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Reading Rock and Roll: Authenticity, Appropriation, Aesthetics
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Reading Rock and Roll: Authenticity, Appropriation, Aesthetics Paperback - 1999

by Kevin Dettmar (Editor); William Richey (Editor); Foreword by Anthony Decurtis


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From the rear cover

INFORMAL AND THEORETICALLY INFORMED, Reading Rock & Roll is an important investigation of the music that more than any other has defined our century. Kevin Dettmar and William Richey have gathered a wealth of erudite, original, and clever writings that perform close readings of rock music -- often with surprising results.

From a careful examination of the roles of addictions and female sexuality in the remakings of Courtney Love and Madonna, to the politics of George Clinton's uses and abuses of language, to the referencing of Elvis Costello in two recent novels and the use of 1970s rock in recent film soundtracks, these essays are as varied as the artists they consider. Arguing that from its inception rock and roll has exhibited the self-consciousness and irony characteristic of other postmodern art forms, the writings featured in Reading Rock & Roll regularly call attention to the allusiveness and intertextuality of rock and roll, whether it is Kurt Cobain undermining the Beatles, M. C. Hammer stealing from Rick James's "Super Freak", or U2's use of the legendary voice of Johnny Cash.

Details

  • Title Reading Rock and Roll: Authenticity, Appropriation, Aesthetics
  • Author Kevin Dettmar (Editor); William Richey (Editor); Foreword by Anthony Decurtis
  • Binding Paperback
  • Edition First Edition
  • Pages 352
  • Volumes 1
  • Language ENG
  • Publisher Columbia University Press, New York
  • Date 1999-07-27
  • ISBN 9780231113991 / 0231113994
  • Weight 1.07 lbs (0.49 kg)
  • Dimensions 8.96 x 6.01 x 0.75 in (22.76 x 15.27 x 1.91 cm)
  • Themes
    • Ethnic Orientation: Hispanic
  • Library of Congress subjects Rock music - History and criticism, Music - Philosophy and aesthetics
  • Library of Congress Catalog Number 99011659
  • Dewey Decimal Code 781.66

About the author

Kevin J. H. Dettmar is professor and chair of the Department of English at Southern Illinois University, Carbondale. He is the author of The Illicit Joyce of Postmodernism: Reading Against the Grain, editor of Rereading the New: A Backward Glance at Modernism, and (with Stephen Watt) Marketing Modernisms: Self-Promotion, Canonization, and Rereading.William Richey is associate professor of English at the University of South Carolina. He is the author of Blake's Altering Aesthetic.

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Reading Rock and Roll : Authenticity, Appropriation, Aesthetics
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Reading Rock and Roll
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Reading Rock and Roll

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Reading Rock & Roll: Authenticity, Appropriation, Aesthetics
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Reading Rock & Roll: Authenticity, Appropriation, Aesthetics

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Reading Rock and Roll: Authenticity, Appropriation, Aesthetics

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Reading Rock & Roll – Authenticity, Appropriation, Aesthetics (Paper)
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by Dettmar, Kevin J. H. (Editor)/ Richey, William (Editor)

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Reading Rock and Roll: Authenticity, Appropriation, Aesthetics

Reading Rock and Roll: Authenticity, Appropriation, Aesthetics

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Reading Rock & Roll – Authenticity, Appropriation, Aesthetics (Paper)
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Reading Rock & Roll – Authenticity, Appropriation, Aesthetics (Paper)

by Dettmar, Kevin J. H. (Editor)/ Richey, William (Editor)

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Reading Rock and Roll
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Reading Rock and Roll

by Dettmar, Kevin [Editor]; Richey, William [Editor]; DeCurtis, Anthony [Foreword];

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