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Picture Imperfect: Photography and Eugenics, 1879-1940
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Picture Imperfect: Photography and Eugenics, 1879-1940 Paperback - 2010

by Anne Maxwell


From the publisher

Documents and critically analyses the photographs that helped strengthen as well as bring down the Eugenics Movement. Using a large body of racial-type images and a variety of historical and archival sources, and concentrating mainly on developments in Britain, the USA and Nazi Germany, the author argues that photography, as the most powerful visual medium of the late nineteenth and early twentieth centuries, was vital to the Eugenics Movement's success -- not only did it allow eugenicists to identify the people with superior and inferior hereditary traits, but it helped publicise and lend scientific authority to eugenicists' racial theories. The author further argues for a strong connection between the racial-type photographs that eugenicists created and the photographic images produced by nineteenth-century anthropologists and prison authorities, and that the photographic works of contemporary liberal anthropologists played a significant role in the Eugenics Movement's downfall. Besides adding to our knowledge of photography's crucial role in helping to authorise and implement some of the most controversial social policies of modern times, this book makes a major contribution to our understanding of the history of racism. Most accounts of eugenics have been written by history of science scholars, with an emphasis on the history of science and medicine. In contrast, "Picture Imperfect" looks at eugenics from the standpoint of its most significant cultural data -- racial-type photography, investigating the techniques, media forms, and styles of photography used by eugenicists, and relating these to their racial theories and their social policies and goals. Indeed, the visual archive was crucially constitutive of eugenic racial science because it helped make many of its concepts appear both intuitive as well as scientifically legitimate. Discussion of the history of the eugenics movement encompasses a wide narrative, including Nazi history, US politics, criminology and prison studies, and propaganda.

Details

  • Title Picture Imperfect: Photography and Eugenics, 1879-1940
  • Author Anne Maxwell
  • Binding Paperback
  • Pages 286
  • Volumes 1
  • Language ENG
  • Publisher Liverpool University Press
  • Date 2010-04
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index, Table of Contents
  • ISBN 9781845194154 / 1845194152
  • Weight 1.2 lbs (0.54 kg)
  • Dimensions 9.6 x 6.7 x 0.7 in (24.38 x 17.02 x 1.78 cm)
  • Dewey Decimal Code 770.904

About the author

Anne Maxwell is a Senior Lecturer in the School of Culture and Communications at the University of Melbourne where she teaches courses on literary criticism and cultural studies. She has published widely in the fields of colonial visual cultures and colonial and postcolonial literature.
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Picture Imperfect: Photography & Eugenics, 1870-1940

Picture Imperfect: Photography & Eugenics, 1870-1940

by Anne Maxwell

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Paperback / softback. New. Using a large body of racial-type images and a variety of historical and archival sources, and concentrating mainly on developments in Britain, the USA and Nazi Germany, this book explains how photography, as the most powerful visual medium of the late nineteenth and early twentieth centuries, was vital to the eugenics movement's success.
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Picture Imperfect – Photography and Eugenics, 1870–1940
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Picture Imperfect – Photography and Eugenics, 1870–1940

by Maxwell, Anne

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Picture Imperfect: Photography and Eugenics, 1870-1940
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Picture Imperfect: Photography and Eugenics, 1870-1940

by Anne Maxwell

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Picture Imperfect: Photography and Eugenics, 1879-1940
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Picture Imperfect: Photography and Eugenics, 1879-1940

by Maxwell, Anne

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