Search Results: a natural perspective the development of by frye northrop

Columbia University Press, 1965. Hardcover. Fair Condition/No Dust Jacket. 159 pages. Ex-university library book, some discoloring, cracked hinges; some pencil underlining; a reading copy only. No jacket. Quantity Available: 1. Category: Literary Criticism & Essays; Inventory No: 211987. .

Harcourt Trade Publishers. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Harcourt Trade Publishers, 1969. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Columbia University Press, 1965. Hardcover. Good/Good. 1965. No edition remarks. 159 pages. Pictorial dust jacket over blue cloth with gilt lettering. Number 15 of Bampton lectures in America. Blue upper text block edge. Pages remain bright and clear. Fading to blue on upper text block edge and light tanning to fore edge. Boards have light shelf-wear with corner bumping. Small dents to upper edge of boards. Mild crushing to spine tail and wear to both ends. Unclipped jacket has light edgewear with tears and creasing. Moderate tanning to spine.

Harbinger / Harcourt, Brace & World 1965. MODERATE HIGHLIGHTING & ANNOTATION, octavo softcover (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs

Minor rubbing. Small tear to cover wrapper. VG. Literary Criticism Harcourt, Brace & World New York 1965 orig. wrappers 21x13cm, ix, 159 pp., PAPERBACK. Contents: Mouldy Tales; Making Nature Afraid; The Return from the Sea.

Columbia University Press, 1995. Volume 15. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9780231082716

New York: Columbia University Press, 1965. hardcover. near fine/very good(+). xiv, 159 pages. Thin 8vo, blue cloth, d.w. (some yellowing and a small chip on the head). NY: Columbia University Press, 1965. A near fine copy in a very good(+) dust wrapper.<br/> <br/>

Columbia Univ Pr, 1995. Paperback. New. reissue edition. 159 pages. 8.25x5.75x0.75 inches.

New York : Columbia University Press, 1995. New Edition. Softcover. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series: Bampton lectures in America ; no.15. Physical description: ix, 159 pages ; 21cm. Subjects: Shakespeare, William (1564-1616) -- Comedies. English drama (Comedy) -- History and criticism.

New York & London: Columbia University Press, 1965. First Edition, First Printing. Hardcover. pp. 159. Small 8vo. Publisher's original teal cloth over boards, gilt lettering to the spine. Exceptionally well-preserved with no detectable flaws to the extremities, contents equaly without blemsih with bright, clean, an unmarked pages and firm, sound binding; near fine and housed in near fine, lightly rubbed, unclipped, dustjacket (now housed in protective mylar cover). Overall, near fine. "This book consists of four essays delivered at the annual Bampton Lectures in America at Columbia University in November, 1963. Although altered and expanded for publication, the contents of this book are still within the orbit of the public lectures. The author intends them as a general introduction to Shakesperean comedy. It is his thesis that the poet's comedy is widely minunderstood and underestimated, and that the four romances are the inevitable and genuine culmination of the poet's achievement. He writes that it… Read More