Art from

Williamsburg, Virginia: The Colonial Williamsburg Foundation, 1985. 56 pages. Catalog for a 1985 exhibition organized by The Abby Aldrich Rockefeller Folk Art Center in Williamsburg. The exhibtion highlighted the work of Texas folk artist Eddie Arning (1898-1993). Profusely illustrated in both color and black and white. The catalog is in near fine condition: clean, bright, and… Read more about this item

Napoli, Italy: Negenborn & Bokwinkel, 1890. Bound in red linen covered flexible boards. There are 8 pages, each with an original color lithograph. Italian painter Geramia Discanno (1839-1907) spent years reproducing the frescoes of ancient Pompeii. The eight color lithographs in this book beautifully represent a portion of that effort. The book is in about very… Read more about this item

Paris: Verve, 1938. Complete issue of the French art magazine, Verve for October-December 1938. Flexible Boards. Folio. In the original box. Includes original lithographs by Miró, Chagall, Rattner, and Klee. The magazine is in near fine condition--the 4 original lithographs are in superb condition. All has been protected in the original box, which is… Read more about this item

New York: Roaring Fork Press, 1971. 11 inches by 11 inches. The Fluxus Issue of Aspen Magazine, Fall/Winter 1970-71. First (and only) edition. Twelve sections loosely housed in the original portfolio, which is section #1. Section 14, an order form for Aspen, is NOT present, as usual. The 12 internal sections are in very good condition: clean, bright and crisp,… Read more about this item

New York: Roaring Fork Press, 1970. Complete with 14 numbered numbered sections (though the box states that this issue includes fifteen sections, section number 15 apparently was never included): 1) Hinged box, 10 by 9-1/2 by 1-1/4 inches, shipped flat. Box designed by Richard Smith. After assembly, contains sections 2 through 14. 2) British Knickers. Sewing pattern… Read more about this item

New York: Camera Club of New York, 1899. Published in Camera Notes, volume 3, number I (July 1899). Printed as a photogravure by the Photochrome Engraving Company, a company that Alfred Stieglitz had founded. Image size is 7 3/4 inches by 4 3/4 inches. René Le Bègue was a Parisian photographer who founded the Photo-Club de… Read more about this item

Paris: Maeght, 1967. The deluxe edition of Derrière le Miroir No. 166: number 73 of only 150 examples that were printed on vellum paper made by Lana Papeterie in Strasbourg. Includes 4 original lithographs by Braque. Everything is in almost as-new condition.. Limited Edition. Hardcover. Fine/Fine. Illus. by Georges Braque. Folio - over 12" - 15" tall. Magazine.… Read more about this item

New York: Camera Club of New York, 1899. Published in Camera Notes, volume 3, number 2 (October 1899). Printed as a photogravure by the Photochrome Engraving Company, a company that Alfred Stieglitz had founded. Image size is 5 3/4 inches by 4 5/8 inches. Joseph T. Keiley (1860-1914) was a New York lawyer and… Read more about this item

New York: Camera Club of New York, 1899. Published in Camera Notes, volume 3, number I (July 1899). Printed as a photogravure by the Photochrome Engraving Company, a company that Alfred Stieglitz had founded. Image size is 6 inches by 4 inches. Gertrude Kasebier (1853-1934), a leading photographer in the photo-secessionist movement is perhaps best… Read more about this item

New York: Camera Club of New York, 1901. Published in Camera Notes, volume 5, number 1 (July 1901). Printed as a photogravure by the Photochrome Engraving Company, a company that Alfred Stieglitz had founded. Image size is 6 5/8 inches by 5 5/8 inches. Joseph T. Keiley (1860-1914) was a New York lawyer and amateur… Read more about this item

New York: Camera Club of New York, 1902. Published in Camera Notes, volume 6, number 2 (October 1902). Printed as a photogravure by the Photochrome Engraving Company, a company that Alfred Stieglitz had founded. Image size is 2 1/2 inches by 1 3/4 inches. Will H. Moses (1871-1923) was a New Orleans architect who… Read more about this item

New York: Camera Club of New York, 1898. Published in Camera Notes, volume 1, number 4 (April 1898). Printed as a photogravure by the Photochrome Engraving Company, a company that Alfred Stieglitz had founded. Image size is 7 3/16 inches by 5 1/4 inches. Charles I. Berg (1856-1926) was a New York architect and… Read more about this item

New York: Leon Louis Dolice, 1922. Original etching with aquatint by Austrian-American artist Leon Louis Dolice; pencil-signed by Dolice below the image. Signed and dated 1922 in the plate, along with the title. The image size is 9 5/16 "" by 7 3/8"". Dolice's etchings of New York City scenes are in high demand. Washington… Read more about this item

Paris: Éditions de la Revue Verve, 1940. Complete issue of the French art magazine, September-November, 1940, Flexible Boards. The dust jacket is a lithograph after a cutout by Matisse that was created for this issue of Verve. Art historian Margaret Culbertson argues that the cover was an early act of French resistance to Nazi Germany: "Work on the… Read more about this item

Pittsburgh, Pennsylvania: Unpublished, 1898. 6 1/8" by 9 1/16" mounted on 8 " by 10" mounting board. Winfield Scott Bell (1852-?) was a founding member of the Pittsburgh Amateur Photographers' Society in 1885. Through the society he became acquainted with John W. Beatty, the first Art Director at the Carnegie Institute. Beatty was a prolific (if somewhat… Read more about this item

Plattsburgh, New York: Rockwell Kent Gallery / SUNY-Plattsburgh Art Museum, 1993. 20 pages. Single issue of an art journal dedicated to the study of the life and art of American artist Rockwell Kent. This issue includes an article about Kent's role in the International Workers Order (IWO). The journal is clean and tight, with some very faint… Read more about this item

New York: Roaring Fork Press, 1970. The Psychedelic Issue of Aspen Magazine, Winter/Spring 1970. First (and only) edition. Complete in 13 sections loosely housed in the original psychedelically colored portfolio. The 12 internal sections are in virtually as-new condition; the portfolio itself is clean, bright, and crisp, with relatively minor wear along the spine fold.. First… Read more about this item

Paris: Musée des Arts décoratifs and Flammarion, 2000. 334 (2) pages. Small folio. In the original pictorial dust jacket. First printing of the first English-language edition, which is a revised and updated version of the exhibition catalogue for Décors de l'imaginaire: Papiers peints panoramiques, 1790-1865 at the Musée des Arts Décoratifs in Paris, September 18, 1990 through… Read more about this item

New York: Unpublished, 1925. Original photograph by the Australian-American photographer Anton Bruehl (1900-1982). A vintage (circa 1925) gelatin silver print mounted on cardstock. 7 1/2 inches by 5 1/2 inches. The photograph is unsigned, but the composition of the still-life photo includes a roughly torn piece of paper that includes the caption that was handwritten by the… Read more about this item

Buenos Aires, Argentina: Krayd Galería de Arte, 1955. Complete suite of 18 (9 color and 9 black and white) original lithographs by nine 20th century Argentinian modern artists: Leopoldo Torres (1924-1995), Miguel Ocampo (1922-2015), Libero Badii (1916-2001), Antonio Fernández-Muro (1920-2014), Sarah Grilo (1920-2017), Alfredo Hlito (1923-1993), José María Lanús (1922-), Leopoldo Presas (1915-2009), and Ideal Sánchez (1916-1998). Each lithograph… Read more about this item