Search Results: Titles starting with T from MedicusBooks.Com

1956. TĂĽbingen 18.VIII.1956. 2 Seiten gr.-4°. Briefkopf "Medizinische Universitäts-Klinik und Poliklinik / Direktor: Prof. Dr. H. Bennhold / TĂĽbingen". Hans-Hermann Bennhold (1893-1976) Internist und Hochschullehrer, sein wichtiges Forschungsgebiet war die Funktion der SerumeiweiĂźkörper und der inneren Sekretion. Nach ihm ist die Bennholdsche EiweiĂźprobe (auch Kongorot-Probe) genannt. Prof. Bennhold bittet seinen ehemaligen Kollegen vom Allgemeinen Krankenhaustes St. Georg in Hamburg, dem Direktor des Pathologischen Instituts, Prof. (Josef) Heine (1895-1966) um den Histologischen Befund von Frau Getrude KrĂĽth, geb. Steinkohl (17.12.01). Ferner äuĂźert er "Noch eine zweite Bitte hätte ich an Sie. Ich ärgere mich immer etwas darĂĽber, das die grossen Verdienste Ihres Vorgängers Simmonds *) in unberechtigterweise vom Ausland geschmälert werden, dadurch dann man den Engländer Sheehan **) immer mehr in den Vordergrund rĂĽckt. Besteht in dem Institut wohl noch ein Bild vom alten Simmonds,… Read More

1913. Leipzig 2.VII.1913. 1 Seite gr.-4°. Gedruckter Briefkopf "Geologisch-palaeontologisches Institut der Universität Leipzig". Theodor Brandes (1886-1916; gefallen), Geologe. - An den Geologen und Paläontologen Wilhelm Salomon-Calvi in Heidelberg, dem er mitteilt, dass er "die Curatorstelle in New York" abgelehnt habe. "... Es ist mir eine große Freude, daß ich Ihnen als Assistent genehm bin ..."

1965. Pagala (Togo/Westafrika) 30.VIII.1965. 1 Seite 4°. AĂ©rogramme. Frankkiert und gestempelt, Anschrift mit Schreibmaschine unkenntlich gemacht. Pater Georges Knaebel (1916-1966), katholischer Missinor der Gesellschaft der Afrika Missionen SMA war 20 Jahre im Togo tätig. In diesem Brief bittet er um Mittel zum Erhalt des dort von ihm gegrĂĽndeten Hospital: "Als Priester habe ich nicht nur ie Aufgabe, das Wort Gottes zu verkĂĽnden, sondern auch die Pflicht, den Menschen zu helfen. So sehe ich mich fast unlöslichen Problemen gegenĂĽber. Nach harter Arbeit die noch erschwert wurde durch das unbarmherzige Tropenklima, haben wir 1962 ein kleines Hospital fertiggestellt, wodurch wenigsten einem Teil der Kranken geholfen werden kann." "Aber es gibt hier nicht nur die GeiĂźel schrecklicher Krankheiten, wie etwas der Lepra, auch das Analphabetentum, gepaart mit einem unvorstellbaren Aberglauben plagt hier die Menschheit. So haben wir nach Ăśberwindung groĂźer Schwierigkeiten in den umliegenden… Read More

1959/60, 4°, original Schreibmaschine, 5 pp., mit Korrekturen, 3 große Tafeln und 4 eingeklebte orig. Fotos. Beigelegt der Sonderdruck "Auflösungsvermögen und Bildgüte" Von Georg Franke, E. Leitz GmbH, Wetzlar, Sonderdruck, Die Umschau, 1960/5, pp.136-138

1888. Wien. med. Wschr., 38/ 2. - Wien, L.W. Seidel & Sohn, 14. Jänner 1888, 4°, Sp.33-60, feine Broschur. Erstdruck! Fritz Adolf Salzer "1858 in Wien geb., studierte daselbst, sowie in Heidelberg und Berlin, promovierte 1882, war dann mehrere Jahre lang Operateur und Assistent an d. Klinik von Billroth, habilitierte sich 1890 und erhielt noch in demselben Jahre die ord. Professur der Chirurgie in Utrecht, wo er unter sehr ungünstigen, sein Lehramt erheblich beeinträchtigenden äusseren Verhältnissen litt, die ihn z.T. dazu führten, dass er sich in einer Anwandlung von Geistesstörung auf einer Reise nach Wien in Dresden 7. April 1893 entleibte. Salzer ist Verfasser einer grösseren Reihe von Zeitschriftren-Publikationen auf chirurgischem Gebiet." Pagel: Biogr. Lex. (1901), Sp. 1471

1971. München 1971, Q.-8°, 16 Bl., 1 Abbildungen, orig. kartonierter Einband.

1861. Wien, Wilhelm braumüller, 1861, 8°, 96 pp., orig. Broschur; minmal fleckig, unaufgeschnitten. Gesonderer Abdruck aus dessen Lehrbuch der Chemie. Prof. Dr. Johann (Jakob) Joseph Ritter von Scherer, auch Joseph Johann von Scherer (1814-1869) Chemiker und Professor am Juliusspital. Er gilt als Begr³nder der Klinischen Chemie.

