The Chicago World's Fair of 1893; A Photographic Record

New York: Dover Publications, Inc, 1980. Presumed First Edition, First printing. Trade paperback. Good. [12], 116 pages. Cover has some wear and soiling. Picture sources. Map. Illustrations. Bibliography. Index. This is one of the Dover Architecture Series. Stanley Appelbaum served for decades as Dover's Editor in Chief until his retirement in 1996. He continued to work as a selector, compiler, editor, and translator of literature in a remarkable range of languages that includes Spanish, Italian, French, German, and Russian. Photos from the Collection of the Avery Library of Columbia University and the Chicago Historical Society. The World's Colombian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. The centerpiece of the Fair, held in Jackson Park, was a large water pool representing the voyage Columbus took to the New World. Chicago had won the right to host the fair over several other cities, including New York City and St. Louis. The exposition had a profound effect on American architecture, the arts, American industrial optimism, and Chicago's image. The exposition covered 690 acres, featuring nearly 200 new (but deliberately temporary) buildings of predominantly neoclassical architecture, canals and lagoons, and people and cultures from 46 countries. More than 27 million people attended the exposition during its six-month run. Its scale and grandeur exceeded the other world's fairs, and it became a symbol of emerging American exceptionalism. The International Exposition was held in an Electricity Building which was devoted to electrical exhibits. Originally conceived to commemorate the 400th anniversary of Columbus's discovery of America, the World's Colombian Exposition of 1893 was one of the largest (633 acres) and most influential aggregations of human talent, energy, and industry ever assembled. More than 27 million visitors entered the grounds (now Jackson Park) to marvel at the exhibits and displays housed in some 200 buildings, including those of 79 foreign governments and 38 states. Although the Fair had its share of "firsts" (original Ferris wheel, first midway, Edison's kinetoscope, etc.), its chief marvel was its architecture. It is that aspect which is emphasized in this striking photographic record. Beginning with an overview of the fair's planning and conceptual stages, Stanley Appelbaum's well-researched text then proceeds to a fascinating discussion of the personalities, regional rivalries, and intense controversy surrounding the Beaux-Arts architecture (the "White City" style) of the fair, including its enormous impact on subsequent American architecture. The contributions of such outstanding architects and firms as R. M. Hunt; McKim, Mead and White; Frederick Law Olmsted; and Peabody and Stearns are described. The book then becomes a building-by-building walking tour of the fair imaginatively reconstructed with the help of 128 sharply reproduced rare contemporary photographs, printed on fine coated stock, and a concise, fact-filled text. The placid basins, ponds, and Lagoon that graced the fairgrounds lend a serene aura to these priceless views of the great buildings and sights of the fair: the Beaux-Arts glories of the Administration and Agriculture Buildings; Daniel Chester French's statue of the Republic; the Colombian Fountain by Frederick MacMonnies; the Golden Door of Louis Sullivan's Transportation Building; the Peristyle; Mary Cassatt's mural in the Woman's Building; the pure classicism of the Palace of Fine Arts (now the Museum of Science and Industry); numerous state and foreign pavilions, and of course, the Midway the first separate amusement area at a World's Fair, and the reputed location of Little Egypt's celebrated danse du ventre.
In the concluding section, the author touches on other memorable aspects of the fair and its times: the Panic of 1893; the Pullman Strike; famous visitors (Archduke Ferdinand, the Spanish Infanta, etc.); cultural and social congresses, and finally, the disastrous fires that ultimately destroyed many of the buildings. For social and cultural historians, Chicagoans, and anyone interested in the special magic of a world's fair, this book is a loving and nostalgic look back to a time bathed in the golden light of the fin-de-siècle years, when a colossal spectacle of human achievement in art, science, and industry captured the world's attention for one magic and unforgettable moment.