Kingfishers & Queens by Waanders, Hans - 1987

Milwuakee, Wisconsin:: Evelyn Patricia Terry,, 2021.. Series Variant, each unique. 3 x 3"; 6 panels including book boards. Miniature altered book. Materials: intaglio prints, screen prints, pastel, thread, artist's hair, permanent ink. Includes collage and handwritten text. Signed by the arist. A miniature version of Terry's original serires "America, Guests Who Came to Dinner (and Stayed)." Evelyn Patricia Terry: "'America, Guests Who Came to Dinner (and Stayed)', an altered book series, transforms books with cut, torn, sewn and glued original prints, drawings and handmade paper produced during my 50-plus year printmaking and drawing career. The distinct group of books re-purposes my 1981 screen print edition of 68 black ink images on white Stonehenge paper for each book's interior pages. The book covers repurpose predominately, assorted etchings, colored screen prints and pastel markings and sometimes handmade paper.  "Unchanging, this… Read More

Hardcover. Condition: Fine. Harold Town (illustrator). Limited Edition. Signed by Harold Town and numbered 6 of 175. In the original Near Fine slipcase. Slipcase has slight wear and a sun faded strip to the front. 13 x 15.5 in. Signed by Illustrator(s)

Edmonton:: Sean Caulfield,, 2020.. Edition of 8. 18" x 14.5" closed. Accordion structure extending from front pastedown. Medium: relief (linocut) and letterpress on Hahnemühle. Bound in Japanese silk with ribbon tie closure. Book design and typography by Sue Colberg. Numbered. Signed by the collaborators. Sean Caulfield: "'Watercircle' was produced through a collaborative process between Sean Caulfield (visual artist), Case Caulfield (writer), and Sue Colberg (book designer). To initiate the work, Sean Caulfield drew thematic inspiration from the North Saskatchewan River, which is a major feature in the landscape of Treaty 6 Territory and is the historical and contemporary heart of Edmonton, Alberta, Canada. In reflecting on the landscape shaped by the river, Sean Caulfield created a large-format linocut that explored themes of ecological change and regeneration of the landscape and the individuals who inhabit it. Like much of Caulfield's relief print work exploring… Read More

Los Angeles: Siglio Press, 2013. Limited Edition of 25 copies only. Hardcover. As New/As New. 186 p. : col. ill. ; 20 cm. Publisher's original paper over boards. Book Condition: As new. Dust Jacket Condition: As new. This book has been handled just enough to photograph and is pristine. Signed and numbered to the title page by the author (#16 of 25). Included with this limited edition is an original, one-of-a-kind, collage by the author. This small intricately constructed work is enclosed in a glassine envelope attached to the first free endpaper; it is both initialed and authenticated with the artist's trademark fingerprint in red ink on the back of the work. The limited edition sold out very quickly in 2013 and hasn't been offered by the trade (that we've noticed) since then. Included with this offering is a Siglio Press Catalog for 2012/2013, a postcard announcing a reading by the author in New York City on May 31, 2013 at 192 Books (which, sadly, we missed), and finally "Siglio Ephemera #7" also… Read More

St. Paul, Minnesota:: Bluestem Cottage Press,, 2021.. Edition of 13. 24 pages. Designed, bound, and letterpress printed using polymer plates. Artwork on verso pages include ink drawdowns for the first layer. Screen printed textures are superimposed. Typography: Minion Pro, main text is 10/14, letterpress using polymer plates. Paper: Rives BFK, white and grey. Slipcase: Cave paper, Duo bookcloth, endpapers are Neenah Metallic, gun metal grey. Numbered. Carter Clapsadle: "All together this collaborative book is comprised of 10 poems on the recto pages, and 10 screen printed images on the verso pages. These poems are part of an ongoing body of work inspired by travel. They are about experiences, observations, and memories that are triggered from traveling, eating, driving, swimming, and taking part in cultural exchanges.  "Travel takes us from our routines and familiarities while at the same time reveals similarities we have with those places. Some poems are about a particular place… Read More

