William Morris from Robert Wright Books, ABAC / ILAB

Manchester: Manchester University Press, 1984. First edition, paper issue. Small quarto, card covers, pp. xii, 225, (2) illustrated. Covers with small creases and light shelf wear, else very good or better. .

U.S.A.: Exeter: University of Exeter Press, (1999). First edition., 1999. Hardcover. Near Fine. Large octavo, dark green boards, pp. xi, 298; illustrated in b&w and colour. Contributors include Norman Kelvin, Florence Boos, Christine Poulson, Jan Marsh, William Blissett and numerous others. Near fine in dust jacket.

Manchester: Manchester University Press, 1991. First edition, wrappers issue. Trade paperback format, pp. 257; illustrated in colour and b&w. Printed on good quality paper. A very important book on Morris, which explores a neglected facet of his endeavour and influence. Fine..

London: Studio Edition, (1986). New edition, originally published 1n 1897. Small quarto, black boards, pp. [xii], 462; illustrated in colour and b&w. Reprint of an important early biographical work on Morris. Near fine in a very good, price clipped dust jacket. Heavy book, will likely require extra postage toforeign destinations..

London: J.M. Dent & Sons Ltd., 1923. First edition, in two volumes. Octavo, maroon cloth, pp. xi, 400; viii, 452; illustrations, including a plate reproducing a relief of William Morris by J. Pittendreigh MacGillivray. Includes a chapter on William Morris [10]pp., and a chapter entitled, "Ruskin and the Political Economy of Art" [8]pp. James Mavor exchanged a considerable amount of… Read more about this item

(San Marino: The Huntington, 1996). Self wraps, eight page catalogue of an Exhibition in the Huntington and the Virginia Steele Scott Galleries, October 25, 1996 - January 5, 1997. Loosely inserted is an 8 page brochure listing 179 items. Near fine..

(London): Hodder & Stoughton, (N.d). 20.4 cm x 14.5 cm, dark green cloth blocked in gilt and with oval portrait labels onlaid on upper board, unpaginated; tipped in colour illustrations. Illustrations to A Day with Rossetti are after Rossetti's own paintings; A Day with William Morris with illustrations by Reginald Frampton; A Day with Elizabeth Barrett Browning by Norman Price.… Read more about this item

(Bristol): Thoemmes Press, 1994. First edition. 22.5 x 15 cm, dark blue boards, pp. [xlix], 668, [2]. Volume 1 of "The William Morris Library". Reprints a large selection William Morris's original journalism / propaganda work for the socialist movement. Fine in dust jacket. [Oversize*].

Detroit: Wayne State University, (1969). First edition. Octavo, brown cloth, pp. [332]. Light foxing/soil to top page edge, else very good in slightly spine-darkened dust jacket. Latham 72.

London: The William Morris Society, 1964. 21.5 cm x 14 cm, red card covers, pp. 29. Toning to spine, else near fine..

London: The William Morris Society, 1965. 22 cm x 14.3 cm, pamphlet stitched card covers, pp. 19. William Morris Society bulletin laid in. Toning and light creasing to covers, else very good..

Kennebunkport, Maine: Milford House, 1971. New edition, originally published 1n 1897. An important early work on Morris. Fine, no dust jacket..

(N.p): The William Morris Society, 1957. First edition, one of 1250 copies printed. Oblong quarto, stitch-sewn wrappers, pp.55. 168 items are documented. A few light pencil markings in margins, corners a bit bumped, covers show light soiling and two small floral doodles to rear cover, else very good..

London: Thames and Hudson, (1967). First edition. Octavo, paper covered boards after a design by Morris, pp. [viii], 388; with 82 black and white illustrations and eight colour plates. Brocard Sewell's copy with his name on endpaper. Sewell later donated this book to the Mt. Carmel College, in Niagara Falls Ontario, where he was one of the Carmelite brothers. The… Read more about this item

(Toronto): Art Gallery of Ontario/Key Porter, 1993. First Edition. Glossy printed card covers, 4to., (xvi), 249pp., beautifully illustrated, largely in colour. A significant catalogue which documents the depth and range of unique items in Canadian collections, both institutional and private. A fine copy..

London: Longmans, Green, and Co., 1900. "New impression". 8vo., red gilt decorated cloth, pp. viii, 445. Bookseller's embossed stamp on front free endpaper, slight fading to spine, corners bumped, three small stains on upper board, a small amount of black residue on top edges of covers. A very good and attractive copy..

Cambridge: Cambridge University Press, 1980. First edition, wrappers issue. Quarto, card covers, pp. xiv, [113]; illustrated. Fine..

New York: The Typophiles, 1976. 18.3 cm x 11.6 cm, plain card covers, pp. 26. Inscribed by Dunlap. Fine in dust jacket..

(Tokyo: N.p., 1985). Japanese edition. 25.4 cm x 21.2 cm, black boards, pp. 240; illustrated. Text in Japanese. Inscribed to an academic on the front free endpaper, presumably by the publisher, and numbered in the same hand "54/3000". Corner's bumped, else about fine in dust jacket, lightly worn at edges and with a worn and torn wrap-around band. [Oversize*].

Walthamstow: William Morris Gallery, 1969. Second revised edition. Octavo, wire-stitched card covers, pp. viii, 76; five illustrations. Light edge wear to covers, else very good. Latham 97.