Search Results: Japanese Art

N. Nomura & Co., Ltd., 1986. Book. Like New. Boxed Set. 8vo - over 7¾ - 9¾" tall. A hardcover book and a softcover book in a cloth-covered box, all in like-new condition. Clamshell box is covered in natural-covered linen with brown lettering to spine and brown facsimile signature on top. Hardcover with three-quarter charcoal-gray cloth with blue marbled (faux) boards; no text other than a tipped-in plate with title, etc. in English; pages are facsimile reproductions of the sketched art--b&w and color of Leda and Swan; no title on binding. Softcover is staplebound with blue cardstock cover with title etc. in English on front; approx. 27 pages; b&w photo frontispiece of artist; 7 plates of art; text in Japanese. Books are about 9-1/2" by 6-1/4". Box is 10-1/2" by 6-3/4"..

Book cover like new, slight wear at end caps - pages clean, bright and unmarked – spine like new.
Jacket like new.
Proceeds benefit Friends of the Library.
"Honest and reliable service - every book hand-packaged with care."
The Sakuteiki, or "Records of Garden Making," was written nearly 1000 years ago, making it the oldest work on Japanese gardening; in fact, the oldest book on gardening in the world! In this edition of the Sakuteiki, the authors provide both an English-language translation of this classic work; and an introduction to the cultural and historical context that led to the development of Japanese gardening. A Japanese court noble wrote the Sakuteiki during the Heian period (794-1184). During this critical era in Japanese history cultural influences on poetry, clothing-and gardening-that had been imported from China and Korea over the previous centuries were reexamined and reinterpreted into their unique Japanese forms. The Sakuteiki contains the first systematic record of this new… Read More

Rosemary Bandini, London, 1999, Fine Hardcover / Near Fine Dustjacket, 174 pages, 8.75" x 11.25", slight edgewear on dustjacket, otherwise clean and tight. Collector Harriet Szechenyi concentrated on collecting "netsuke" of animals and mythical beings.

NY: Braziller, 1988. First edition. Hard cover in dust jacket. Published NY: Braziller, 1988, first printing. Folio, 10 1/4" x 14 1/2", 192pp., illustrated with 91 full color plates. Fine in near fine. price clipped dust jacket.. 1st. Hard. Fine/Near Fine. Folio.

New York: Asia Society Museum / Harry N. Abrams: 2010. First edition / First printing. Illustrated laminated boards in die-cut illustrated slipcase. Very fine in a very fine slipcase.

Kodansha, 2009. Paperback with dust jacket. Used- Fine condition. Book is in Japanese. Book is clean and tight. Book shows very light shelf wear. Very light scuffing along to top edges of the dust jacket. Small tear on the top right corner of the bottom black banner on the front cover. No markings on the inside of the book.Photos are of the book we have here at Barbed Wire Books.

Kodansha International, 1986. First Edition. Fine in Near Fine DJ. Minor shelf and handling wear to DJ. Else Fine. Photo is of the copy at Barbed Wire Books.

Both the book and dj are in 'as new' condition. It has . 10 unpaginated pages followed by 362 numbered pages. It was published to coincide with the exibition of the same name. A beautiful book with well over 100 color illustrations and even more in b&w. The book includes a series of essays on the historic, economic, and cultural environment of Edo period Japan and the collections focus on early Kabuki actor prints, including many by the artists Toyokuni and Kuniyoshi).

Book will be priority mailed to any domestic address. International sale may incur additional charges.

Leiden: Brill, 2011. First Edition. Boards. Near fine/near fine. Vol 2 in the series, Japanese Visual Culture. Tall 8vo. (25.5cm). Boards, lettered title to cover. In unclipped dust jacket. pp. 296. W/ 98 colour plates. Some faint edgewear to jacket, minor signs of use, a very sound, almost as new copy.

