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Hong Kong Cinema: Coloniser, Motherland and Self
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Hong Kong Cinema: Coloniser, Motherland and Self Paperback - 2009 - 1st Edition

by Yingchi Chu


From the publisher

Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film products and critical traditions. Hong Kong Cinema considers the different political formations of Hong Kong's culture as seen through the cinema, and deals with the historical, political, economic and cultural relations between Hong Kong cinema and other Chinese film industries on the mainland, as well as in Taiwan and South-East Asia. Discussion covers the concept of 'national cinema' in the context of Hong Kong's status as a quasi-nation with strong links to both the 'motherland' (China) and the 'coloniser' (Britain), and also argues that Hong Kong cinema is a national cinema only in an incomplete and ambiguous sense.

Details

  • Title Hong Kong Cinema: Coloniser, Motherland and Self
  • Author Yingchi Chu
  • Binding Paperback
  • Edition number 1st
  • Edition 1
  • Pages 206
  • Volumes 1
  • Language ENG
  • Publisher Routledge
  • Date 2009-04-01
  • Features Bibliography, Glossary
  • ISBN 9780415546331 / 0415546338
  • Weight 0.66 lbs (0.30 kg)
  • Dimensions 9.21 x 6.14 x 0.44 in (23.39 x 15.60 x 1.12 cm)
  • Themes
    • Cultural Region: Asian - Chinese
  • Dewey Decimal Code 791.430

About the author

Yingchi Chu is a lecturer in Chinese and Film Studies at the School of Asian Studies, Murdoch University, Western Australia
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Hong Kong Cinema: Coloniser, Motherland and Self
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Hong Kong Cinema: Coloniser, Motherland and Self

by Yingchi Chu

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New. Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film products and critical traditions. Hong Kong Cinema considers the different political formations of Hong Kong's culture as seen through the cinema, and deals with the historical, political, economic and cultural relations between Hong Kong cinema and other Chinese film industries on the mainland, as well as in Taiwan and South-East Asia. Discussion covers the concept of 'national cinema' in the context of Hong Kong's status as a quasi-nation with strong links to both the 'motherland' (China) and the 'coloniser' (Britain), and also argues that Hong Kong cinema is a national cinema only in an incomplete and ambiguous sense.
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Hong Kong Cinema : Coloniser, Motherland and Self
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Hong Kong Cinema : Coloniser, Motherland and Self

by Yingchi Chu

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Hong Kong Cinema: Coloniser, Motherland and Self

Hong Kong Cinema: Coloniser, Motherland and Self

by Yingchi Chu

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Hong Kong Cinema: Coloniser, Motherland and Self
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Hong Kong Cinema: Coloniser, Motherland and Self

by Chu, Yingchi (Author)

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Hong Kong Cinema

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