Search Results: Titles starting with S from Goldiers LLC

T. Cadell and W. Davies, London, 1810. Very Good. Approx. 7 x 9 3/8 inches. Title: Sacred Pictures in Use Among the Calmuch Tribes.Artist: Unknown.Engraver: Unknown.Publisher: T. Cadell and W. Davies, London.Source: Travels in Various Countries of Europe, Asia and Africa.Date: 1810.Size: Approx. 7 x 9 3/8 inches.Description: Original 1810 copper-plate engraved print of sacred pictures in use among the Calmuch Tribes. The Kalmyks are the Oirats in Russia, whose ancestors migrated from Dzungaria in 1607. They created the Kalmyk Khanate in 1630–1724 in Russia's North Caucasus territory. Today they form a majority in the autonomous republic of Kalmykia on the western shore of the Caspian Sea.Condition: Very Good.Water stains to top edge

Fisher, Son & Co., London, [1829-33]. Good -. approx 6 5/8 x 5 1/8 inches. Title: Saint Andrew's Church, Plymouth.Artist: T. Allom.Engraver: Wallis.Publisher: Fisher, Son & Co., London.Source: Devonshire Illustrated, in a Series of Views of Cities, Towns, Public Buildings, Streets, Docks, Churches, Antiques, Abbeys, Picturesque Scenery, Castles, Seats of the Nobility, etc etc...Date: [1829-33].Size: approx 6 5/8 x 5 1/8 inches.Condition: Good - Heavy foxing/browning. Small closed tear to the bottom edge

Title: Saint Cecilia.Medium: Photography.Artist: Domenichino.Original Engraver: W. Sharp.Publisher/Printer: Woodbury Permanent Photographic Printing Company.Source: Unknown.Date: Circa. 1870.Size: approx. 7 3/4 x 10 3/4 inches.Description: Original photographic print from a painting by the Italian artist Domenichino (1581-1641). Domenico Zampieri, known as Domenichino for his shortness, was an Italian Baroque painter of the Bolognese or Carracci School of painters.This printing type was created by Walter Bentley Woodbury (1834 – 1885). An inventor and pioneering of English photographer. Bentley was one of the earliest photographers in Australia and the Dutch East Indies (now part of Indonesia). He also patented numerous inventions relating to various aspects of photography, his best-known innovation being the woodburytype photomechanical process.Condition: Very Good.Some minor browning/foxing. Slight soiling to the margins.

Otto Ltd., London, Circa 1915. Very Good +. Approx. 10 1/8 x 7 7/8 inches. Title: Saint Donat's Castle, Glamorganshire.Artist: Peter de Wint (21 January 1784 – 30 January 1849).Publisher: Otto Ltd., London. Source: The Connoisseur (British Collectors Magazine). Date: Circa 1915. Size: Approx. 10 1/8 x 7 7/8 inches. Description: Color connoisseur print from the original painting by the English artist Peter de Wint. This antique print shows the castle overlooking the bay. Condition: Very Good +Some curl to edges

Title: Palais de Saint James.Artist: Unknown.Engraver: Adrien Migneret.Publisher: Etienne Ledoux, Paris.Source: ‎L'Angleterre ou description historique et topographique du Royaume Uni de la Grande-Bretagne contenant: les comtés de la principauté de Galles, des...Date: [1823].Size: Approx. 5 3/4" x 3 3/4".Description: Early 19th century topographical view of Saint James's Palace, London, England. St James's Palace is the official residence of the sovereign and the most senior royal palace in the United Kingdom.Condition: Very Good. Minor foxing/browning

Fisher Son & Co., London & Paris, 1846. Good -. Approx. 10 3/4 x 8 1/8 inches. Title: Saint Jean D'Arcre, Mount Carmel in the Distance.Artist: W. H. Bartlett.Engraver: T. Barber.Publisher: Fisher Son & Co., London & Paris.Source: The Gallery of Scripture Engravings, Historical & Landscape.Date: 1846.Size: Approx. 10 3/4 x 8 1/8 inches.Condition: Good -.Some heavy age browning/foxing

