume. The material is classic Brautigan and considered some of his best .

Amsterdam: Marc-Michel Rey, 1788. Hardcover. Very Good. "Nouvelle Edition, plus complette que toutes les précédentes." 405, [3] p.; 18 cm. Contemporary calf; modern spine repair with japanese tissue and gilt-tooled leather spine label. All page edges red. Woodcut tailpieces. Voltaire's satire about the life of Joan of Arc was banned in much of Europe and, hence, very popular. In Very Good Condition: leather is rubbed; spine repaired with japanese tissue; edges of first and last leaves darkened from glue used on fixed endpapers; some pages lightly browning; otherwise, clean and tight.

London: Macmillan & Co, 1886. Hardcover. Good +. [6], 25, [43] p.: illustrations; 28 cm. Dark green cloth spine with gilt spine title and decoration. Green paper over boards with white and black title and illustration. All page edges green. Decorated endpapers. Illustrated title page. Small bookseller's label on front fixed endpaper: Williamson & Co., Toronto. Former owner's name on front free endpaper: Edith E. Farnsworth. This is the first of three books of poetry that Crane both wrote and illustrated. The text is printed first with out illustrations and then in a "handwritten" font within the illustrations. In Good+ Condition: edges rubbed; ends of spine just starting to fray; cover lightly soiled; soiling, primarily in the margins; illustrations are clean and bright.

New York: Masses & Mainstream, 1950. First U.S. edition / First printing. Sienna printed wrappers. Light toning to spine, mild soiling to rear wrapper, near fine. Clean tight copy.

New York: The Seven Arts Publishing Co, 1916-1917. First Edition Thus. Hardcover. Octavo, 2 vols.; G+; contemporary full navy cloth bindings; spines age-toned brown, with gilt lettering and design; some shelf wear and soiling; all corners of both vols. bumped; scuffing to boards; crown and tail of both spines missing; crease to vol. 2 spine; bindings shaken; both hinges of vol. 1 split; front hinge of vol. 2 split; pages clean; CX consignment; NOTE: Shelved in Room G. 1346448. FP New Rockville Stock.