True To Life

Paperback. Very Good.

University of California Press, January 2009. Trade Paperback . Used Good. Front and back covers have light wear to edges and corners. Spine intact, some wear. Binding is intact. Pages are generally clean with minor edge or corner wear. Clearly a pre-owned and used copy but still in readable condition. We carry new and used books in our… Read more about this item

Berkeley, California: University of California Press, 2008. First. Paperback. As New. Galley copy/uncorrected proof. Color-pictorial white wraps. NO French flaps. [xx] 249 pp. with 82 bw figures and no color plates. Letter and other information from publicity director of UC Press laid in. From the publisher--Soon after the book's publication in 1982, artist David Hockney read Lawrence Weschler's… Read more about this item

University of California Press. Near Fine. 2009. First Edition; First Printing. Softcover. 0520258797 . Stiff unmarked book in crisp covers. ; 8.0 X 6.0 X 0.9 inches; 272 pages .

Berkeley: University of California Press, 2009. Book. Fine. Soft cover.

Berkeley / Los Angeles: University of California Press, 2008. . 8vo. 249pp. Very good. Soft cover. Some color plates. Pen inscription on title page. 

University of California Press. Used - Good. . . All orders guaranteed and ship within 24 hours. Your purchase supports More Than Words, a nonprofit job training program for youth, empowering youth to take charge of their lives by taking charge of a business.

UsedGood. Book is in good condition and may contain underlining or highlighting and minimal wear. The book can also include library labels. May not contain miscellaneous items (toys, dvds, etc). We offer 100% money back guarantee and fast customer support.

University of California Press, 2009-01-26. First Edition. paperback. Used:Good.

University of California Press, 2009-01-26. First Edition. paperback. Used: Good.

Paperback / softback. New. Chronicles David Hockney's protean production and speculations, including his scenic designs for opera, his homemade xerographic prints, his exploration of physics in relation to Chinese landscape painting, his investigations into optical devices, his taking up of watercolor - and then his return to oil painting, around 2005.