Search Results: Titles starting with I from Edward T. Pollack Fine Arts

1931. Tumiati, Beryl. (Tumiati, Beryl)illus. I GRANDI NAVIGATORI ITALIANI by Giuseppi Fanciulli. Rome, 1931 (Anno IX). 4to., pictorial boards, introduction by Mussolini, 130pp, ten color plates, some double page, plus color, text illustrations and head and tail pieces. Italian text celebrates the voyages and achievements of the great Italian explorer-navigators. Very nice in the manner of Edy Legrand's book on the French explorers. VG

1976. I MANICHINI SOGNANO. Toscano, 1976. Edition of 750 copies. 4to., cloth, DJ, text and illustrations. Exhibition of art works involving mannequins. VG/VG

Sendak, Maurice. (Sendak, Maurice)illus. I SAW ESAU by Iona & Peter Opie. Candlewick Press, Cambridge, MA., 1992 (1st ed). 12mo., covered boards, DJ, 160pp., color illustrations. Fine, DJ lightly rubbed at extremities.

1973. Avati, Mario. (Avati, Mario)illus. I VIAGGI DI GULLIVER (GULLIVER'S TRAVELS) by Jonathan Swift. Fogola, Turin, 1973. Number 4 of 10 special copies reserved for the artist of an edtion of 300 copies numbered 1-300, 75 copies on "Rives" paper numbered i-lxxv for subscribers, 26 copies numbered A-Z reserved for collaborators, and the 10 copies numbered 1-10. 4to. (12 3/8 x 8 1/2 in.), boards, covered in red paper, slipcase also covered in red paper, red paper DJ, 354pp., Italian text, illustrated with 42 small mezzotints in b/w, each about 2 1/4 x 2 3/4 inches, each signed in pencil for this special copy. Printed by Atelier Rigal, Fontenay-aux Roses. Uncut. Fine throughout.

Monson, Jim (American, 1943- ). ICARUS. Etching in two colors, 1972. Monson 30. Edition of 30, signed,titled and numbered "6/30," all in pencil. Pritned on BFK Rives paper. There were a further 30 printed in darker colors, and separately numbered (Monson 31). 15 1/2 x 21 1/2 inches (plate), 28 1/2 x 20 3/4 inches (sheet). There are foxing spots in the margins, away from the image, else in excellent condition. Monson worked at Atelier 17 from 1969 until 1973. He is still an active printmaker, living in France.

Johnston, Ynez. ICE AGE. Etching and aquatint in colors, not dated. Edition of 25, numbered 16/25, titled, and signed in pencil. 18 x 11 1/2 inches (plate), 25 x 16 inches (sheet). In excellent condition.

Bacon, Peggy. Bacon, Peggy (American, 1895-1987). ICE CREAM. Flint 6. Drypoint, 1918. Edition size not known, but likely very small. Titled "Ice Cream," dated "Nov. 1918," and signed in pencil. 3 15/16 x 5 inches. Printed by the artist, with her smudges in the margins. In very good condition, but with traces of adhesive, verso. Rare. 1918 was the first year that Bacon made prints, producing drypoints using a heavy steel needle on zinc plates, which she printed on an unused press which she found in the corner of Kenneth Hays Miller's life drawing studio at the Art Students League. Working with fellow student Anne Rector, she became so interested in drypoint that it supplanted painting as her main artistic medium. "The abstraction of design, the physical distortion of the figures, and the large flat areas of light and dark found in Peggy Bacon's earrly drypoints...dated November, 1918, were a result of her confrontation with the avant-garde forces active in New York at the time." (Roberta K.… Read More

1885. Lathbury, Mary A.. (Lathbury, Mary A.)illus. IDYLS OF THE MONTHS by Mary A. Lathbury. Routledge, Lon. 1885. 4to., pictorial boards, aeg, 14 superb chromolithographed plates and numerous other illustrations. 12 of the plates, and accompanying text devoted to the months of the year. Minor edgewear, front inner hinge cracked about 2 inches from bottom.

Kahlo, Guillermo. (Kahlo, Guillermo). IGLESIAS DE MEXICO, Volumes I and IV. Text and drawings by Dr. Atl (Gerardo Murillo 1875-1964), photos by Guillermo Kahlo. Publicaiones de la Secretaria de Hacienda, Mexico, 1924-25. 2 vols. (of the six volume set), folio, boards, each about 100pp., each with about 50 tipped-in photos. Chips and losses to the spines of both volumes, else in Very Good condition.

