Description:
Riga: Apgads zelta abele, 1943. Original publisher's folder. Zalkalns, Teodors (illustrator). 48 plates and a booklet in the original publisher's folder. Dimensions: 36 x 25 cm. Text in Latvian. Several tears on the folder; internally very good.<br /> <br /> Teodors Zalkalns (known as Teodors Grinbergs until 1930) born on November 30, 1876 in Allazi district (Latvia), died on September 6, 1972 in Riga. Sculptor. Studies at Stiglitz's Central School for Technical Drawing (1893-1899), a graduate of the Classes of Decorative Painting and Etching, a winner of scholarship for studies abroad. Participation in the activities of Latvian artists' union "Rukis". He took up sculpting in Paris, where he attended Rodin's studio under A. Bourdelle. Zalkalns was highly influenced by Rodin's school and was also interested in Egyptian sculpture. He designed sculptures at C. Faberge's jewelry company in St. Petersburg (1901-1903). Mastering of bronze casting and marble…
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[Album with 48 plates]
by Damberg, Valdemar (editor)
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Put Russkogo Ofitsera (The Path of the Russian Officer)
by Denikin, Anton Ivanovich; N.S. Timasheva (Preface)
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- Used
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- First edition
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BROOKLYN, New York, United States
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New York: Chekhov Publishing House, 1953. First edition. Publisher's wrappers. Book measures: 21.5 x 14 cm. 382, [2] pages. Text in Russian. <br /> <br /> A memoir recounting events before 1916 was written by Anton Ivanovich Denikin (1872-1947), but unfortunately it remains unfinished. His wife, Ksenia Vasilievna Denikina, completed the memoirs after the military leader's passing.
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A. K. Glazunov, 1882-1922
by Derzhanovsky, V. V.
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Moscow: State Music Publishing House, 1922. Publisher's wrappers. Book measures: 21 x 16 cm. 19 pages. Text in Russian. <br /> <br /> Alexander Konstantinovich Glazunov (1865-1936) was a prominent Russian composer, educator, and conductor of the late Romantic era. He served as the director of the Saint Petersburg Conservatory, overseeing its transformation into the Petrograd, then Leningrad Conservatory after the 1917 Revolution, until his departure from the Soviet Union in 1928. Glazunov, who counted Dmitri Shostakovich among his notable students, skillfully blended Russian nationalism with a cosmopolitan style, drawing inspiration from Balakirev, Borodin's majestic narratives, Rimsky-Korsakov's orchestration, Tchaikovsky's lyricism, and Taneyev's counterpoint. Despite being seen as somewhat traditional by younger contemporaries like Prokofiev and Shostakovich, he was respected for his significant stature and his steadying presence during a period of significant change.
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Try idylii: Tsyhany 1920-23 r., Polissia 1940-43 r., Amazonky 1950 r. [Three Idylls: Gypsies 1920-1923, Polissia 1940-1943, Amazons 1950]
by Desniansky, Ivan
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England, 1951. Publisher's wrappers. 17 x 12.5 cm. 38 pages. Text in Ukrainian. A very good copy with light wear.<br /> <br /> Ivan Desniansky (date of birth unknown - 1956) was a Ukrainian writer and bibliophile. His real name was Ivan Sapun. He emigrated to Germany during the war and later relocated to England. He passed away in London in 1956. Desniansky was known as the author of the poem "Mazepa, Baturyn, and Poltava.
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Vystavka novykh postuplenii khudozhestvennogo otdela tsentral'nogo muzeia TSSR [Exhibition of New Arrivals of the Art Department of the Central Museum of the TSSR]
by Devishev, A. A., compiler
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Kazan: Central Museum of the TSSR, 1929. This quarter-fold art exhibition catalog includes an introduction by P. Dulskii and is limited to a mere 300 copies. It highlights significant contributions from the Central Museum of the USSR in 1929, featuring works by acclaimed artists such as Martiros Saryan, Vasily Surikov, and Pavel Pavlinov. As of April 2024, this catalog has not been listed in OCLC.
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Kirasiry Ego Velichestva [His Majesty's Cuirassiers 1902-1914]
by Devlet-Kildeev, M. Prince; Dolenga-Kovalevskii, G. A.
