Search Results: Authors starting with C from Fox & Hedgehog

San Francisco: Chronicle Books, 2002. First printing (number line). Hardcover. Near Fine/Very Good+. 6 1/8 x 6. Color plates. 3F. Sewn binding in paper-covered boards, in dustjacket. A Compact Design Portfolio book. A nice copy, opening widely but signature-sewn binding is firm, with intact hinges and square spine. Light pencil marks corner title page, else no marks. Small spot front cover. Unclipped dustjacket has light crease top edge near spine, else little wear.

New York: Kent, 1988. Softcover. Very Good-. 11 x 9. Color plates. 1G. Exhibition catalog. Color reproduction is excellent. Binding tight, no marks. Foxing to glassine endpapers & page-edges. Cover wear.

New York: The John Day Company, 1958. First printing (NAP). Hardcover. Very Good-/Fair. 5 5/8 x 8 1/8. With B&W frontispiece portrait of the author by David Silvette. 2I. Cloth-covered boards, in dustjacket. Scarce. "The Life Story of Thomas Calhoun Walker, 'Lawyer Walker of Gloucester.'" A few marks to the cloth, which is a litle worn at the spine-ends, and irregularly faded at the crown of the spine. Where the binder attached the first (half-title) page to the endpaper, the page has pulled away from the rest of the signature, exposing the mesh a little, but the binding is still firm, and the hinges are strong (no tears to the endpapers). Name in light pencil on front free endpaper, else no marks. The dustjacket has significant wear and shelf-soil, with tears, chips and creasing to the crown of the spine, and chipping with a 2" tear at the foot of the spine. The front flap appears to have been clipped, but the price ($4.50) is still present.

Milano: Skira, 2014. First edition (stated). Hardcover. Near Fine. Oversize, 7 1/4 x 9 5/8. Colo and B&W photos. 4J. Sewn binding in pictorial boards. Photographs of the beautiful people. Tight binding and intact hinges, spine slightly off square. No marks. A little bumping to extremities.

Cambridge, Massachusetts: Harvard University Press, 1988. First printing (number line). Hardcover. Near Fine/Near Fine. 5 5/8 x 8 1/2. 4F. Sewn binding. cloth-covered boards, in dustjacket. A beautiful copy. Tight binding and square spine. No marks. A couple pages have small corner creases. Front free endpaper has some light toning from a newspaper clipping laid in. Unclipped, bright dustjacket has hardly any wear.

Baltimore, Maryland: Black Classic Press, 1994. 1994 Black Classic re-issue. Softcover. Very Good+. Trade-size. 4F. Signed by the author on the half-title page (signature only, no inscription), else no marks. A nice copy with tight binding and uncreased spine. A little damp-rippling bottom of two pages. Cover wear to bottom corners, else little signs of use.

Miami, Florida: J. Flores Publications, 1990. Softcover. Very Good. Trade-size. 3H. Solid copy with firm, square and uncreased spine. No marks to text. Fore-edge soil. Minor cover wear.

Woodridge, Illinois: WIlton Enterprises, Inc., 1984. Softcover. Very Good. Oversize oblong, 11 x 8 1/2. Monochrome illustrations. 1J. Stapled card covers. Firm binding with unrusted staples. No marks. Minor cover wear.

New York: Farrar, Straus and Giroux, 2000. First paperback edition (stated). Softcover. Near Fine. 6 x 9. 4F. First two books translated by Joachim Neugroschel; the third by Ralph Manheim. A nice copy with firm binding and uncreased spine. Pencil marks (and small dot label) corner last page, else no marks to text. Hardly any cover wear. Pages lightly toned. A couple pinprick spots top edge.

Privately printed, 2012. Revised edition (originally published 2010). Hardcover. Very Good+. 6 1/8 x 9 1/4. 2J. Full cloth-covered boards. Indexed. A solid copy. Tight binding and square spine. No marks to text. Small marks front flyleaf.Page-edges bumped at lower corner. A very little edgewear to the cloth, and minor creasing at spine-ends. Publisher's label back cover.

