The Travel Journal of Antonio de Beatis: German, Switzerland, the Low Countries, France and Italy, 1517-1518

xii+206 Pages with foldout map, 2 illustrations and index. Octavo (9" x 6") bound in original publisher's blue cloth with gilt lettering to spine and pictorial representation of the ship Victoria on the cover. Translated from the Italian text published in 1905, with an introduction discussing Renaissance travel accounts by J R Hale and J. M. A. Lindon. Works issued by the Hakluyt Society, Second Series, Number 150. First edition. In May 1517, Luigi of Aragon, one of the most wealthy, cultivated and well-connected of Italian cardinals, left Italy for a leisurely tour through Germany, Switzerland, and the Low Countries and France which lasted until January 1518. Too grand to keep a record of his own movements, he was well-served by his chaplain and amanuensis, Antonio De Beatis, who day by day kept a steadily enthusiastic record of the scenes they passed amongst. The range of De Beatis's interests was quite remarkably wide. His descriptions of individuals, landscapes, towns, of whole regions and the characters and customs of their inhabitants, of churches, palaces, relics and works of art provide one of the clearest impressions we have of the physical quality of life in northwestern Europe in the Renaissance. This range owes something to the company he kept. Without the Cardinal he would not have had the organs played in the churches they visited, would not have watched Raphael's tapestries being woven in Brussels or met Leonardo da Vinci at Amboise. But it owes still more to traditions which by 1715 suggested not only what a curious traveler should look at but the way in which he might organize his impressions, and express them in writing. For this reason most of the editor's Introduction is devoted to providing a pioneering account of the evolution of the Renaissance travel journal. Through the Italian text published in the German edition of Ludwig Pastor in 1905, has been frequently quoted by political, social and art historians, the Journal has not previously been translated into English. Condition: Jacket with some light rubbing to edges, else a near fine copy in a fine jacket.