Stated First Edition.
Book cover like new - pages clean and unmarked, slight tanning at edges – spine like new.
Proceeds benefit Friends of the Library.
"Honest and reliable service - every book hand-packaged with care."
The Tokaido -- the name of this highway today epitomizes a golden age of Japan's past. This "Eastern Sea Road", which connected the emperor's capital in Kyoto and the seat of the shogun's administration in Edo (now Tokyo) was heavily traveled in all seasons; the numerous prints and guidebooks about the Tokaido represent the time of prosperity and peace when even the average citizen could undertake the adventure of travel along this highway. It was Hiroshige who immortalized the Tokaido. In the famous prints of the fifty-three stages reproduced in this book, this master artist of the ukiyo-e print captured the beauty, romance, adventure, mystery, and joy - all the myriad and glowing facets of the people and places, in all seasons and times of day, of the Tokaido highway. Hiroshige's… Read More

Stated First Edition.
Book cover like new, slight shelf wear - pages clean, bright and unmarked – spine like new.
Jacket like new, slight shelf wear, price-clipped. Cardboard slipcase near new, light soil/shelf wear.
Proceeds benefit Friends of the Library; books sold are NOT ex-library.
"Honest and reliable service - every book hand-packaged with care."
From flyleaf: Between the years 1814 and 1878 there was published in Japan a series of woodblock printed volumes entitled Hokusai Manga, or Hokusai's Sketches from Life, which was destined to be one of the most popular art publications ever issued anywhere in the world. With its rich tapestry of life as it was lived in the boisterous Tokyo of the day and its magical evocation of the beauties of the Japanese countryside, it was an immediate best-seller in Japan, and then, upon the West's discovery of Japanese art, went on to win the hearts of people everywhere. It is from this amazing book, amazing both in execution and breadth of scope, that the… Read More

The Saint Louis Art Museum / The Japan Foundation, 1995. Good condition. Spine is creased and has minor soiling. Covers show shelf and handling wear with abrasion, light soiling, small creases, and worn corners. Interior pages show faint age-related toning around edges and two small black marks at the top of pgs 180-181. A solid copy. Photo is of the copy we have at Barbed Wire Books.

Hokuseido, Tokyo Japan, 1925. HBNODJ, 1925, 1st edition, 1st Issue,Olive Green Embossed decorated Cloth with Paper Label Lettered in Black,VG/VG, AS-IS, NODJ, Cover minor Rub, Wear & Small Nick & tiny Corner Chip, Spine only Slightly Sunned, 276 pgs + notes AD, Interior Minor Wear, Slight Fox , Some pgs show slight Yellowing, . First Edition. Hard Cover.

Very good Japanese woodblock print by Utagawa Kunisada II
Depicting a rather unusual scene from a Kabuki play with two actors holding up another actor as though he were a puppet in a Bunraku play.
Nakamura Fukusuke I is paraded like a Puppet of Yaoya Hanbei by two supporting actors Arashi Kangoro I as Yoshida Kango (right), and Nakamura Kangoro I as Yoshida Kanta (left).
The play is Na Nomi Yaoya Ryori no Futsutsuka, from Wakaki no Ume Satomi no Yatsufusa.
Published by Hayashiya Shogoro in Tokyo in Ansei 4 of the Edo Era (1857).
Utagawa Kunisada II (1823-1880) was a Japanese ukiyo-e print maker and head of the Utagawa school. He worked in many genres including theatre actors (yakusha-e), beauty pictures (bijinga), erotica (shunga), literary scenes. He never achieved the level of success of his master.
Good impression with deep colour and rich black, slight age toning to the paper.
On verso, four adhesive stains to the bottom and top edges from a previous mount easily covered if matted. Small mark in… Read More

One volume only from the 8-volume series of guidebooks to the Enchuro School of ikebana or flower arrangement first published in Tokyo in 1807. 8 pages of text and 52 pages of woodcuts of ikebana featuring flowers in vases on tables, in hanging baskets, etc. Condition: Washi paper covers worn and fragile, binding resewn, the delicate woodcuts on thin washi paper mostly clean and bright. Ikebana was a very popular leisure activity in the Edo Era. The Enchuro-Ryu was a new school of ikebana that emerged in the early 19th century alongside the Senke-shinryu, Ko-ryu, Enshu-ryu, Yoken-ryu, Doku-ryu, Shofu-ryu, and many others to challenge the established Genji, Ikenobo and Senke schools.