Paris: [Chez l'artiste], 1980. Livre. Illus. by Kamill Major. Bon. En Feuilles. Signé par L'auteur et L'illustrateur. Edition originale. In-folio. Paris, [Chez l'artiste], 1980. 38,5 x 39 cm, en feuilles, 30 ff. n. ch. en impression anopistographe, 12 sérigraphies en noir à pleine page, en feuilles sous couverture muette à rabats et coffret couvert de papier goudron portant le titre au premier plat et le nom des auteurs au dos. Edition originale. Bien complet de son disque vinyle 30 cm en impression monoface. Tirage à 70 exemplaires, dont 15 hors commerce, sur papier Marais. Celui-ci justifié épreuve d'artiste et signé par l'auteur, l'artiste et le compositeur, tous trois d'origine hongroise. A noter que la typographie est de Vera Székely et que les sérigraphies sont le résultat de travaux successifs sur un même écran. Petites usures au coffret..

Glenview, IL: The Artist, 2006.. Double-sided variation on an accordion flag book (20.5 x 25 cm folded). Fine, in folding card case with artist's imprint and limitation statement. Copy #11 of 25 numbered copies, signed by Hanmer. Pigment inkjet prints on polyester film, with central printed card spines, which, when unfolded and extended, stands on its own as a whole. The work derives its inspiration from a passage in Cather's MY ANTONIA, which is printed on the tail piece in company with the formal limitation and Hanmer's signature: "Everywhere, as far as the eye could reach, there was nothing but rough, shaggy, red grass ... And there was so much motion in it; the whole country seemed, somehow, to be running." When unfolded, the imagery and potential kinetics of the piece replicate that impression. Hanmer is an award- winning binder and book artist whose works have been included in scores of exhibitions.

Brookston, IN: Twinrocker Papermill, 1983. #105 of 150 copies SIGNED by Claire Van Vliet and Kathryn Clark. Housed in clamshell case from Japan covered in dark plum cloth with pale grey silky cloth inside and purple calf label on the spine with silver lettering. Printed at The Janus Press in Newark, Vermont. The pulp painting is shaped 12" high and accordions out to 60" wide. Publisher's prospectus laid in. A Fine and lovely artist's book. . SIGNED. Limited and Numbered Signed 1st Edition. Accordion Folded Paper . Fine. 4to - over 9¾" - 12" tall. Limited Edition.

Tacoma, WA:: Springtide Press,, 2021.. Edition of 35. 6 x 8 inches, expands to 60 inches. Letterpress printed from single-use plastics and handset type by Jessica Spring. Paper Rite-in-the Rain and Pike. Binding leporello structure with pop-up text panels. Plastic covers. Bound by Jessica Spring & Gabby Cooksey. Signed and numbered by Jessica Spring. Jessica Spring: "'A Sublime Love Story' weaves together a 19th century poem of seduction by Percy Bysshe Shelley, with current research on bisphenol contamination in our environment, food, water and bodies. Used to manufacture plastics and resins for food and drink packaging, bisphenol A (BPA) impacts the endocrine system, impairing development and reproductive health of animals and humans. BPA analogues, including BPE and BPS, are similar reproductive toxicants with transgenerational effects. 19th century writers didn't know synthetic plastic would emerge in 1907 to change the world. Mary Shelley's 'Frankenstein',… Read More

Leiden / 's-Hertogenbosch: Global Art Affairs Foundation / Luiscius Antiquarian Booksellers, 2015. Book. As New. Hardcover. Signed by Author(s). 1st Edition. Silver cloth covered clamshell box (24 x 17,5 x 6 cm.) containing 3 items; 1: Silver cloth covered book. # 005 of the Deluxe edition of 50 copies signed by Heinz Mack. Illustrated with black & withe photographic plates. [160 pp.] 2: a CD housed in matching cloth covered cardboard holder and 3: an original photo between plexiglas of the 'entrance ticket' on the hand of Mack for the Zero-Party at Bahnhof Rolandseck in 1966. All items kept in 'shoebox style' white cardboard box. Personal Structures Art Project # 10. .