Description:
/Newtown, CT: Taunton Press, 2001. First edition. Hardcover, cloth backed boards. Quarto. 202pp. Fine in Near Fine dust jacket, faint crease, small ding.
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Garage: Reinventing The Place We Park
by Kira Obolensky
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The Garden Commuter's Wife
by The Gardener (Mabel Osgood Wright)
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New York: The Macmillan Company, 1902. Early printing. Hardcover, green decorated cloth. ix, 354, + 2pp. publishers ads. T.e.g. Illustrated with 8 photogravures. Very Good, hinges starting, some webbing exposed, bookplate, previous owner gift inscription.
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Gardens Of The Imagination: A Literary Anthology
by Edited by Sophie Biriotti. Illustrations by Peter Malone
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San Francisco: Chronicle, 1999. First edition, first printing. Hardback, blue cloth. 144pp. Color illustrations throughout. Near Fine in Near Fine price-clipped dust jacket
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Gardens by the Sea
by Alexandra d'Arnoux, Erica Lennard, and Bruno de Laubadare
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New York: Clarkson Potter, 2002. First edition. Hardcover, illustrated boards. Quarto. 239pp. Color illustrations. Fine in Near Fine dust jacket
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Gary Hill
by Video Art
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Seattle: Henry Art Gallery, 1994. First edition. Essays by Chris Bruce, Lynne Cooke, Bruce W. Ferguson, John G. Hanhardt and Robert Mittenthal. Softcover, pictorial wraps. Oblong quarto. 108pp. Illustrated. Very Good+,
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The Gathering
by David Bromige
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Buffalo, NY : SUMBOOKS, 1965. First Edition. Softcover, stapled wraps. 41pp. Very Good, some creasing near spine, light wear to corners.One of 350 copies. Signed by the author.
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Gauguin's Chair; Selected Poems: 1967-1974
by Robert Peters
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Trumansburg, NY: The Crossing Press, 1977. First Edition. Hardcover, Illustrated boards.138pp. Near Fine.Inscribed by the author.
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Geisha
by Liza Dalby
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Berkeley: University Of California Press, 1983. First edition. Hardcover, red cloth. Small quarto. 347pp. Fine in Near Fine dust jacket, a few closed tears to edges"an intimate glimpse into a unique female community. In her account of her experience as the Kyoto geisha Ichigiku, Liza Dalby the only non-Japanese ever to have trained as a geisha reveals the realities of a world that has long been the subject of rumor and fantasy, and that continues to fascinate Japanese and Westerners alike to this day."
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Genesis: A New Translation of the Classic Biblical Stories
by Stephen Mitchell
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New York: Harper Collins, 1996. First edition, first printing. Hardcover, cloth over boards. 161pp. Fine, bookplate, in Near Fine dust jacket.
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Genevieve
by Lemarchand, Jacques
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London: John Lehmann, n.d. [1947]. First English Edition, First Printing. Translated from the French by Rosamond Lehmann. Small octavo. Red cloth. 128pp. Jacket design by Edward Bawden. Volume in the Lehmann's Modern European Library series
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The Gentleman are Also Lexicographers
by Michael Gnarowski
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Montreal: Delta Canada, 1969. First edition. Softcover, printed wraps. Unpaginated. Fine. A Delta Canada buckbook.Contains rwo poems with book collecting themes
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Gentleman Junkie: The Life and Legacy of William S. Burroughs
by Caveney, Graham
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- ISBN 10 / ISBN 13
- 9780316137256 / 0316137251
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Boston: Little, Brown & Co., 1998. First Edition, First Printing. Illustrated boards. 224pp. Near Fine in Near Fine dust jacket
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Gentleman in Waiting
by Andre Couteaux
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Boston: Houghton Mifflin, 1963. First American edition. Translated Edward HyamsHardcover, cloth-backed boards. 175pp. illustrated endpapers.Near Fine in Near Fine dust jacket.Dust jacket art by David Omar White. Author's first novel.
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The Geological Evidences of The Antiquity of Man, With Remarks on Theories on the Origin of Species by Variations
by Sir Charels Lyell
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Seattle, Washington, United States
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Philadelphia: George W. Childs, 1863. First American edition. Hardcover, pebbled cloth. 518pp. Illustrated with woodcuts. Near Fine, slight fading to spine, corners showing, previous owner name stamp."the best explanation yet offered of the connection between man and those animals which have flourished successively on the earth" (Norman, History of Science). While Lyell never fully accepted natural selection (in its entirety) as the force behind evolution, he still was one the first scientists of note to support Darwin's The Origin of Species.
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Geometry In Architecture
by William Blackwell
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New York: John Wiley & Sons, 1984. First edition, first printing. Hardcover, purple boards. 185pp., illustrated. Fine in Near Fine dust jacket.Cover design by Elaine Tannenbaum.
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The Geometry of Innocence
by Schles, Ken
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Hatje Cantz, 2001. First Edition. Folio. Black boards lettered in yellow. Illustrated with 94 color photographs and 114 duotones. Fine in Near Fine dust jacket.Inscribed by the author in 2006. His second book after the critically acclaimed "Invisible City"Schles approaches the omnipresence of social structures, which - pushed by the flood of media images - are undergoing permanent, almost frantic change. He sends his viewers onto city streets and playgrounds, into pubs and bars, puts them into a police helicopter and takes them to death row, hospital rooms and police interventions. There is no story, only a breathless sequence of pictures condensed into thematic clusters
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Georg Trakl: A Profile
by Edited with an introduction by Frank Graziano
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Durango, CO: Logbridge-Rhodes, 1983. First edition. Softcover, wraps. 127pp. Near Fine, Donated by the Republic of Austria sticker to half-title, no other markings.Trakl is considered one of the most important Austrian Expressionists.
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George Gissing and H. G. Wells; Their Friendship and Correspondance
by Edited with an introduction by Royal A. Gettmann
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Urbana, IL: University of Illinois Press, 1961. First edition. Hardcover, cloth. Octavo. 285pp. Near Fine in Very Good+ dust jacket, shallow chips and short closed tears to spine ends and corners."Gissing and Wells met at an Omar Khayyam dinner in 1896..."
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The German Cinema
by Manvell, Roger and Heinrich Fraenkel
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New York: Praeger, 1971. First American Edition. Octavo. Black cloth. 159pp. 100 illustrations. Fine in Fine dust jacket. First survey of German movies in English. Contents include: the period from 1895 to 1918, the nineteen-twenties, the sound film before Hitler, the film in Nazi Germany, its aftermath to the nineteen-sixties and the new german cinema. Contains "a detailed account of the Nazis' use of film as propaganda"
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German Expressionist Graphics from the Bradford Collection
by O'Leary, Daniel (preface)
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- ISBN 10 / ISBN 13
- 9780916857363 / 0916857360
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Portland, Maine: Portland Museum of Art, 2004. First Edition. Quarto. Black cloth. 144pp. Illustrated throughout. Fine in Near Fine dust jacket, closed tear top edge rear panel, slight wear to spine ends
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