1887. Braunschweig, H.Bruhn, 1887, 8°, 76 pp., orig. Leinenband.

1927. Karlsruhe, G. Braun, 1927, 8°, VIII, 226, (2) pp., orig. Leinenband. Erste Auflage! "Diese Tabellen, die während meiner zwölfjährigen Tätigkeit in Zürich im Rahmen der Vorlesung über anorganische Chemie entstanden sind, wurden im Jahre 1925 von dem Chemikerverein der E.T.H. im Auftrag des Ausschusses der Studierenden der E.T.H. gesammelt und in der Absicht, sie als Manuskriptdruck zu vervielfältigen. Durch meinen Weggang von Zürich konnte die Arbeit dort nicht zu Ende geführt werden, und ich verließ die Hochschule mit dem versprechen die Tabellensammlung in irgendeiner Form zugänglich zu machen." Vorwort

1863. Allg. Zschr. Psychiat., 20+21. - Berlin, August Hirschwald, 1863-64, 8°, 31, (1) pp.; 64 pp., 1 Taf.; 8 orig. Broschuren in zubindbarer Halbleinenmappe; eine Arbeit etasd fleckig. First Editions! - Collection of 8 off prints of Carl Fr.O. Westphal relaiting Tabes dorsalis: Tabes dorsalis (graue Degeneration der Hintrstränge) und Paralysis univers. progressiva (20 (1863): pp.1-31); Fortsetzung (21 (1864): pp.364-420, 1 Taf.); Nachtrag (21: pp.450-453). Ueber combinirte (primäre Erkrankung der RĂĽckenmarksstränge (Arch. Psychiatr. 8/2 (1878), 45 pp., 2 Taf.); Fortsetzung (Arch. Psychiatr. 9/2 (1879), 21 pp., 2 Taf.); Schluss (Arch. Psychiatr. 9/3 (1879), 47 pp.). Ueber ein frĂĽhes Symptom der Tabes dorsalis (Berl. klin. Wschr., 1878/1, 10 pp.). Ueber die Beziehungen der Lues zur Tabes dorsalis und eine eigenthĂĽmliche Form parenchymatäser Erkrankung der Hinterstränge des RĂĽckenmarks (Arch. Psychiatr. 11/1 (1880), 22 pp., 1 Taf.). Zur Nervendehnung bei Tabes dorsalis (Berl.… Read More

1898. Festschr. zu Ehren v. Filipp Josef Pick. - Wien & Leipzig 1898, 8°, 26 pp., 2 farblith. Taf., orig. Broschur.

1749. London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 1 leaf of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were… Read More

1749. London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 3 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were… Read More

1749. London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 3 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were… Read More

1749. London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 2 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were… Read More

1749. London, Printed by h. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate; added 1 outline plate and 1 leaf of plate explanations. "This first Table contains chiefly a front view or Figure of the Human Sceleton; whereunto are added some of the Ligaments and Cartilages, without which the connexion or joints of the Bones would be interrupted." Albinus This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an… Read More

1749. London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 2 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were… Read More

1749. London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 1 leaf of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were… Read More

1749. London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate; added 1 one outline plate and 1 leaf of plate explanations. "This is the fourth and last order of the muscles on the back part of the body, with the Sceleton laid more naked ; because most of the outer muscles, in the preceding figure, are here removed. This figure is a back view of that contained on the fourth table, but not wholly so ; since neither the internal pterygoidei, external sphincter of the anus, transversales of the perinaeum, nor interossei and tendons of the fingers in the right hand, are any of them represented here as in that figure : but we have represented the interossei, with the tendons in the left hand ; since we expressed them in the third, but omitted them in the fourth." Albinus This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty… Read More

1749. London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate; added 1 one outline plate and 1 leaf of plate explanations. "In this Figure, which represents the fourth order of the muscles, we have not only removed molt of the outer parts of the Figure last preceding, but we have also taken away every thing from the bony cavities of the eyes, except the muscles; from the neck we have removed the whole pharynx and gula, together with the larynx and windpipe; from the opened thorax all the parts that are above the diaphragm, the heart, lungs, pericardium, and two pleura : also the whole peritoneum, with the abdominal viscera which it contains, and whatever else lies near the loins on this side, except the muscles." Albinus This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to… Read More