American Art Galleries, NY, 1919; 8vo, 131 pages; illustrated. Original 1919 auction catalogue for the historic sale of the private Japanese print collection of J.D. Metzgar (1869-1958), distinguished American collector, authority on Japanese color prints, and author of "Adventures in Japanese Prints" (Grabhorn Press,1943). Over 1,200 of Metzgar’s personal prints are listed here for sale, from such masters as Hiroshige, Utamaro, Kuniyoshi, Hokusai, Moronobu, Kiyomasu, Shunsho, Buncho, Harunobu, Yeishi, Shigemasa, Shunyei (including the complete Chushingura series), and many other legendary and early artists. One hundred and eighteen pages of text followed by twenty-three illustration plates at the back containing 98 photos of selected works by Buncho, Shunyei, Yoshinobu, Koruisai, Tamagawa Shuncho, Yeishi, Kiyonaga, Harunobu, Utamaro, Hokusai, Kuniyoshi, Katsuchika Taito, Kunisada, Hiroshige (over 40 of them), and numerous others, each photo identified by lot number. Metzgar’s copy,… Read More

Book cover like new - pages clean, bright and unmarked – spine like new.
Jacket like new, slight edge wear.
Proceeds benefit Friends of the Library.
"Honest and reliable service - every book hand-packaged with care."
The art of ukiyo-e (the floating world) originated in the city of Edo (16031867, now Tokyo), when the political and military power of Japan was in the hands of the shoguns. Comprising six essays, six plate sections and over 600 illustrations this beautiful book provides a perfect introduction to the art of this period. The paintings, scrolls and prints reproduced here demonstrate not only the new urban pleasures of the theatre, restaurants, teahouses and geisha, but also Japans love of nature and tradition. Professor Calzas accessible style provides a fascinating yet scholarly study of such masters as Hokusai, Hiroshige and Utamaro.

Tokyo: Shokokusha, 1955 First edition / First printing. Green cloth. Near fine in near fine dust jacket with a few short tears to the edges. Attractive clean copy. Text is in English and Japanese.

Book cover like new - pages clean and unmarked, lightly tanned – spine like new.
Protected in clear jacket cover, very slight shelf wear.
Proceeds benefit Friends of the Library; books sold are NOT ex-library.
"Honest and reliable service - every book hand-packaged with care."
The growing appreciation of Japanese Art and architecture in the West has extended to the Japanese way with flowers. This book is intended as a complete introduction to Ikebana, the Japanese art of flower arrangement. Beginning with the history and development of the art, and its place in Japanese culture, we introduce the reader to the eleven basic styles. Next comes a large section devoted to vases, materials, tools, and methods. Text and pictures explain how to keep flowers fresh, how to select and prepare both fresh and dried materials, and how to make the most effective use of them. Twelve lessons in creating arrangements in the moibana style follow. I have tried to make this the most carefully detailed and profusely… Read More

Edo: Fujiokaya Keijiro, 1844. Original woodblock print on mulberry paper. This is the centre panel from the colour woodblock triptych entitled 'Kamakura Buei Yoshi Kagami'. Minamoto no Yoritomo was the founder and the first shogun of the Kamakura shogunate of Japan, ruling from 1192 until 1199. There was a film made in 1945 about his relationship with his brothers entitled Tora no O o Fumu Otokotachi: The Men Who Tread on the Tiger's Tail. In this print he is actually depicted with his famous tiger's tail! The other panels are not with this. It has rough edges and is delicate, with signs of reinforcement on the verso. 360 x 240 mm (14¼ x 9½ inches).