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Edgar G. Ulmer: Detour on Poverty Row
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Edgar G. Ulmer: Detour on Poverty Row Hardcover - 2008

by Gary D. Rhodes (Editor); Contribution by Stephen Broomer; Contribution by Steffen Hantke


From the publisher

Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.

Details

  • Title Edgar G. Ulmer: Detour on Poverty Row
  • Author Gary D. Rhodes (Editor); Contribution by Stephen Broomer; Contribution by Steffen Hantke
  • Binding Hardcover
  • Pages 350
  • Volumes 1
  • Language ENG
  • Publisher Lexington Books
  • Date 2008-05-01
  • Features Bibliography, Index, Table of Contents
  • ISBN 9780739125670 / 0739125672
  • Weight 1.41 lbs (0.64 kg)
  • Dimensions 8.97 x 6.41 x 1.29 in (22.78 x 16.28 x 3.28 cm)
  • Library of Congress subjects Ulmer, Edgar G - Criticism and interpretation
  • Library of Congress Catalog Number 2008004141
  • Dewey Decimal Code B

Media reviews

Citations

  • Reference and Research Bk News, 08/01/2008, Page 299

About the author

Gary D. Rhodes is a lecturer in film studies at Queen's University in Belfast, Northern Ireland.
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Hardback. New. Edgar G. Ulmer: Detour on Poverty Row examines the full scope of the career of this often overlooked film auteur, with essays exploring individual films, groups of films (such as his important work in film noir), repetitive themes appearing across the spectrum of his work, and a case study of three essays analyzing The Black Cat (1934).
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