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- First edition
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First edition. Original publisher's wrappers. 186 pages: illustrations. Text in Russian. Unnumbered limited edition of 555 copies. A good copy with very light wear to wrappers; internally very good.<br /> <br /> Collected memoirs relating to the life of His Majesty's Cuirassiers before the First World War: parades, inspections, maneuvers, exercises, and sport. Lists of officers of the regiment. (Shmelev 516).
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Svershchok na pechi: domashnia kazka [The cricket on the hearth: home tale]
by Dickens, Charles (1812-1870)
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- poor
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- Used - Poor
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- [First Ukrainian edition]
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- 1
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BROOKLYN, New York, United States
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Vienna: Vyd-vo A. Amonest, 1923. [First Ukrainian edition]. Original publisher's wrappers. Poor. Title from cover: Perly mizhnarodnogo krasnogo pismenstva [Pearls of international writing]. British classics series, p. 1. Sextodecimo (11.6 x 19.3 cm). 133 pages. Text in Ukrainian (translation from English). Owner inscriptions, stamps to front wrapper and title; wrappers and spine worn, soiled and chipped; tear to title; text block lightly creased and foxed.<br /> <br /> The first Ukrainian translation of The cricket on the hearth by Charles Dickens.<br /> <br /> OCLC shows five copies, as of May 2020.
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Slaviansko-Russkii bukvar [Slavic-Russian primer]
by Dieditskii, Bogdan A.
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- Used - The book is in good condition
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BROOKLYN, New York, United States
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Lviv: Obshchestvo imeni Mikhaila Kachkovskogo, 1895. Original pictorial wrappers. The book is in good condition. Octavo (21 x 14 cm). 125 pages: illustrations throughout. Text in Slavic and Russian. Due to the paper quality, the wrappers and title page are a bit chipped and torn; some foxing throughout the book; otherwise in very good condition. <br /> <br /> OCLC locates a single copy at the New York Public Library System as of November 2022.
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Literatura pervykh let sotsialisticheskoi revoliutsii [Literature of the first years of the socialist revolution], series 6, no. 20, 1957
by Diev, Vladimir Aleksandrovich
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Moscow: Znanie, 1957. Publisher's wrappers. 32 pages. Text in Russian. A clean copy with light signs of wear.<br /> <br /> The objective of this brochure is to underscore a highly important phase in the history of Soviet literature (1917-1921), during which its cornerstone was established amid a vigorous class struggle. It seeks to demonstrate the pivotal influence of the October Revolution, Lenin, and the Communist Party in shaping the literature of socialist realism.
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Katalog vystavki proizvedenii [Exhibition Catalog]
by Dobrov, Matvei Alekseevich (1877-1958)
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Moscow: Moskovskii Soiuz Sovetskikh Khudozhnikov, 1944. Book measures: 13 x 10 cm. [4] pages. Text in Russian. One of 200 copies. Compiled by N. Mashkovtsev. A copy with slightly slightly creased wrappers and a rusty staple.<br /> <br /> Matvei Alekseevich Dobrov (1877-1958) epitomizes the fusion of scientific precision and artistic form. Initially enrolled in Physics and Mathematics at Moscow University, his academic pursuit swiftly transitioned to natural sciences with an emphasis on botany and jurisprudence, under the mentorship of Prof. A.I. Lavlanov. His analytical prowess in discerning the nuances of natural forms is evident in his meticulously curated albums of flora.<br /> <br /> Dobrov's formative years in the Moscow outskirts provided a rich botanical landscape that shaped his professional trajectory. This exhibition catalog presents an array of Dobrov's works, highlighting the technical skill and scholarly depth that define his legacy in the intersection of…
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Uchebnik Zakona Bozhiia [УÑебник Ðакона ÐожиÑ]
by Donetskov, Afanasy (Archpriest)
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Munich-Freimann: Izd-vo, 1946. Original pictorial wrappers. Dimensions: 20.5 Ã 14.5 cm. 79 pages: illustrations. Mimeographed Text in Russian. With the printed censorship note in Russian "UNRRA Team 107". The book was published with the blessing of His Eminence Seraphim, Metropolitan of Berlin and Germany (Karl Georg Albert Lade). With minor wear to the wrappers and some chipping on the spine, but it is very good internally.<br /> <br /> This book was published by the Russian refugees and printed in a very small run to be distributed in post-war Germany's Displaced Persons (DP) camps. Due to difficult circumstances in those camps, including a lack of resources and military censorship, such publications are a testament to the resilience and determination of the displaced persons community during this challenging time in history.
