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Kessinger Publishing, LLC, 2010-09-10. Paperback. Good.
Het Graf, in vier zangen. by FEITH, RHIJNVIS - 1792
by FEITH, RHIJNVIS
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Het Graf, in vier zangen.
by FEITH, RHIJNVIS
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Amsterdam, Johannes Allart, 1792. (XIV) 105 (2) p. Origineel Gekartonneerd, 8° (Boekblok plaatselijk licht gebruind, de rug is gedeeltelijk gerestaureerd, mist de franse titelpagina. Bijzondere uitgave van dit leerdicht door Rhijnvis Feith, 1753-1824. Het werk is doorschoten met 9 extra ingevoegde bladen met op 8 daarvan oude aantekeningen over de kop- en sluitvignetten waarmee het werk is geïllustreerd en op 1 daarvan een aquarel van 'Sophronia' door de schilder en toneelspeler Johannes Jelgerhuis, 1770-1836.)
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- Publisher Amsterdam, Johannes Allart
- Date Published 1792
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Het Graf, In Vier Zangen (1819) (Chinese Edition)
by Rhijnvis Feith
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- ISBN 10 / ISBN 13
- 9781168364913 / 1168364914
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HOUSTON, Texas, United States
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Het Graf, in Vier Zangen (1819)
by Rhijnvis Feith
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Southport, Merseyside, United Kingdom
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Het Graf, in Vier Zangen (1819)
by Rhijnvis Feith
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Southport, Merseyside, United Kingdom
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Het Graf, in Vier Zangen (1792)
by Rhijnvis Feith
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- New
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- 9781166059071 / 1166059073
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Southport, Merseyside, United Kingdom
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Het graf in vier Zangen
by Feith, Rhijnvis
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- Hardcover
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- Hardcover
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St. Paul, Minnesota, United States
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's Gravenhage: J. Immerzeel, Junior, 1829. Third edition (first published in 1792), 8vo, pp. [9], vi-xiv, 105, [3]; engraved vignette title page, 8 engraved head- and tail-pieces (signed Reinier Vinkeles); original yellow paper-covered boards, printed paper label on spine. Good and sound. Vinkeles (1741-1816) was an engraver in Amsterdam, who also worked as a draughtsman. Trained under Jan Punt, and then under Le Bas in Paris 1771-1772. Het Graf belongs to the funerary and night poetry as it was written throughout Europe, although the genre had already declined by the time Feith wrote his work. Buijnsters calls the poem the monumental final piece of our Dutch mortuary poetry from the second half of the eighteenth century. Reinier Vinkeles' vignettes are closely related to Feith's text, so that there must have been intensive consultation between the writer and engraver.
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