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Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. Dritte umgearbeitete Ausgabe.
by Hermann Von Helmholtz
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Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. Dritte umgearbeitete Ausgabe.
by Hermann Von Helmholtz
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Die Lehre von den Tonempfindungen, als Physiologische Grundlage für die Theorie der Musik (Classic Reprint) (German Edition)
by von Helmholtz, Hermann
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Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. Dritte umgearbeitete Ausgabe. (German Edition)
by Helmholtz, Hermann Von
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Die Lehre von den Tonempfindungen: Als Physiologische Grundlage fur die Theorie der Musik
by von Helmholtz, Hermann
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truth or consequences, New Mexico, United States
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Braunschweig (Brunswick), Germany: Friedr. Vieweg & Sohn, 1913. Sechste Ausgabe (6th Ed.) . Hardcover. Good-/No Jacket. 8vo - over 7¾" - 9¾" tall. 668pp.incl.index; HB beige w/blk.; rubbed&worn w/tears on spine; spine sunned&foxed; ft.hinge cracked; sml.tears,title; clean,tight pgs. Title trans.: "The Doctrine of the Sensations of Tone: A Physiological Basis for the Theory of Music" portrait & 66illus. in German
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Die Lehre von den Tonempfindungen: als physiologische Grundlage fur die Theorie der Musik
by Hermann Von Helmholtz
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- 9783743697317 / 3743697319
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Die Lehre von den Tonempfindungen: als physiologische Grundlage für die Theorie der Musik. Zweite Ausgabe
by Hermann Von Helmholtz
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- 9783744616409 / 3744616401
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Die Lehre von den Tonempfindungen: als physiologische Grundlage für die Theorie der Musik
by Hermann Von Helmholtz
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- 9783744616393 / 3744616398
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Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. Dritte umgearbeitete Ausgabe. (German Edition)
by Helmholtz, Hermann Von
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Newport Coast, California, United States
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hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.
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Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik.
by Helmholtz, Hermann von
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Jena, Germany
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Vieweg, Braunscheig 1870 3. Auf.., , 1870. originalgetreuer Einband (Faks.). , , 639s., Titelblatt restauriert, in gutem Zustand, [AZB12,1].,
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Die Lehre von den Tonempfindungen als Physiologische Grundlage für die Theorie der Musik (German Edition)
by Helmholtz, Hermann von
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- 9783663184829 / 366318482X
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paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.
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Die Lehre von den Tonempfindungen als Physiologische Grundlage fuer die Theorie der Musik
by Hermann von Helmholtz
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- New
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- Paperback
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- 9783663184829 / 366318482X
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Exeter, Devon, United Kingdom
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Vieweg+Teubner Verlag, 1913. Paperback. New. 6th edition. 686 pages. German language. 9.26x6.11x1.65 inches.
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DIE LEHRE VON DEN TONEMPFINDUNGEN ALS PHYSIOLOGISCHE GRUNLAGE FUR DIE THEORIE DER MUSIK
by von Helmholtz, Hermann
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Glen Head, New York, United States
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Braunschweig 1870 dritte umgearbeitete ausgabe. In German. 8vo., 635pp., index, 3/4 leather. VG, cover rubbed, some wear along front outer hinge.
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Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik
by HELMHOLTZ, Hermann von
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- first
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- 1st Edition
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Ritterhude, Germany
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$1,206.59$54.84 shipping to USA
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Braunschweig: Vieweg, 1863. 1st Edition. Hardcover. Very Good. 1st Edition. Hardcover. 8vo - over 7¾ - 9¾" tall. 8vo (216x139 mm). xi, 600 pp. Contemporary half calf over marbled boards, spine gilt, inner hinges cracked but firm; interior slightly foxed, dedication inscription in ink to first flyleaf. ---- Garrison-Morton 1562; Horblit 49a; Norman 1044. - First Edition. "This exhaustive study of acoustics ranks as one of the greatest books on the subject and shows that Helmholtz was, besides being a great physicist and physician, an accomplished musician" (Garrison-Morton). Helmholtz's resonance theory of hearing, expounded in this work, remained unchallenged for decades. Helmholtz also explained that differences in timbre result from differences in upper partial tones, which depend in turn on how the fundamental is produced., and he applied this observation to music theory to explain that consonance and dissonance are produced by more or less coincident upper…
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