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[c.1856]. . Albumen print. Good tonal range and in good condition, pasted on new leaf. The Temple of Hullabeed (also spelt Halebid and Halebidu) is a complex made up of the Hoysaleshawara and Kedareshwara temples and two Jain basadi. Located in Karnataka it was the 12th-century capital of the Hoysalas.Richard Banner Oakeley is famous for his photographs of the Holysaleswara Temple, a magnificent example of Hindu architecture and sculpture begun during the first half of the 12th century.
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Halebid, sculptural study, Hoyaslesvara temple, Tamil Nadu.
by OAKELEY, Richard Banner (attributed to).
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Matabele Land and the Victoria Falls, a naturalist's wanderings in the interior of South Africa. From the letters and journals of the late Frank Oates. F.R.G.S.
by OATES, Frank.
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London, Kegan Paul, 1881. . First edition; 8vo, xliiii, 383pp., portrait frontispiece, four folding maps, 6 chromolithograph plates, numerous wood-engraved illustrations in text, natural history appendix with ten plates (9 hand-coloured) after Keulemanns (2) and others, original grey pictorial cloth gilt, bevelled edges, a fine fresh copy. An exceptionally well preserved example. Oates was one of the first Europeans to see the Victoria Falls in full flood, having travelled to Natal in 1873, and made his way overland to the Zambesi. He died shortly afterwards of a tropical fever. Czech p124; Mendelssohn II, p112.
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Garden House.
by OBONG, Eno.
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Nigeria, New Horn Press, 1988. . First edition, first printing; 8vo; toning to text block, else unmarked internally; publisher's green leatherette, silver lettering to spine, New Beacon Books price label to upper cover, corners slightly bumped, else a good copy. First edition of the Nigerian author's first novel.
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Pablo Ruiz Picasso. A Biography.
by O'BRIAN, Patrick.
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London, Collins, 1976. . First edition, inscribed by the author; 8vo; unmarked internally; publisher's red cloth, silver lettering to spine, with the price-clipped pictorial dustjacket, spine slightly faded, minor creasing to extremities; a near-fine example. Inscribed by the author on the title page: 'for Bob Bluth / with kind wishes / from Patrick O'Brian'. As usual, O'Brian has crossed through his name printed on the title page.
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The Country Girls Trilogy: The Country Girls; The Lonely Girl; Girls in Their Married Bliss.
by O'BRIEN, Edna.
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London, Hutchinson [then Cape], 1960, 1962 & 1964. . First editions, first impressions; 3 vols, 8vo; publisher's black, pink and blue boards respectively, titles to spines, with the pictorial dust jackets. I: spine just a touch rolled but a lovely copy in the lightly frayed dust jacket with a couple of pieces of internal support; the other two titles are gorgeous in the dust jackets. O'Brien's first three novels form a trilogy and a testimony to life for women in southern Ireland in the middle of the twentieth century. It established its author as the major novelist she continued to be for the five decades - and counting! Sets in this condition are not common.
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The Poor Mouth (An Beal Bocht). A Bad Story about the Hard Life. Edited by Miles na Gopaleen.
by [O'BRIEN, Flann]; STEADMAN, Ralph (illustrator); O'NOLAN, Brian.
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London & Dublin, Bernard Jacobson and The Dolman Press, 1973. . First edition, special issue, number 74 of 130 copies signed by the artist, with signed & numbered etching loosely inserted as issued; 8vo; illustrations by Ralph Steadman, bookplate to front pastedown; publisher's tan hessian, titles to upper board in black, pictorial endpapers after Ralph Steadman, fine copy. A perfectly written comic novel (by a genius), perfectly illustrated (by a genius), wonderfully printed in very small numbers and complete with the correct, signed engraving, which is quite often missing.
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The Poor Mouth (An Beal Bocht). A Bad Story about the Hard Life. Edited by Miles na Gopaleen.
by [O'BRIEN, Flann]; STEADMAN, Ralph (illustrator); O'NOLAN, Brian.
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London & Dublin, Bernard Jacobson and The Dolman Press. 1973. . First edition, special issue, number 107 of 130 copies signed by the artist, with signed & numbered etching loosely inserted as issued; 8vo; illustrations by Ralph Steadman, bookplate to front pastedown; publisher's tan hessian, titles to upper board in black, pictorial endpapers after Ralph Steadman, hessian abraded at upper joint slightly. A perfectly written comic novel (by a genius), perfectly illustrated (by a genius), wonderfully printed in very small numbers and complete with the correct, signed engraving, which is quite often missing.
