Search Results: Titles starting with C from Goldiers LLC

Otto Ltd., London, Circa 1915. Very Good +. Approx. 10 1/4 x 7 3/4 inches. Title: Cader Idris, From Barmouth Sands.Artist: John Sell Cotman.Publisher: Otto Ltd., London. Source: The Connoisseur (British Collectors Magazine). Date: Circa 1915. Size: Approx. 10 1/4 x 7 3/4 inches. Description: Original connoisseur print from the original coastal scene of Cader Idris, From Barmouth Sands, North West Wales. John Sell Cotman (16 May 1782 – 24 July 1842) was an English marine and landscape painter, etcher, illustrator, author and a leading member of the Norwich school of artists.Condition: Very Good +Some curl to edges

Sherwood, Neely and Jones, December 1st 1810. Good. approx. 7 3/4 x 10 1/8 inches. Title: Caffree Man, Woman and Children.Artist: Unknown.Engraver: Unknown.Publisher: Sherwood, Neely and Jones.Source: A System of Modern Geography.Date: December 1st 1810.Size: approx. 7 3/4 x 10 1/8 inches.Description: Antique copper-plate engraving of a South West African family probably from the Khoikhoi tribe. This could well have been originally drawn in South Africa as the tribe was all along the river Breede, valley and surrounding mountains.Condition: Good.Some foxing/page browning. Minor soiling. Bottom margin is very tight. Image is slightly skew.

Title: Camera Lucida. Vol. IV. Plate XXXIV.Engraver: Unknown.Source: Encyclopaedia Britannica, 9th edition.Publisher: W. and A. K. Johnston.Date: 1877.Size: Approx. 8 1/4 x 10 3/4 inches.Description: Original antique British wood-cut print of early drawing device in 5 diagrams.A camera lucida is an optical device used as a drawing aid by artists. The camera lucida performs an optical superimposition of the subject being viewed upon the surface upon which the artist is drawing.Condition: Very Good -Slight browning/foxing. Stain to top edge.

May 28th, 1864. Very Good. Page Approx. 15 3/8 x 10 3/8 inches. Title: The War in America. Camp of Federal Prisoners on Belle Isle, Richmond. From a Sketch by our Special Artist.Artist: Frank Vizetelly (1830-1883).Engraver: Indistinct monogram.Publisher and Source: The Illustrated London News.Date: May 28th, 1864.Size: Page Approx. 15 3/8 x 10 3/8 inches.Description: Original mid 19th century wood-cut print from the American Civil War. The scene is a pictorial landscape showing the tented encampment of prisoners overlooking Richmond and the James River.Condition: Very Good.Some light browning/foxing. Text to the reverse

Unknown, Paris, 1772-78. Very Good. Approx. 5 7/8 x 8 3/8 inches. Title: Hydraulique, Canal et Ecluses. Engraver: Unknown.Publisher: Unknown, Paris.Source: Encyclopédie, ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers.Date: 1772-78.Size: Approx. 5 7/8 x 8 3/8 inches.Description: Original copper-plate engraved print of canal locks and the hydraulic system involved. Four diagrams showing scale and the process.Condition: Very Good. Light foxing/browning. Some slight image transfer at top edge of the plate.

Fisher, Son & Co., London, 1832. Good -. approx 7 1/4 x 5 1/2 inches. Title: Canonteign House, Devonshire. The seat of the Hon. Pownoll Bastard Pellew, Captain in the royal Navy.Artist: Thomas Allom.Engraver: William le Petit.Publisher: Fisher, Son & Co., London.Source: Devonshire Illustrated, in a Series of Views of Cities, Towns, Public Buildings, Streets, Docks, Churches, Antiques, Abbeys, Picturesque Scenery, Castles, Seats of the Nobility, etc etc...Date: 1832.Size: approx 7 1/4 x 5 1/2 inches.Description: Original British steel-line engraved print from 1832. Canonteign is an historic tything in the parish of Christow, near Chudleigh, in South Devon, England and situated in the valley of the River Teign. It belonged to Merton Priory in Surrey, founded in 1117 by King Henry I for the Black Canons[1] (Augustinians). It is best known today for the Canonteign Falls waterfall. Canonteign today contains three significant houses: the original grade I listed 16th century manor house ("Canonteign Manor… Read More

