Film and Politics in America: A Social Tradition (Social Analysis) by Neve, Brian

Routledge, 1992-12-11. paperback. Used: Good.

Paperback. Very Good.

Routledge. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Routledge, 11/12/1992. Paperback. Used; Good. **WE SHIP WITHIN 24 HRS FROM LONDON, UK, 98% OF OUR ORDERS ARE RECEIVED WITHIN 7-10 DAYS. We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Routledge, 1992-12-11. Paperback. Very Good. 1.8528 in x 20.0000 in x 15.1269 in. A clean, tight copy throughout with minimal wear. No markings except previous owner signature on inner front cover. .

Routledge, 1992-12-11. Paperback. Very Good. 1.8528 in x 20.0000 in x 15.1269 in.

London: Routledge, 1992. A crease to the spine, otherwise a good clean tight copy of this paperback book in which the author looks at the political and social nature of American films from the 1930s to the 1960s, particularly those made by directors whose careers began in 1940s Hollywood, including directors such as Orson Welles, Elia Kazan, Jules Dassin, Abraham Polonsky, Nicholas Ray, Robert Rossen and Joseph Losey. 285pp, 12 b&w illustrations.. Soft Cover. Good/No Jacket. 8vo - over 7¾" - 9¾" tall.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Routledge, 1992-12-11. paperback. Used:Good.

New. In A Social Cinema: Film-making and Politics in America, Brian Neve presents a study of the social and political nature of American film by concentrating on a generation of writers from the thirties who directed films in Hollywood in the 1940's. He discusses how they negotiated their roles in relation to the studio system, itself undergoing change, and to what extent their experience in the political and theatre movements of thirties New York was to be reflected in their later films. Focusing in particular on Orson Welles, Elia Kazan, Jules Dassin, Abraham Polonsky, Nicholas Ray, Robert Rossen and Joseph Losey, Neve relates the work of these writers and directors to the broader industrial, bureaucratic, social and political developments of the period 1935-1970. With special emphasis on the post-war decade, bringing together archive and secondary sources, Neve explores a lost tradition of social fimmaking in America.