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The Several Plans and Drawings Referred to in the Third Report from the Select Committee upon the Improvement of the Port of London.
by [PORT OF LONDON].
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London, Luke Hansard, 28th July, 1800. . Large folio, 21 engraved plates, scattered marginal spotting, 6 being hand-coloured, grey wrappers, paper label on upper cover, housed in modern black cloth foldover box wiith gilt lettered spine. These reports were published after a petition from the City for the much needed improvement of the London docks. A committee was then appointed in 1796 and various schemes were proposed. The first report was published in 1796, and second in 1799 and finally this one in 1800.The engravings when opened out extend from 42 inches to as much as 73 inches, for example the plan for Mr Wilson's proposed Cast iron bridge. There are also various impressive designs for bridges and dock-side developments by Telford and Douglas (4 plans), also by Ralph Dodd (6 plans) and George Dance (7 plans) amongst others, all celebrated architects and engineers of the day. There is also a plan of a proposed double bridge at London Bridge, with drawbridges, and a grand area to the…
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Songs from Shakespeare's Plays.
by [OFFICINA BODONI]. SHAKESPEARE, William.
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Verona, Officina Bodoni, 1974. . One of 300 copies on paper, this one of 200 for distribution outside Italy; small folio (265 x 175 mm); printed on Pescia paper in red & black; original morocco-backed patterned cloth, gilt, top edge gilt, others uncut, original plastic dust-jacket and cloth slip-case, a fine copy. A lovely copy of this finely produced edition of Shakespeare's songs, showcasing the attention to typography and binding that the Officina Bodoni exemplified. Mardersteig 185.
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The Assassin.
by O'FLAHERTY, Liam.
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London, Jonathan Cape, 1928. . First edition, 8vo., 286, [2 (blank)]pp., publisher's advertisement and postcard loosely inserted, publisher's red cloth, spine lettered directly in gilt, colour-printed dust-jacket, top-edge a little dust-stained, very slight nicks to head-cap of dust-jacket, minimal discolouration at joints, otherwise a fine copy. Stemming from O'Flaherty's own political-activist experiences, this novel is an investigation of the mind and motives of a political murderer. A year following the publication Arthur Robinson directed the first eponymous film version, followed by another in 1935, directed by John Ford, a cousin of the author's.
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The Puritan.
by O'FLAHERTY, Liam.
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London, Jonathan Cape, 1932. . First edition, 8vo, bookseller's small label on front pastedown, publisher's rust-brown cloth tooled and lettered in green, dust-jacket designed by Theyre Lee-Elliott, slightly darkened at spine with small closed tears and fraying to spine ends, but overall a very good example. A typically visually striking jacket by Lee-Elliott, hinting darkly at the novel's play on a conflict between a perceived Christian fanaticism and the the growing "plague" of Communism. There are some newspaper clippings relating to the author loosely inserted.
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The Informer.
by O'FLAHERTY, Liam.
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London, Jonathan Cape, 1925. . First edition; 8vo; publisher's cloth, light sunning to spine, spine ends a little bumped, dust-jacket, light toning and creasing to spine, neat repairs and restorations to spine ends and corners, light surface soiling to lower panel, in effect a very good copy. An unusually good example of the author's classic novel set in the aftermath of the Irish Civil War, the inspiration for a number of film adaptations, most famously that of John Ford in 1935.
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The Gun at Home and Abroad.
by OGILVIE-GRANT, W.R.
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London, London and Counties Press Ass., 1912-15. . Limited edition, number 140 of only 500 copies; 4 volumes (uniformly numbered), large 4to (325 x 270 mm); titles printed in red and black, photogravure portrait of George V in each vol., 59 coloured plates, 70 half-tone plates, 17 other illustrations, including photogravures and monochromes, captioned tissue-guards, illustrations by Lodge, Thorburn and Caldwell, some light spotting confined in the main to preliminary and terminal leaves, otherwise clean and bright; publisher's brown pebbled morocco, gilt, top edge gilt, others untrimmed as issued, these a little browned, spines sunned, light rubbing and marks, more pronounced to reard board of vol. 1, else good and sound. One of only 500 copies. The work comprises: British Game Birds and Wildfowl; British Deer and Ground Game; The Big Game of Africa & Europe; The Big Game of Asia & N. America. Other authors include J.G. Millais, Aymer Maxwell, Meysey-Thompson, Abel Chapman and Selous, each the…
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Claes Oldenburg: An Anthology.
by OLDENBURG, Claes
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New York, Solomon R. Guggenheim Foundation, 1995. . Second edition; large 4to; numerous colour and black and white illustrations, signed by the artist on title-page; publisher's black silk, pictorial dust jacket, a fine copy; includes a single leaf (loose in front) with (undated) exhibition notes for Leo Castelli Gallery, New York; 575pp.