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Tuha za heroichnym: idei i postati literaturnoi Ukrainy [Yearning for Heroism: Themes and Personalities in Ukrainian Literature]
by Dontsov, Dmytro Ivanovych
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London: SUM, 1953. Publisher's wrappers. In this émigré publication, the author presents a critical examination of Ukrainian literature. The book is 160 pages long, measures 19 cm, and features text in Ukrainian. Its overall condition is good.<br /> <br /> Dmytro Ivanovych Dontsov, a Ukrainian writer, publisher, journalist, and political theorist, significantly influenced the Organization of Ukrainian Nationalists with his extreme views on integral nationalism.
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Istoriia Ukrainy z maliunkamy [History of Ukraine with Illustrations]
by Doroshenko, Dmytro
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- Used
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- 4th edition
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BROOKLYN, New York, United States
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Augsburg: Nakladom P. Pohasiia, 1947. 4th edition. Publisher's wrappers. 249 pages: illustrations, maps, portraits; 21 cm. Text in Ukrainian. A stained copy with signs of wear on the wrappers, several tears, slightly damaged spine and the owner's inscription on the endpaper.<br /> <br /> The fourth edition of Doroshenko's work marks its debut publication within the displaced persons camps in Germany. This edition, tailored for a younger audience, features illustrations and serves as an educational resource for Ukrainian postwar refugees.<br /> <br /> Dmytro Doroshenko (1882-1951) was a prominent historian, historiographer, and moderate conservative political figure. Before the Revolution of 1917, he was associated with the Society of Ukrainian Progressives. During World War I, he served in the Union of Cities, a relief organization in Russian-occupied Galicia and Bukovyna. Post-revolution, Doroshenko became the Russian Provisional Government's commissioner of…
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Ðе ÑолÑко ÐÑодÑкий: Ð ÑÑÑÐºÐ°Ñ ÐºÑлÑÑÑÑа в поÑÑÑеÑÐ°Ñ Ð¸ анекдоÑÐ°Ñ (Not only Brodsky: Russian culture in portraits and anecdotes. )
by Dovlatov S., Volkova, M.
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Moscow: Kultura, 1992. Original publisher's wrappers. Book measures: 25,5 Ã 20 cm. 112 pages: portraits. Text in Russian. Good copy.<br /> <br /> The book is written in a unique genre where the visual element is organically fused with the literary: beautiful photographs of famous figures of modern culture such as V. Aksenov, A. Bitov, A. Voznesensky, N. Korzhavin, M. Rostropovich, and others.
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Na Zakate Imperii (At The End of The Empire)
by Dreier, Vladimir Nikolaevich von, (1876-1967)
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Madrid: Author's publication, 1965. Original publisher's wrappers. Book measures: 21 x 15.5 cm. 224 pages: portraits. Text in Russian. One of [500] copies printed. A gently age-worn copy with a little crease on the front wrapper and light foxing throughout. <br /> <br /> An emigre rarity and one of the most valuable materials in Russian military history. According to Andre Savine, the book never reached the market.<br /> <br /> In this book, the author describes his memories of life in Russia from a young age until the collapse of the Empire. In it, he gives a realistic assessment of events and apt characteristics of commanders known throughout Russia. The book describes the tragedy of the Russian officers captured by the revolutionary storm. "The first advantage of Dreyer's book is that it is written in excellent Russian..." (from a review of the era).<br /> <br /> Vladimir Nikolaevich Von Dreyer (1876-1967). - Major General of the General…
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Strybozha vnuka: opovidannia z chasiv velykoho kniazia Iaroslava Mudroho [Leaping Grandson: Stories from the Era of Grand Prince Yaroslav the Wise]
by Dudko, Fedir
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Augsburg, 1948. 18 cm. 88 pages. Text in Ukrainian. Cover design by S. Babulevych. A copy with a slightly worn cover.<br /> <br /> Dudko Fedir (1885-1962), was a Ukrainian writer and journalist. Pseudonyms - Odud, Karpenko, F. Dudko-Karpenko, Tryfon, Chugaister. During the Ukrainian National Republic (UNR) era, he served in the Ministry of Land Affairs before relocating to Lviv, where he contributed to the library of the Scientific Society named after Shevchenko. Subsequently, he experienced a period of unemployment after being laid off due to staff reductions after seven years of service. He then ventured to Lublin and Kraków, where he worked for the daily newspaper Kraków News and served as an editor for publications such as "Our Word" in Berest and "Pinska Pravda" in Pinsk. Following his emigration to Germany in 1944, he collaborated with magazines such as "Church and Life" and "Golos" despite enduring imprisonment by…
