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1794. Copper-line engraving. 285mm by 160mm (platemark). Louis Antoine de Bougainville holds a French flag while standing on a rock with other men. Bougainville served as aide-de-camp to the French General Montcalm in Canada from 1759 to 1761, assisted in negotiating the Treaty of Paris, and then established a French colony on the Falkland Islands in 1764. After the French gave up the colony to the Spanish, he led the expedition of the first French circumnavigation from 1766 to 1769. Published in London by Hogg for 'A new, complete, and universal collection of authentic and entertaining voyages and travels to all the various parts of the world'.
Search Results: Titles starting with M from Sebra Prints
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M Bougainville hoisting French Colours on a small Rock in Magellan Streights
by Royce after Vangro
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M Le Chevalier De Lamarck
by Hopwood after David
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1805. Stipple and copper-line engraving. 455mm by 305mm (platemark). M Le Chevalier De Lamarck - Professor of Botany of the National Institute'. The engraving below the portrait is titled 'The Pantheon at Paris'. Jean-Baptiste Pierre Antoine de Monet, Chevalier de la Marck (1744-1829), often known simply as Lamarck, was a French naturalist. He was a soldier, biologist, academic, and an early proponent of the idea that evolution occurred and proceeded in accordance with natural laws.Some faults - small waterstain to to top right, a couple of marks, faint crease through the title area.
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Mabouya Scink and Australian Galliwasp
by Heath (engraver)
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1802. Copper-line engraving. 130mm by 220mm (sheet). From George Shaw's 'General Zoology or Systematic Natural History'.
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MacDonald of Glengarry (Tartan)
by James Grant (author)
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1886. Chromolithograph. 365mm by 265mm (sheet). From 'The Tartans of the Clans of Scotland', by James Grant, 1886. Accompanied by a sheet of descriptive text. CONDITION : Some faint marks in the margins.
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MacIntosh - Chief (Tartan)
by James Grant (author)
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1886. Chromolithograph. 365mm by 265mm (sheet). From 'The Tartans of the Clans of Scotland', by James Grant, 1886. Accompanied by a sheet of descriptive text. CONDITION : Some faint handling marks in the margins.
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The Machinery Court - Victorian Court
by The Illustrated Australian News
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1880. Wood-engraving. 275mm by 400mm (sheet). The Melbourne International Exhibition was held from 1 October 1880 until 30 April 1881. It was the second international exhibition to be held in Australia, the first being held the previous year in Sydney. Incomplete text on the reverse relating to the exhibition.
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Macreuse Noire - Macreuse a Lunettes (Common Scoter and Surf Scoter)
by After P Mahler
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1930. Chromolithograph. 195mm by 265mm (sheet). Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series illustrating birds. CONDITION : Small bump to top edge of the sheet.
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Macropus Ualabatus (Wallaby)
by William Home Lizars (1788-1859) (engraver)
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1841. Engraving with original hand-colouring. 100mm by 165mm (sheet). From G. R. Waterhouse's Natural History of Marsupialia, or Pouched Animals, a volume in Sir William Jardine's "Naturalist's Library," published by Lizars, Edinburgh, 1841.
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Macropus Parryi (Whiptail Wallaby)
by William Home Lizars (1788-1859) (engraver)
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1841. Engraving with original hand-colouring. 100mm by 165mm (sheet). From G. R. Waterhouse's Natural History of Marsupialia, or Pouched Animals, a volume in Sir William Jardine's "Naturalist's Library," published by Lizars, Edinburgh, 1841.
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Macropus Bennettii (Bennett's Wallaby)
by William Home Lizars (1788-1859) (engraver)
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1841. Engraving with original hand-colouring. 100mm by 165mm (sheet). From G. R. Waterhouse's Natural History of Marsupialia, or Pouched Animals, a volume in Sir William Jardine's "Naturalist's Library," published by Lizars, Edinburgh, 1841.
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Macropus penicillatus (Brush tailed kangaroo)
by William Home Lizars (1788-1859) (engraver)
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1841. Engraving with original hand-colouring. 100mm by 165mm (sheet). From G. R. Waterhouse's Natural History of Marsupialia, or Pouched Animals, a volume in Sir William Jardine's "Naturalist's Library," published by Lizars, Edinburgh, 1841.
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Madame Melba Singing at the Concert in Dublin
by After WC Mills
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1900. Photogravure. 395mm by 290mm (sheet). Madame Melba Singing at the Concert in Dublin From 'The Graphic' 1900. Another unrelated image on the reverse.
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Madame Merian
by William Home Lizars (1788-1859) (engraver)
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1841. Steel-engraving. 170mm by 105mm (sheet). From Sir William Jardine's "Naturalist's Library," published by Lizars, Edinburgh, 1841. Very faint handling crease.
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Madame Melba
by After Frank Haviland
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1908. Photogravure. 405mm by 290mm (sheet). Haviland's Theatrical Celebrities No XVI, Madame Melba,, who gave a great charity concert on June 24 in honour of her twentieth season at Covent Garden'. From 'The Illustrated London News'. Unrelated image on the reverse.
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Mademoiselle Georges Weimar of The Theatre Francais
by After Rose Emma Drummond
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1817. Stipple engraving. 235mm by 140mm (sheet). Marguerite Georges (1787-1867) was a French stage actor. She was one of the most famous French actresses of her time. She is also known for her affair with Napoleon, but also claimed to have had an affair with the Duke of Wellington. Accompanied by original text description.Printed close to the edge of the sheet on the right hand side.
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Magdalen College, from the Walk. Oxford University
by John Le Keux (1783-1846) after Frederick Mackenzie (1788-1854)
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1837. Steel-engraving. 135mm by 175mm (platemark) 200mm by 265mm (sheet). Fine detailed india-laid engraving from James Ingram's 'Memorials of Oxford'. John Le Keux was a line engraver who had studied under James Basire and Frederick Mackenzie was an English watercolorist and architectural draughtsman. CONDITION : Faint foxing at the bottom of the image and lower right corner.
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Magdalen Hall. Oxford University
by John Le Keux (1783-1846) after Frederick Mackenzie (1788-1854)
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1837. Steel-engraving. 135mm by 175mm (platemark) 200mm by 265mm (sheet). 'Magdalen Hall', Oxford University. Fine detailed india-laid engraving from James Ingram's 'Memorials of Oxford'. John Le Keux was a line engraver who had studied under James Basire and Frederick Mackenzie was an English watercolorist and architectural draughtsman. CONDITION : Some faint marks in the margins outside the platemark.
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Magone Cartaginese (Magone of Carthage)
by Pazzi after Giovanni Domenico Campiglia
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1741. Copper-line engraving. 255mm by 175mm (platemark) 420mm by 270mm (sheet). Plate number top right corner of image. Giovanni Domenico Campiglia (1692-1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Roman marble bust from 'Musei Capitolini', a series of engravings showing the sculpture of the Capitoline Museum in Rome. Mago I, also known as Magon, was the king of the Ancient Carthage from 550 BC to 530 BC and the founding monarch of the Magonid dynasty of Carthage. Mago I was originally a general. Under Mago, Carthage became preeminent among the Phoenician colonies in the western Mediterranean. CONDITION : Small mark under the image.
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Maine
by The Century Atlas
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Lithograph, 1903. 405mm by 295mm. Map name and number printed on the reverse corners. Central horizontal fold as issued. CONDITION : Small crease on bottom left hand tip of sheet.
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Maison de Campagne Avec Tour
by A Chabanier (architect)
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1870. Chromolithograph. 320mm by 250mm (sheet). From 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
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