Stravinsky, Igor. Harrah, Richard IGOR STRAVINSKY AND RICHARD MOHR AT RCA RECORDING SESSION, 1949. Orginal photograph by Richard R. Harrah. 10 x 13 inches, 254 x 330 mm. Signed and dated on the verso. Richard Mohr was a record producer for RCA and assisted Stravinsky on the recording of Stravinsky's composition "Kyria," which Stravinsky also conducted. In excellent condition.

Rouault, Georges (French, 1871-1958). IL A ETE MALTRAITE ET OPPRIME ET IL N'A PAS OUVERT LA BOUCHE " (He was oppressed, and he was afflicted, yet he opened not his mouth). Aquatint, drypoint and roulette,1922. From the edition of 450, printed by Jacquemin of Paris on heavy laid paper with the Ambroise Vollard watermark. Unsigned, as issued. Published by La Société d'Edition l'Etoile Filante of Paris in 1948. 23 x 14 3/8 inches (plate), 25 3/4 x 19 3/4 inches (sheet). Faint matstain, else in excellent condition.

Oldenburg, Claes. (Oldenburg, Claes). IL CORSO DEL COTLETTO - THE COURSE OF THE KNIFE by Germano Celant. Rizzoli, NY, 1986. 4to., boards, DJ, 239pp., illustrated. Fine in Fine DJ.

Barraza, Lucas I'LL KEEP CHOOSING YOU. Pastels, 2023 . Signed and titled, verso. 9 X 12 inches. In excellent condition.

1949. Books about Books. ILLUMINATED BOOKS OF THE MIDDLE AGES AND RENAISSANCE. Walters Art Gallery, Baltimore, 1949. 4to., cloth, 85pp. text, plus 80 plates, addendum sheet attached to inside front board. VG

1896. Pennell, Joseph. THE ILLUSTRATION OF BOOKS - A MANUAL FOR THE USE OF STUDENTS. T. Fisher Unwin, London, 1896 (1st Ed.). 8vo., cloth, 166pp., plus publisher's ads. VG

Grossmann, Walter. (American, born Germany c. 1890s - 1980s) IM HOHEN KORN. Drawing, Colored pencils on paper, circa 1914-16. 4 1/2 x 4 1/2 inches. In very good condition. The image shows a dying soldier in a very stylized pose, alone in a field of corn.This drawing was part of an archive of this artist's works. From the materials in the archive we have concluded that Walter Grossman was born in Germany, studied art, served in the German army in World War I, eventually came to America and became a physician in Connecticut. We do not believe that he had a professional career as an artist, but his work shows profciency, and an appreciation for the art movements of the early 20th Century. It appears that the materials were stored under poor conditions for a long time, and some have suffered, with wrinkling, foxing, paper losses, and dampstaining affecting some.

1951. Samson, Charles. (Samson, Charles)illus. IMAGES DE PARIS by Pierre MacOrlan. Les Heures Claires, Paris, 1951. Limited Edition. 8vo., wraps, box, 12 drypoint etchings in color of well-known Paris scenes, with descriptive text, plus a separate suite of the etchings in b/w. (No. 15 of a total editon of 312, of which 112 have the separate suite). Executed for the 2000th anniversary of the Paris. VG

1975. Posters. IMAGES OF AN ERA. Smithsonian, DC, 1975. Sq. 4to., stiff wrappers, glassine DJ, 20pp. text and 257 plates. Exhibition catalogue. VG, glassine has chips.

Hayden, Larry. Hayden, Larry. IMELDA AND LENA 1. Digital photograph, 2014. Printed in Black & White. 20 x 24 inches. Framed.

Shahn, Ben. IMMIGRANT FAMILY. Serigraph, 1941. Prescott 2. Edition size unknown; Prescott knew of only 3. This copy unsigned. 11 1/2 x 18 inches (image), 19 1/4 x 25 1/4 (sheet), framed to 23 x 28 1/4 inches. This was only the second print made by Shahn, and the first serigraph, a medium in which he continued to use for his prints throughout his career. Provenance: Kennedy Galleries, with its label, George Krevsky Gallery, with its label, and estate of Donald Brenwasser, New Jersey. In excellent condition. Very Rare.