Etienne Ledoux, Paris, [1823]. Very Good. Approx. 5 3/4" x 3 3/4". Title: Englise de Saint Pauls.Artist: Unknown.Engraver: Adrien Migneret.Publisher: Etienne Ledoux, Paris.Source: ‎L'Angleterre ou description historique et topographique du Royaume Uni de la Grande-Bretagne contenant: les comtés de la principauté de Galles, des...Date: [1823].Size: Approx. 5 3/4" x 3 3/4".Description: Original early 19th century french topographical print of Saint Paul's Cathedral in the East End of London. St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London and is a Grade 1 listed building.Condition: Very Good. Some foxing/browning

Fisher, London, 1846/7. Very Good +. 10 3/4 x 8 inches. Title: Saint Pauls Chapel, Valley of Mousta.Artist: Major Irton.Engraver: H. Adlard.Publisher: Fisher, London.Source: The Gallery of Scripture Engravings, Historical and Landscape.Date: 1846/7.Size: 10 3/4 x 8 inches.Condition: Very Good +Minor foxing/browning

James Cundee, 1806. Fair. 6 5/8 x 4 inches. Title: Salmon.Engraver: UnknownPublisher: James Cundee.Source: The Naturalists Cabinet.Date: 1806.Size: 6 5/8 x 4 inches.Description: Salmon fishing on horseback. Original copper-plate engraved antique print from the Naturalists Cabinet.Condition: Fair.Heavy foxing/browning. Bottom edge cropped

Fisher, Son & Co., London, 1830. Fair. approx 7 1/8 x 5 1/2 inches. Title: Saltram House, Devonshire. The seat of John Parker, Earl of Morley. D. C. I., F. R. S., to whom this plate is respectfully inscribed by the publishers.Artist: Thomas Allom.Engraver: W. Miller.Publisher: Fisher, Son & Co., London.Source: Devonshire Illustrated, in a Series of Views of Cities, Towns, Public Buildings, Streets, Docks, Churches, Antiques, Abbeys, Picturesque Scenery, Castles, Seats of the Nobility, etc etc...Date: 1830.Size: approx 7 1/8 x 5 1/2 inches.Description: Antique engraved print from Devonshire Illustrated, 1830.Saltram House is a George II era mansion located in Plympton, Plymouth, England. The house that can be seen today is the work of Robert Adam, who altered the original Tudor house on two occasions. The saloon (main drawing room) is sometimes cited as one of Adam's finest interiors. Complete with all of the original decor, plasterwork and furnishings, Saltram is one of Britain's best preserved… Read More

T. Cadell and W. Davies, London, 1810. Good. Approx. 7 5/8 x 10 1/2 inches. Title: Salvia Hablitziana.Artist: Unknown.Engraver: Joseph Skelton.Publisher: T. Cadell and W. Davies, London.Source: Travels in Various Countries of Europe, Asia and Africa.Date: 1810.Size: Approx. 7 5/8 x 10 1/2 inches.Description: Original botanical copper-plate engraving from 1810. The Salvia Hablitziana, Hablitz's Sage was originally thought to only be a native of Peru but Dr. Clarke discovered it in Tauria and Armenia.Condition: Good.Some foxing/browning. Water stain to top left corner. Top margin slightly cropped

George Virtue, London, 1838. Good. 10 3/4 x 8 inches. Title: Scene from Above the New Palace of Beshik-Tash.Artist: W. H. Bartlett.Engraver: R. Wallis.Publisher: George Virtue, London.Source: The Gallery of Scripture Engravings, Historical and Landscape.Date: 1838.Size: 10 3/4 x 8 inches.Description: Original British steel-line engraved print by W. H. Bartlett. The scene is of the new palace of Beshik-Tash, Constantinople in Turkey. Condition: Good Some browning/foxing

Title: Scene in the Bazar.Artist: W. H. Bartlett.Engraver: H. Griffiths.Publisher: George Virtue, 26 Ivy Lane, London.Source: The Beauties of the Bosphorus.Date: 1838.Size: 7 3/4 x 10 1/2 inches.Description: Original engraved print of a Middle Eastern Bazar.Condition: Good + Some browning and foxing of the paper

Title: Scene in Cadyow Park, Lanarkshire, Scotland.Artist: H. Mc Culloch.Engraver: G. Richardson.Publisher: George Virtue, 25 Ivy Lane, London.Source: The Gallery of Scripture Engravings, Historical and Landscape.Date: 1836.Size: 10 3/4 x 8 inches.Description: Original steel-line engraved print from 1836. The engraving shows a beautiful wooded scene from Cadyow Park in Lanarkshire, Scotland.Condition: Good + Some browning/foxing.

