The Expert versus the Object: Judging Fakes and False Attributions in the Visual Arts by Spencer, Ronald D. [Editor]; Thaw, Eugene Victor [Foreword]; - 2004-04-01

Oxford University Press, Incorporated, 2004. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. The dust jacket is missing. At ThriftBooks, our motto is: Read More, Spend Less.

Oxford University Press, Incorporated. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Oxford University Press, USA, 2004-04-01. Hardcover. Good.

New York: Oxford University Press, 2004. Hardcover. VG/VG (May be SIGNED BY EDITOR on tp. May have crease in back of dj). White boards, red & white & illus. dust jacket, 241 pp., no illus. A collection of 18 essays on the subject of art authenticity. "Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. ... The essays in this book clarify the nature of these methods and explain, based on case law, the present status of authentication issues in court." (dj).

Oxford University Press, 2004-04-01. Hardcover. Like New. 9x6x1. Author inscribed to previous owner and signed looks unread. Please email for photos.

Hardcover w/ Dust jacket. New.

Hardback. New. The authenticity of art has always commanded the attention of experts, dealers, collectors and the art-minded public. This book of essays, edited by a lawyer specializing in art law and authenticity, proposes to make the question of authenticity more easily understood.

Hard Cover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Expert Versus the Object: Judging Fakes and False Attributions in the Visual Arts.

Hardback. New. The authenticity of art has always commanded the attention of experts, dealers, collectors and the art-minded public. This book of essays, edited by a lawyer specializing in art law and authenticity, proposes to make the question of authenticity more easily understood.

Oxford University Press, 2004-04-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title!