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Zametil': opovidannia [Blizzard: A Collection of Short Stories]
by Dudko, Fedir
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BROOKLYN, New York, United States
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Augsburg, 1948. Illustrated wrappers. 122 pages. Text in Ukrainian. Ukrainian printing house B. Ignativ in Neckarsulm. Cover design by S. Babulevych. A good copy with light wear to the wrappers.<br /> <br /> This collection features stories by Fedor Dudko, including the following works, "The White Queen," "Grandfather Yakiv," "Sister Lyudmila," and "Blizzard." Central to these narratives is the national revolution of 1917-1920, particularly focusing on the events of the First Winter Campaign. In "Blizzard," Dudko portrays the unwavering commitment of the participants in the Winter Campaign and their steadfast support from local communities. The protagonist, while on a mission, is ambushed by Bolshevik forces, only to be rescued by the young son of a local landowner. Amidst ensuing battles and betrayals, ordinary villagers rally to aid the protagonist, nursing him back to health. Thanks to the care of the landowner's daughter, the…
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Divchata ochaidushnykh dniv [Girls of Desperate Days]
by Dudko, Fedir
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BROOKLYN, New York, United States
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Augsburg, 1948. Illustrated wrappers. 132 pages; 17 cm. Text in Ukrainian. A copy with soiled wrappers, a small hole on page 5, and handwritten notes on the initial pages, bearing the signature of the owner, R. Kokolskyj, on the title page.<br /> <br /> The book explores the social upheaval and class dynamics of its time, depicting different female archetypes against the backdrop of national liberation movements. Through a pathetically elevated tone, it vividly portrays the essence of women's roles and struggles during this tumultuous period of history.<br /> <br /> Fedir Dudko (1885-1962) was a Ukrainian writer and journalist known by several pseudonyms, including Odud, Karpenko, F. Dudko-Karpenko, Tryfon, and Chugaister. During the era of the Ukrainian National Republic (UNR), he initially served in the Ministry of Land Affairs before relocating to Lviv, where he made contributions to the library of the Scientific Society named after Shevchenko. Following a period of…
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[SIGNED] Ilia Repini (Ilya Repin)
by Duduchava, M. I.
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- Hardcover
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- Used
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- Hardcover
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Tbilisi: Art Museum, 1940. Hardcover bound in cloth with gold embossing on the cover. Book measures: 20.5 x 15.5 cm. 117 pages: plates. Text in Georgian. Signed by the author M. I. Duduchava on the free endpaper. One of 900 copies. A copy in very good condition, exhibiting only slight fading on the spine.<br /> <br /> A signed copy of a somewhat rare monograph focusing on the acclaimed Russian artist Ilya Repin, composed in Georgian and released in 1940.<br /> <br /> As of November 2023, OCLC locates a single institutional holding at Harvard UniversityLibrary.
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Group of Fifty-One Russian Anti-Semitic and Anti-Bolshevik Caricature Lithographs
by [Dvigubsky, Serge Grigorievich], illustrator
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A collection of 51 lithographs featuring text in Russian, English, French, and German. The dimensions vary approximately from 9 x 14 to 10 x 15 cm, with a single one measured 7 x 9 cm. Though their dimensions evoke the traditional size of postcards, it is notable that certain lithographs within this collection lack the customary designated areas for stamps or written messages on the reverse side. Instead, they resemble leaflets, suggesting an alternative purpose or intended usage. This departure from conventional postcard design implies a deliberate choice by the artist or publisher, perhaps indicating a desire for these lithographs to function more as standalone visual propaganda or educational materials rather than as correspondence tools. This deviation in format adds another layer of intrigue to the collection, prompting speculation about the intended audience and the specific messaging strategy employed by the creator. Originating from an unidentified publisher, these lithographs carry…
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