The Illustrated London News, June 25th, 1864. Good. Approx. Page 15 1/2 x 10 1/2 inches. Image 14 1/2 x 9 3/8 inches. Title: Schooner Match of the Royal Thames Yacht Club on June 16, Rounding the Water Lily off Shoebury.Artist: Smyth.Engraver: E. W.Publisher: The Illustrated London News.Source: The Illustrated London News.Date: June 25th, 1864.Size: Approx. Page 15 1/2 x 10 1/2 inches. Image 14 1/2 x 9 3/8 inches.Description: Original yacht racing wood-cut engraving from the River Thames in 1864. The RTYC was established in 1775 when Prince Henry, Duke of Cumberland and Strathearn, brother of King George III, put up a silver cup for a race on the River Thames and formed the Cumberland Fleet. The RTYC name originates from 1830 when William IV of the United Kingdom came to the throne. Members of the club initially met in coffee houses. From 1857, the club owned various properties in London.Condition: Good. Some minor page browning/foxing. Text to the reverse.

Unknown, Paris, 1770-1778. Very Good +. Approx. 6 x 8 1/2 inches. Title: Chime. Plate 14.Engraver: Unknown.Artist: Unknown.Publisher: Unknown, Paris.Source: Encyclopédie, ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers.Date: 1770-1778.Size: Approx. 6 x 8 1/2 inches.Description: Original 18th century french copper-plate engraved print of scientific instruments including a press and pulleys.Condition: Very Good + Minor printer ink smudges

Title: Chime (Science Vacuum Chambers). Plate 5.Engraver: Unknown.Artist: Unknown.Publisher: Unknown, Paris.Source: Encyclopédie, ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers.Date: 1770-1778.Size: Approx. 6 x 8 1/2 inches.Description: Early engraving of vacuum chambers, bell jars & similar pieces of equipment used in a laboratory. The vacuum chamber is a rigid enclosure from which air & other gases are removed by a vacuum pump. This results in a low pressure environment within the chamber, commonly referred to as a vacuum. At that time it is thought a vacuum environment allowed researchers to conduct physical experiments or for processes such as vacuum drying. Condition: Very Good +Minor printer ink smudges.

William Heineman, 1907. Very Good +. Image approx. 7 1/8 x 5 1/8 inches. Title: When a Score of Ewes had Brought in a Remarkable Profit.Artist/Illustrator: Arthur Rackham.Publisher: William Heineman.Source: The Ingoldsby Legends.Date: 1907.Size: Image approx. 7 1/8 x 5 1/8 inches.Description: Original color antique Arthur Rackham print from the Ingoldsby Legends. The print shows a jolly gentleman being escorted from a English village public house. His horse is saddled and waiting for him.Condition: Very Good + Print is tipped in on card, as issued

Title: Still to new scenes my wandering Muse retires. And the dumb show of breathing rocks admires - Where the smooth chissel all its force has shown, And soften'd into flesh the rugged stone. Addison.Engraver: Unknown.Artist: Unknown.Publisher: John Hinton at the Kings Arms in Newgate Street, London.Source: The Universal Magazine of Knowledge and Pleasure.Date: 1758.Size: approx. 5 1/8 x 8 inches.Description: Original 18th century copper plate engraved print of a sculptor working with a finely dressed lord and lady watching on. The title of this engraving is a poem by Joseph Addison the English poet.Condition: Good +.Some foxing/browning. Printers plate mark. Slight ink transfer.

Benjamin White, at Horace's Head, Fleet-Street, London, 1776. Good. Approx. 7 1/4 x 9 inches. Title: Sea Eagle.Artist: M. Griffiths.Engraver: Unknown.Publisher: Benjamin White, at Horace's Head, Fleet-Street, London.Source: British Zoology, Volume I class II.Date: 1776.Size: Approx. 7 1/4 x 9 inches.Description: Original British 18th century copper plate engraving of a Sea Eagle.Sea eagles vary in size and weight, from Sanford's sea eagle to the huge Steller's sea eagle, weighing up to 9 kg. The white-tailed eagle is the largest eagle in Europe and the American Bald eagles can weigh up to 7.5 kg, making them the largest eagle native to North America.Condition: Good. Light foxing/browning. Creases to bottom left corner. Soiling and light water stain to the top right margin