New York: Outerbridge & Lazard, Inc., 1972. Hardcover. Fair/Very Good. 5 5/8 x 8 1/4 . 3K. Paper-covered boards, in dustjacket. I've rated this "Fair only" because the glued binding, though still flexible, is opening widely; all the pages are still attached, however. Else no visible defects: hinges intact, no marks. Unclipped dustjacket has some wear but no chips or tears; the flaps are a little sunned.

Paris: Editions Dis Voir, 1993. (NAP). Softcover. Very Good+. Oversize, 8 3/8 x 10 3/4. Color and B&W photos. 3L. Sewn binding. A nice copy with tight binding and square, uncreased spine. No marks. Light cover wear including small corner crease top back cover.

New York: Paragon House, 1989. First editiion (stated). Hardcover. Good. 6 1/4 x 9 1/8. 2K. Full cloth-covered boards. Index, detailed notes, and bibliography. ***Ex-library***. Real cloth binding. Tight binding, slight spine-lean. No marks. Little wear to the cloth. No label on spine, but a card-pocket on the front flyleaf has been removed, leaving remnants; there is no dustjacket, but a dj was once glued to the pastedown endpapers and its removal has left remnants and scuffs there. Bump to bottom page-edges. Some smudges on a few pages and on the page-edges; a number of pages have creased corners. A solid copy, though not beautiful.

Kingston, Ontario: Quarry Press, 1991. (NAP). Hardcover. Near Fine/Near Fine. Oversizek oblong, 10 x 8 3/8. Color reproductions, with B&W photos of the artists. 4I. Sewn binding in paper-covered boards, in dustjacket. A nice copy with firm binding, intact hinges and square spine. No marks. Light bumping and wear at/near tail of spine. Unclipped dustjacket has some light creasing near tail of spine and mild rubbing, but no chips or tears, and hardly any edgewear.

Belmont, Massachusetts: Institute for Byzantine and Modern Greek Studies, 1956. Third printing (1974). Softcover. Very Good. 5 1/2 x 8 3/8. 5I. Stapled wraps. Name and date on front flyleaf, notation inside front cover, else no marks. BInding firm but staples are rusted. Some soil, toning and wear to covers. Small water-spot front cover.

Sierra Madre, California: Magical Publications, 1983. Second edition. Softcover. Very Good. 5 3/8 x 8 3/8. B&W illustrations. 2H. Stapled card covers. Copyright date is 1982. Short pamphlet, only 28 pages. Binding firm. No marks. Some cover wear at spine and on back cover, else little signs of use.

Saint-Hyacinthe, Quebec: Expression, Centre d.expositionde Saint-Hyacinthe, 2013. Softcover. Near Fine. Oversize, 7 x 10. Color photos. 2L. Sewn binding in stiff card covers. A nice clean copy, nearly as new, with tight binding and square, uncreased spiine. No marks. Hardly any cover wear.

Secunderabad: Institute of Sri Ramchandra Consciousness, 2010. Fourth edition (stated). Softcover. Very Good+. Trade-size. 4G. A solid copy with tight binding and uncreased spine. No marks. A couple mild handling creases near spine, else little wear.

New York: Random House, 1956. First printing (stated). Hardcover. Very Good-/Fair. 7 5/8 x 4 3/4. 3F. Paper-covered boards with cloth spine, in dustjacket. With the collaboration of William Carlos Williams, Richard Wilbur, William Jay Smith, Barbara Howes, W.S. Merwin and James Wright. A solid copy with tight binding and good hinges. No marks to text. Gift inscription ffep. Bookplate front pastedown. Two names in ink on rear pastedown. Sunned at upper and lower board edges and fore page-edges. Small bumps to lower board edges, top corners and fore page-edge. A few spots/grime here and there. Unclipped dustjacket badly edge-torn, chipped and creased (see photo), with spine sun-faded and back panel shelf-soiled.

Princeton, New Jersey: Princeton University Press, 1976. First (paperback) printing (NAP). Softcover. Very Good. Trade-size. Illustrated with a sketch by Picasso and three drawings by Char, all previously unpublished. 4F. Dual language, French and English, on facing pages. A solid copy with tight binding and square, uncreased spine. No marks to text. Covers have sunning and some wear. A few stray marks to fore-edge.