Description:
London: Oxford University, 1942. First Edition. Printed wraps. Spine lightly sunned, otherwise Fine. Printed light blue wraps, 27 pages. Gallup A40: 5017 copies. A later copy with the "t" on the title page weakly registered but still noticeably visible.
Search Results: T. S. Eliot from Charles Agvent
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THE CLASSICS AND THE MAN OF LETTERS
by ELIOT, T. S
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- Used - Spine lightly sunned, otherwise Fine
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Fleetwood, Pennsylvania, United States
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ESSAYS ANCIENT AND MODERN
by ELIOT, T. S
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- Hardcover
- first
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- Used - Gutters and pastedowns darkened from reaction to glue. Very Good in a Very Good dustwrapper with a slightly darkened spine and a
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New York: Harcourt, Brace and Company, (1936). First Edition. Hardcover. Gutters and pastedowns darkened from reaction to glue. Very Good in a Very Good dustwrapper with a slightly darkened spine and a small chip at the top of the front panel. Gallup A31b.
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T. S. Eliot So Far" in THE GRIFFIN
by (AUDEN, W. H.)
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Fleetwood, Pennsylvania, United States
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New York: The Readers' Subscription, 1953. First Edition. Stapled wraps. Fine. An 8-page pamphlet in blue stapled wraps including a 3-page essay by Auden on Eliot's COMPLETE POEMS AND PLAYS. Bloomfield & Mendelson C413.
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TYPED LETTER SIGNED (TLS)
by ELIOT, T. S
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- Signed
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- Used - Central vertical and horizontal folds with staple holes to one upper corner. Fine
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London, 22 December 1953. Letter. Central vertical and horizontal folds with staple holes to one upper corner. Fine. One-page letter on both sides of Faber & Faber stationery SIGNED by the poet. Addressed to Anne Munro-Kerr of London's League of Dramatists. In part: "I am not quite clear, I am afraid, as to how we have been dealing with productions of my plays in the French translation, outside of France itself--that is to say, in Brussels and Geneva.... I excepted France in my arrangements with you for the reason that Monsieur Henri Fluchere, the translator, who had taken the whole initiative in getting the successful production of MEURTRE DANS LA CATHEDRALE in 1945, likes to deal with these matters himself, as he has theatrical connections and also considerable financial interest in the success of my plays in his translation, he has seemed wholly competent to do so.... He would like, however, to make his responsibility inclusive--that is to say, have the four plays that he has translated whenever…
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