Search Results: Titles starting with W from ETG Book Cafe

No DJ, this book's paper-covered boards have some spine and edge wear. The binding is tight, the pages are moderately toned with age; there is pencil marginalia and underlining on pgs 25-64, and two tiny holes from false title page through page 16; a previous owner's name is written in pen on front free endpaper.
This famous work has been called one of the twentieth century's most important poems. The prominent modernist poem is especially remarkable for its abrupt change of speaker, place, and time.

DJ is worn and stained, has a protective sleeve; cloth cover has slight wear/light stains. Binding is tight, pages clean minimal signs of use, excellent reading condition.
This reference source focuses primarily on contemporary woman artists. Entries are limited to from 5 to 20 words per artist, they may include artist's medium, where she studied or exhibited, birth and death dates. There are many B&W reproductions of artworks including those of sculptures and photographs. Pages are not numbered, text is alphabetical with no additional index. The author omits citations to some well known artists and art dealer's information is not provided. 1975 was International Women's Year. The red, white and blue waving banner on the book jacket is just in time for the 1976 USA Bicentennial.

Dustjacket and cloth-covered boards show very light wear, some use wear at spine foot. Binding is tight, textblock pages are clean, Ex Libri label with previous owner's name on front free endpaper; includes 45 b/w illustrations; notes; and index of artists.
From the dustjacket flap: "Seven landmark essays on women artists and women in art history by a pioneer in feminist art history." The author was an American art historian, professor, and writer. She was a prominent feminist art historian known for her pioneering 1971 ARTnews article "Why Have There Been No Great Women Artists?".

DJ has a few taped small rip repairs, cloth covers show slight edge, corner and spine wear. Binding is tight, textblock pages are clean of marks. Includes "Annotated Bibliography", and "Periodicals".
This book examines the emancipation of woman, woman in the Church, the ordination of women and the immediacy of the need. Contains a brief history of the first fifteen women priests.

This 52-page booklet in stapled wrappers has very light wear, the binding is tight, the pages clean, no underlining,
Includes "Vietnam Era Statistics (from August 1964 to May 1975)"

This perfect bound soft-cover book is in its stiff white wrappers which show wear and are slightly soiled. The binding is tight and the text block has a dime sized wet stain top near spine, larger wet stain bottom near spine; the pages are clear of marks. Includes 25 B&W full page plates with title, date, size printed on rectos throughout, a preface by gallery director Faustino Quintanilla, an Introduction, a Biography, and a simple "How To Make a Woodcut" instruction page.
The artist was a master printmaker, it was his prime artistic expression since 1973; in this quite scarce exhibition catalog one sees woodcuts with much attention to foliage. He was a Professor Emeritus of Art and Design at the College, one of the founders of the Queensborough Art Gallery, and one of the designers of the A.S. Degree in Visual and Performing Arts.
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Soft-cover book is in its original wrappers and in fine condition with very light wear along edge and spine; a previous bookstore's price sticker is on back cover. The perfect binding is tight, the text block pages are clear of marks. Illustrated throughout with full-color and B&W photographs and drawings of designs, some full- and double-paged. Also includes Contents, 8 essays, Appreciations, Filmogrophy, Bibliography, Contributors Notes, Index, Photograph Credits
Quote from Goodreads about this 1997 exhibition related book: "From the 1940s to the 1970s, the Los Angeles-based husband-and-wife team of Charles and Ray Eames practiced design at its most virtuous and its most expansive. Their furniture, toys, buildings, films, graphics, exhibitions, and books all aimed to improve society-not only functionally but also culturally and intellectually. The essays in this handsome and generously illustrated volume examine the Eames' projects in the contexts of science, corporate patronage, and politics as… Read More

The softcover shows light wear along the bottom edge and corners, the back cover shows some sun fading near the spine; the binding is tight, text block pages are clear of marks. Includes more than 80 color reproductions, Sources and Acknowledgments, Chronology and Exhibitions, Selected Bibliography, and an Index. Artwork postcards and magazine article are laid in.
Accompanying reproductions of the hand-painted fantasy-world stamps are captions describing how the artist worked and some of the philatelic devices he used. This book also includes information about the life the artist whose work is passionately collected throughout the real world, plus his "Map of the World" and his "Census".