T. Cadell and W. Davies, London, 1810. Good. Approx. 10 1/4 x 8 inches. Title: Cape of the Winds, from the excavated Chambers, in the lofty fortress of Mankup in the Crimea.Artist: E. D. Clarke.Engraver: Joseph Skelton.Publisher: T. Cadell and W. Davies, London.Source: Travels in Various Countries of Europe, Asia and Africa.Date: 1810.Size: Approx. 10 1/4 x 8 inches.Description: Antique copper-plate engraved print of the excavated caves and chambers at the fortress of Mankup (Mangup). This was a Turkish garrison until it was abandoned in 1774. The last inhabitants, a small community of Karaims, abandoned the site in the 1790s.Condition: Good.Some foxing/browning. Water stain to top right corner

Samuel Walker, Boston, 1846. Very Good. Approx. 11 1/8 x 9 inches. Title: Capitol of Virginia, Richmond.Artist: W. Goodacre.Engraver: J. Archer.Publisher: Samuel Walker, Boston.Source: The History and Topography of the United States of North America, brought down from the earliest period.Date: 1846.Size: Approx. 11 1/8 x 9 inches.Description: Original Mid. 19th century steel-line engraved print of the capitol of Virginia, Richmond. Richmond, the capital of Virginia, is among America’s oldest major cities. Patrick Henry, a U.S. Founding Father, famously declared “Give me liberty or give me death” at its St. John's Church in 1775, leading to the Revolutionary War. The White House of the Confederacy, the home of Confederate President Jefferson Davis during the Civil War, is now a museum in Court End, a neighborhood known for Federal-style mansions.Condition: Very Good.Some light foxing. Browning marks from where the tissue guard was removed

Title: Capitol of the U.S. Washington.Artist: Unknown.Engraver: Unknown.Publisher: J. and F. Tallis, London and New York.Source: History of The United States of America, From The Earliest Period To The Present Time.Date: Circa. 1850.Size: approx. 10 7/8 x 7 1/4 inches.Description: Illustrated engraved print of the Capitol of the U.S. Washington, West Front. There are also three detailed vinaigrette's of 1. A sword through a laurel leaf.2. Washington refusing Lord Howe's letter.3. Battle of Trenton.Condition: Good -Some heavy foxing/browning to the edges.

Title: Capitol of the United States, Washington.Artist: H. Brown.Engraver: Unknown.Publisher: J and F Tallis, London, Edinburgh and Dublin.Source: History of The United States of America, From The Earliest Period To The Present Time.Date: Circa. 1850.Size: approx. 10 7/8 x 7 1/4 inches.Description: Illustrated original antique steel-plate engraved print of the Capitol of the United States in Washington DC. This finely illustrated engraving has three detailed vinaigrette's of 1. A Eagle.2. Washington selecting the site for the capitol.3. Washington making his last speech in the senate chamber. Condition: Very Good -Some foxing/browning. Very light soiling. Top edge very slightly affected by damp.

Samuel Walker, Boston, 1846. Very Good. Page approx. 11 x 8 3/4 inches. Image size approx. 8 1/4 x 5 3/4 inches. Title: Capitol, of the United States, Washington.Artist: H. Brown.Engraver: J. Andrews of Carter, Andrews and Co.Publisher: Samuel Walker, Boston.Source: The History and Topography of the United States of North America, Brought Down from the Earliest Period...Date: 1846.Size: Page approx. 11 x 8 3/4 inches. Image size approx. 8 1/4 x 5 3/4 inches.Description: Original antique steel-plate engraving of the capitol of the United States, Washington. The engraving shows the Capitol building with visitors, carriage and lady on a horse.Condition: Very Good.Light foxing/browning. Foxing from where the tissue guard has been removed. Slight damp effects

Title: Capitol of Virginia, Richmond.Artist: Unknown.Engraver: Unknown.Publisher: J. and F. Tallis, London and New York.Source: History of The United States of America, From The Earliest Period To The Present Time.Date: Circa. 1850.Size: approx. 10 7/8 x 7 1/4 inches.Description: Illustrated steel-plate engraved print of Capitol of Virginia, Richmond. There are also three detailed vinaigrette's of: 1. Fruit including grapes.2. The slave.3. The planter.Condition: Good +Some light foxing/browning. Light soiling/marks.

Patterson & Neilson, New York, 1878. Good +. approx. 11 x 8 1/8 inches. Title: Capture of New Orleans. Fleet Passing Forts on the Mississippi. Mortar Vessels in the Distance Shelling the Forts.Artist: C. Parsons.Engraver: W. Ridgeway.Publisher: Patterson & Neilson, New York.Source: Battles of America by Sea and Land with Biographies of Naval and Military Commanders.Date: 1878.Size: approx. 11 x 8 1/8 inches.Description: Original steel-plate engraved print of the bombardment of New Orleans before the capture of the city. A full action battle scene somewhat exaggerated with artistic licence. Condition: Good + Some browning/foxing. Water stains to the left edge, in the margin.