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Orpheum Sign from: The International Anthology of Contemporary Engraving: The International Avant-Garde, Vol. 5, America Discovered
by OLDENBURG, Claes
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1962 . Etching on BFK Rives paper, 1962, signed and numbered E.A. from the edition of 60, printed by Atelier Goerges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. (9.9 x 7.6 in.)
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The Dome: a Quarterly containing Examples of All the Arts.
by [OLDMEADOW, Ernest J. (editor)].
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London, the Unicorn Press, 1897-98. . 5 vols (the complete first series); 8vo; plates, illustrations, pictorial endpapers, advertisements; publisher's boards. A complete set of the first series of this influential eighteen-nineties periodical for the arts. Each number includes examples of music, architecture, literature, drawing, painting and engraving, including several colour plates. Notable contributors include Laurence Housman, Laurence Binyon, W.B. Yeats, Arthur Symons and Francis Thompson. Attractive copies in the original boards.
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The Dome: a Quarterly containing Examples of All the Arts.
by [OLDMEADOW, Ernest J. (editor)].
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London, the Unicorn Press, 1897. . First volume only, number 85 of 100 copies on hand-made paper; 8vo; printed in red & black, plates, illustrations, pictorial endpaper; publisher's pale yellow buckram cloth blocked in gilt, t.e.g., others uncut, a very good copy. A very good example of the special issue of the first volume of this important eighteen-nineties periodical. This issue does not include the 16pp. advertisements and the announcement of No.2 of The Dome which appear in the ordinary issue.
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Voyages tres-curieux & tres-renommez faits en Moscovie, Tartarie et Perse. [With] Voyages célébres & remarquables, faits de Perse aux Indes Orientales.
by OLEARIUS, Adam & MANDELSLO, John Albert de.
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Amsterdam, Michel Charles Le Cene, 1727. . Two volumes folio (32.5 x 21 cm). First work with half-title, title, [32] pp., 560 columns on [280] pp., with engraved portrait of the author, 2 folding and 10 double-page engraved maps, 2 folding, 17 double-page and 2 full-page engraved plates, and 40 engravings in text; Second work with half-title, title, additional engraved title, 565-1108 columns on [272], [21] pp. table and privilege, with 8 double-page engraved plates and 19 engravings in text, some plates by Nicolas Witsen; contemporary blonde calf, spines in seven compartments, red morocco lettering piece to second, others others with gilt centre tool, broad gilt dividers, occasional light browning and offsetting, hinges a bit weak, overall a fine fresh set. A fine set, attractively bound in polished calf, of this richly illustrated edition of the important accounts of Olearius and Mandelslo, edited by Van der Aa.Olearius (Adam Oehlschlaeger, 1603-71) travelled to Ispahan in the train of the Duke…
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A journey to Katmandu (the capital of Nepaul) with the camp of Jung Bahadoor; including a sketch of the ambassador at home.
by OLIPHANT, Laurence.
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London, John Murray, 1852. . First edition. Small 8vo, x, 214 pp., four pages ads dated May 1852 at end, frontispiece map, original red printed boards lettered in black, rebacked red calf, a very good copy. A scarce account of Nepal. In 1851 he accompanied Jang Bahadur on his return to Nepal after his embassy to England. Includes a chapter on the trade of Nepal at that time. Includes some big game adventures including tiger hunting. Czech, Asian, p154; Marshall 546; Yakushi O20.
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The Trans-Caucasian Campaign of the Turkish army under Omer Pasha: a personal narrative.
by OLIPHANT, Laurence.
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London, William Blackwood and Sons, 1856. . First edition. 8vo, [ii](ads), xxvii, 234, [16](ads)pp., 5 coloured lithographed plates including frontispiece, 1 folding map, woodcut vignette on title and four others, original green blindstamped cloth gilt, gilt vignette to upper cover, presentation inscription to title, light wear, a very good copy. Oliphant had been acting as a correspondent for The Times during this campaign. He had accompanied Lord Stratford to the Crimea from Constantinople. Oliphant had a glimpse of the siege of Sebastopol, afterwards joining the force under Omar Pasha. He was present at the battle of the Ingour. The fall of Kars then made the expedition fruitless, and after much suffering during the retreat, he returned to England.
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