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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora) by Editor-Joseph A. Young; Editor-Jana Evans Braziel - 2007-08-30
by Editor-Joseph A. Young; Editor-Jana Evans Braziel
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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora)
by Editor-Joseph A. Young; Editor-Jana Evans Braziel
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- Hardcover
Mercer Univ Pr, 2007-08-30. Hardcover. Good.
- Bookseller Ergodebooks (US)
- Format/Binding Hardcover
- Book Condition Used - Good
- Quantity Available 1
- Binding Hardcover
- ISBN 10 0881460761
- ISBN 13 9780881460766
- Publisher Mercer Univ Pr
- Date Published 2007-08-30
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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora)
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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora)
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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora)
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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora)
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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora)
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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora)
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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora)
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Philadelphia, Pennsylvania, United States
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Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora)
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- ISBN 10 / ISBN 13
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Erasing Public Memory: Race, Aesthetics, And Cultural Amnesia In The Americas (H736/Mrc)
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Hardback. New. Erasing Public Memory is an inquiry into the canon of Western civilization that exposes the ubiquity and contiguity of racialized rationalism and how it constitutes standardized notions of beauty, memory, and public culture. Such an analysis is cosmically instructive, even though the editors and contributors may find themselves at the cusp of a crucible, an intellectual practice that might grant interrogations of racially inflected paradigms not all equal in import. The axis of race in the Western canon, uninflected and theorized, the goal of Erasing Public Memory is a move toward the de-reification of race as a priori ground of Western knowledge.
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