Search Results: Titles starting with N from Matthew's Books LLC

Dell, 1969. mass market paperback. good: spine creasing, edge and shelf wear, text clean, binding intact. Dell 6266 205pp. first printing March 1969. #00465.

Dell, 1942. mass market paperback. fair: binding in poor condition, spine torn, rubbed, text clean.. Dell 148 238pp. collectible map back edition, fragile. #00476.

Saint Paul, MN: Graywolf Press, 1991. softcover. Book VG: text clean, binding tight. 8vo 231pp. see pictures for synopsis. #01996.

Mason Publishing Company, 1931. hardcover. good: wear to boards, sunned spine, toning and offset to endpapers, hinge cracking with evidence of old tape repair, binding still intact, text clean./no DJ. 8vo 517pp. ninth installment in the 20-volume Les Rougon-Macquart series. Tells the story of Nana Coupeau's rise from streetwalker to high-class prostitute during the last three years of the French Second Empire.. #01045.

Goldsmith Publishing Co, 1921. first edition. hardcover. very good: blindstamped boards, edge and corner wear to boards, text clean, binding tight./no DJ. Duodecimo 307pp. juvenile fiction, young woman heroine. #00214.

Dent, 1954. Everyman's Library. hardcover. fine. tight binding clean pages minimal signs of shelf wear./very good, toning and some chipping, esp. at top and bottom of spine, sticker residue on front cover, not clipped. first edition crown octavo size of Everyman Library no. 995 Napoleon's Letters. #00053.

New York: Metropolitan Books, 2002. first edition. hardcover. Book VG: remainder stripe top edge of text block else clean, tight, square, unmarked./DJ VG: clean, NOT clipped. 8vo 729pp. from front flap: "Orlando Figes's A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, this internationally renowned historian does the same for Russian culture, summoning the myriad elements that formed a nation and held it together." #02522 HEAVY ITEM WILL REQUIRE EXTRA S/H.

London: National Gallery, 1950. hardcover. very good: age wear to boards and spine, foxing to endpapers and text block edges, name on front paste down./no DJ. 8vo 417pp. black and white reproductions of nearly eight hundred artworks in the National Gallery in London, UK. #01111.

Provo, UT: Press Publishing, 1972. softcover. very good+: mild age/shelf wear, corner wear to wraps. text clean, binding tight.. 8vo 55pp. from Introduction: "We love nature! And we've decided to tell the world how we feel. Our babblings, scribblings, asides, and repartee will hopefully expose you to a good epidemic of nature-loving. Some people are immune, but with the right exposure we hope you will find it chronically infectious, even incurable. Our own experiences with nature's miracles are an important part of what we want to give you." #01289.

Washington: United States Government Printing Office, 1962. hardcover. Book VG: mild age wear to boards and spine, text clean, binding tight./no DJ. 8vo 276pp. + xxiv. #01815.

New York: Abingdon Press, 1963. first edition. hardcover. Book VG+: clean, tight, unmarked./DJ VG: shelf wear, not clipped, mild age toning. 12mo 100pp. from front flap: "Many people separate their religion from their moral obligations. Others conscientiously try to live by the Golden Rule, but profess no religious beliefs. Dr. Baker contends that although religion and morality must be distinguished, the Christian religion cannot be separated from the good life--that faith and morals are "but two sides of a coin." Believing that this relationship between faith and morals needs clarification, he uses a characteristic examples of Jesus' teaching--the Beatitudes--to show that truth and goodness, religion and morality, are inseparable parts of the gospel." #02091.

Warner Books, 1999. Advanced Reader Copy / first edition. softcover. near fine: mild shelf wear, else clean and tight.. 8vo 372pp. ARC. from back cover: It looked to be a grim Christmas for Kate Ashenberry. Fleeing an abusive relationship and virtually abandoned by family, Kate has just moved into a vast Victorian apartment building in London where she is alone and anonymous. But her anonymity is short lived. [. . .] Kate's newfound friends prove to be sometimes fun, sometimes interfering, and always neighborly. But their cozy camaraderie comes to a screeching halt when one of their own is found murdered. " #00896.

Harcourt Brace and Company, 1921. first edition. hardcover. good: heavy discoloration to front board, some rubbing, slightly bumped corners, ex libris card on front paste down, text block clean, binding tight, first edition signs: non watermarked paper, "be" not "he" on p.43/no DJ. second collection of poems by Elinor Wylie (1885-1928), first published under her own name, including her most anthologized poem "Velvet Shoes." #00077.

New York: WW Norton & Company, 1964. College Edition. softcover. Book VG: mild shelf wear to wraps, mild foxing to endpapers, text clean, binding tight. 12mo 299pp. see pictures for synopsis. #02035.

New York: Alfred A. Knopf, 2005. first American edition. hardcover. Book VG: tape reside on boards, discard stamp on FFEP else clean, tight, square, unmarked/DJ VG: age toning, not clipped. 8vo 288pp. from front flap: "From the acclaimed author of The Remains of the Day and When We Were Orphans, a moving new novel that subtly reimagines our world and time in a haunting story of friendship and love." #01922.

New York: Macmillan Company, 1933. first edition. hardcover. Book VG: mild shelf wear to boards, spine sunned, writing on FFEP, mild toning, text clean, binding tight./no DJ. 8vo 301pp. published May 1933. #01474.

New York: Doubleday and Company, 1977. first American edition. hardcover. Book VG: mild shelf wear to boards and spine, hint of toning/offset to endpapers, gift inscription FFEP, text clean, binding tight./DJ G: age soil, edge and corner wear, not clipped.. 8vo 442pp. from front flap: "Robert Graves is one of the giants of modern literature, considered by many the living master of romantic love poetry in English. This latest collection of his work spans more than fifty yeras of his life and thought. His classic regard for the precision of language makes each of his poems a model of clarity, style, and emotion. A biographical introduction by James McKinley and sixteen pages of photographs provide fascinating insights into the poet's life and its relationship to his writing." #02103.

McGraw Hill, 1959. first edition. hardcover. very good+ : mild shelf wear top of boards, edge of text block. else clean, tight, square./very good: edge and corner wear, NOT clipped ($4.75). 8vo 278pp. from front flap: "Has the American economy got what it takes to sustain the remarkable record of growth and stability made since World War II? In this optimistic but carefully annotated analysis of the economic outlook for the next ten years, Dexter Keezer and his staff answer with a most emphatic yes, basing their statements on solid research and the realities of the business world." #00935.

Boston: Houghton Mifflin Company, 1967. first edition. hardcover. Book very good+ : mild toning/offset to endpapers. spots of foxing to edges of text block, text clean, binding tight./DJ good: age toning/soiling, mild shelf wear, NOT clipped ($6.95). 8vo 427pp. stated first printing. from front flap: "Is it possible to offer a single comprehensive view of modern economic life and of the changes that are shaping its future? Mr. Galbraith in this volume proves that it is." #01354.

New York: Association Press, 1957. first edition. hardcover. very good: age wear to boards and spine, offset to endpapers, text clean, binding tight./very good: NOT clipped ($2.50), age wear, rubbing. 12mo. 128pp. from front flap: "...in the light of Christianity's responsibility for the character of our civilization, Paul Hutchinson takes us on an at-home and around-the-world analysis of how the churches are measuring up to their tasks, of how they are helping men know the nature of the crisis of our time. He shows us specifically the gravity of the position in which the church finds itself at this hour--it it stops to take a look." #01075.