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Oxford University Press. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name, short gifter’s inscription or light stamp.
Vermeer's Camera: Uncovering the Truth Behind the Masterpieces by Philip Steadman - 2002
by Philip Steadman
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Vermeer's Camera: Uncovering the Truth Behind the Masterpieces
by Philip Steadman
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Oxford Univ Pr, 2002. Paperback. New. 222 pages. 9.00x6.00x0.50 inches.
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- ISBN 10 0192803026
- ISBN 13 9780192803023
- Publisher Oxford Univ Pr
- Date Published 2002
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Vermeer's Camera: Uncovering the Truth behind the Masterpieces
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Vermeer's Camera: Uncovering the Truth behind the Masterpieces
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Vermeer's Camera: Uncovering the Truth behind the Masterpieces
by Philip Steadman
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Oxford University Press, USA, 2002-09-19. Paperback. Good.
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Vermeer's Camera: Uncovering the Truth Behind the Masterpieces
by Steadman, Philip
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Vermeer's Camera: Uncovering the Truth Behind the Masterpieces
by Steadman, Philip
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Oxford University Press. Previous owner's name on the first page. A9 . Very Good. Soft cover. First Edition.. 2001.
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Vermeer's Camera Uncovering the Truth behind the Masterpieces
by Philip Steadman
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Vermeer's Camera: Uncovering the Truth Behind the Masterpieces
by Steadman, Philip
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Vermeer's Camera: Uncovering the Truth behind the Masterpieces
by Philip Steadman
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Vermeer's Camera: Uncovering the Truth Behind the Masterpieces
by Steadman, Philip
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Oxford University Press , 2001 xiv, 207 pp. How the artist "used the camera obscura as an aid to painting." 72 b&w illustrations, 8 pages colour plates. Bright clean copy. Covers have some light shelf wear.
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Vermeer's Camera
by Steadman, Philip (, Professor of Urban and Built Form Studies, University College London)
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Uxbridge, Greater London, United Kingdom
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Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Philip Steadman investigates the claims that the 17th-century artist, Johannes Vermeer, used the camera obscura to create some of his artwork. this study reconstructs his studio, complete with camera. He asserts that that this experimen
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