Description:
Killroy Media, 1995. First. Hardcover. Very good in dj. 4to, pictorial cloth. Unpaginated [104 pp], copiously illustrated with photographs and drawings, plus 25 plates in color. Parallel texts in German and English. A collection of artwork, photographs and interviews, sort of post-Warhol pop. Mühleis, who goes by her initials, was born in Stuttgart in 1962 and divides her time between Germany and New York
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YAM Warum Kunst? painted popsongs
by Mühleis, Yvonne
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White Plains, New York, United States
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Yasuo Kuniyoshi's Women
by Wolf, Tom
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- first
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- Used - Very good in a dj with a few short edge tears
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- First
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- Hardcover
- ISBN 10 / ISBN 13
- 9781566403207 / 1566403200
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Pomegranate Books, 1993. First. Hardcover. Very good in a dj with a few short edge tears. 4to, cloth. xix pp of text + 34 color plates. 25 b/w text illustrations, selected bibliography.
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Yielding Place to New Rest versus Motion in the Conflict of Laws
by Goodrich, Herbert F.; Introduction by Ralph M. Carson
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First 8vo, cloth. 33 pp, not illustrated. The Ninth Annual Benjamin N. Cardozo Lecture, delivered May 4, 1950. Goodrich was a Circuit Judge on the U.S. Court of Appeals, Thrid Circuit, until 1963. Very good except for discoloration to the backstrip.
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Yokohama: Prints From Nineteenth-Century Japan
by Yonemura, Ann
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- first
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- Used - Very good in dj
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- First
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- ISBN 10 / ISBN 13
- 9780874749939 / 087474993X
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Sackler Gallery / Smithsonian, 1990. First. Hardcover. Very good in dj. 4to, cloth. 198 pp, 138 illustrations (118 in color), bibliography.
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Yoshikuni Iida Recent Sculptures
by London. Annely Juda Fine Art. Essay by Seiji Oshima, and with the text of an interview wit Iida conducted
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Annely Juda Fine Art, 1988. First. Softcover. Very good except for light cover soil. 8vo, stiff wrappers. [62] pp, 11 color plates, portrait, chronology, exhibition list, bibliography. A dual catalog of two exhibitions, one held at the Gatodo Gallery, Tokyo, in June, 1988 and the other at Annely Juda Fine Art, London, from October 18 - November 12, 1988. Different wood and jute-rope constructions were on display at each exhibition but the catalog texts, in both English and Japanese, are identical except that the chronology, exhibition list and bibliography are in English only.
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