Samuel Walker, Boston, 1846. Very Good. Page approx. 11 x 8 3/4 inches. Image size approx. 7 3/4 x 5 3/8 inches. Title: The President's House, Washington.Artist: T. Birch.Engraver: D. Kumberly.Publisher: Samuel Walker, Boston.Source: The History and Topography of the United States of North America, Brought Down from the Earliest Period...Date: 1846.Size: Page approx. 11 x 8 3/4 inches. Image size approx. 7 3/4 x 5 3/8 inches.Description: Original antique steel-plate engraving of a sea battle that took place several hundred miles Southwest of Halifax, Nova Scotia. The engraving shows the tail end of the battle with all the masts destroyed on the Gurriere.On 19 August 1812 Guerriere (formerly owned by the French navy), under Captain James Richard Dacres, sighted the American frigate Constitution, under Isaac Hull. The two ships closed and after a fierce engagement the American managed to shoot away Guerriere's fore and main-masts, leaving her un-manoeuvrable. Dacres struck his colours to avoid further… Read More

Fisher, Son and Co., London and Paris, [1840]. Good -. 10 1/2 x 7 3/4 inches. Title: Capuchin Convent at Amalfi.Artist: W. L. Leitch.Engraver: J. Redaway.Publisher: Fisher, Son and Co., London and Paris.Source: The Shores and Islands of the Mediterranean.Date: [1840].Size: 10 1/2 x 7 3/4 inches.Description: Original English steel-line engraved print of the Convent at Amalfi in Southern Italy. This fine engraving is from the original artwork of the Scottish artist William Leighton Leitch, 1804-1883.Condition: Good -Some browning/foxing. Water stains to the bottom corners

Otto Ltd., London, Circa 1915. Very Good +. Approx. 7 7/8 x 10 1/8 inches. Please note the image is approx half the size of the page. Title: Carisbrooke Castle (Isle of White).Artist: P. J. de Loutherbourg R.A.Publisher: Otto Ltd., London.Source: The Connoisseur (British Collectors Magazine).Date: Circa 1915.Size: Approx. 7 7/8 x 10 1/8 inches. Please note the image is approx half the size of the page.Description: Original color connoisseur print of a watercolor of Carisbrooke Castle (Isle of White). The painting was done in 1804 and exhibited at the Royal Academy, London.Philip James de Loutherbourg R.A. 31 October 1740 to 11 March 1812. His name is sometimes given in the French as Philippe-Jacques. He was a Franco-British painter who became known for his large naval works, his elaborate set designs for London theaters, and his invention of a mechanical theater called the "Eidophusikon". He also had an interest in faith-healing and the occult and was a companion of Cagliostro.Condition: Very Good… Read More

Unknown, Circa 1925. Good. 7 3/4 x 9 5/8. Title: Les Conseilleurs... Crois-moi, Mignonne. Il ne Faut de Betises Qu'avec un Homme Serieux.Artist: De Bernad.Publisher: Unknown.Source: Unknown, Paris.Date: Circa. 1925.Size: 7 3/4 x 9 5/8.Description: Original French cartoon drawing from a period magazine. The cartoon shows a young girl with a serious man in the bushes.Condition: Good.Some light browning/foxing. Cut-out from a original magazine. Text to the reverse. Minor soiling.

Fisher, Son and Co., London and Paris, [1840]. Good -. 10 1/2 x 7 3/4 inches. Title: The Castle of Cassano, Calabria.Artist: J. Salmon from the original artwork of Lieut. H. E. Allen.Engraver: J. C. Bentley.Publisher: Fisher, Son and Co., London and Paris.Source: The Shores and Islands of the Mediterranean.Date: [1840].Size: 10 1/2 x 7 3/4 inches.Description: Original English steel-Line engraved print of the castle of Cassano, Calabria, near Naples in Italy. Condition: Good - Some light browning/foxing. Large water stains

George Virtue, London and Paris, 1836/39. Good +. 10 3/4 x 8 inches. Title: The Castle of Smyrna, Asia Minor.Artist: Thomas Allom.Engraver: W. J. Cooke.Publisher: George Virtue, London and Paris.Source: The Gallery of Scripture Engravings, Historical and Landscape.Date: 1836/39.Size: 10 3/4 x 8 inches.Condition: Good + Some browning/foxing

George Virtue, London, 1838. Good -. 10 3/4 x 8 inches. Title: The Castles of Europe and Asia.Artist: W. H. Bartlett.Engraver: G. K. Richardson.Publisher: George Virtue, London.Source: The Gallery of Scripture Engravings, Historical and Landscape.Date: 1838.Size: 10 3/4 x 8 inches.Condition: Good -Some browning/foxing