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Aris & Phillips. Used - Like New. 2010. Hardcover. Fine.
Music in the Odes of Horace by Stuart Lyons
by Stuart Lyons
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Music in the Odes of Horace
by Stuart Lyons
- Used
- Hardcover
Aris & Phillips. Used - Very Good. 2010. Hardcover. Cloth, d.j. Some shelf-wear. Else clean copy. Very Good. (Subject: Ancient & Classical Studies).
- Bookseller Powell's Bookstores Chicago (US)
- Book Condition Used - Very Good
- Binding Hardcover
- ISBN 10 0856688444
- ISBN 13 9780856688447
- Publisher Aris & Phillips
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Music in the Odes of Horace
by Stuart Lyons
- Used
- Hardcover
- Condition
- Used - Like New
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780856688447 / 0856688444
- Quantity Available
- 1
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Chicago, Illinois, United States
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Stock Photo: Cover May Be Different
Music in the Odes of Horace
by Stuart Lyons
- Used
- Hardcover
- Condition
- Used: Good
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780856688447 / 0856688444
- Quantity Available
- 1
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HOUSTON, Texas, United States
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Aris & Phillips, 2010-04-30. Hardcover. Used: Good.
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Music in the Odes of Horace
by Stuart Lyons
- Used
- very good
- Hardcover
- Condition
- Used - Very Good
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780856688447 / 0856688444
- Quantity Available
- 1
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GORING BY SEA, West Sussex, United Kingdom
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Hardback. Very Good.
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MUSIC IN THE ODES OF HORACE
by Lyons, Stuart
- Used
- Hardcover
- Condition
- Used - Very Good+ in Very Good+ dust jacket
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780856688447 / 0856688444
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Toronto, Ontario, Canada
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Aris & Phillips. Very Good+ in Very Good+ dust jacket. 2010. Hardcover. 0856688444 . Corners very slightly bumped else book is fine. Light shelfwear to DJ. ; Viii, 204pp, illustrated. Following the success of Horace's Odes and the Mystery of Do-Re-Mi in which he proposed that Horace's Odes were truly carmina (songs) , Stuart Lyons further explores the orality of the Odes in both the Augustan Age and their early medieval reception. Challenging the perception of the Odes as purely literary works and drawing on extensive evidence in Horace and other ancient sources, Lyons argues that Horace's objective was to produce a unique type of performance art, a Latin re-interpretation of Greek lyric song to entertain the Roman elite. In post-Carolingian manuscripts, there are several instances of musical notation for the Odes. Some was to help students articulate their Latin, but other notation records performance works. Lyons shows that the arrangement for the Ode to Phyllis in the…
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